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Abbe Mouret's Transgression (La Faute De L'abbe Mouret), a novel by Emile Zola

Book 3 - Chapter 14

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_ BOOK III CHAPTER XIV

At that moment Albine was still wandering about the Paradou with all the mute agony of a wounded animal. She had ceased to weep. Her face was very white and a deep crease showed upon her brow. Why did she have to suffer that deathlike agony? Of what fault had she been guilty, that the garden no longer kept the promises it had held out to her since her childhood's days? She questioned herself as she walked along, never heeding the avenues through which the gloom was slowly stealing. She had always obeyed the voices of the trees. She could not remember having injured a single flower. She had ever been the beloved daughter of the greenery, hearkening to it submissively, yielding to it with full belief in the happiness which it promised to her. And when, on that supreme day, the Paradou had cried to her to cast herself beneath the giant-tree, she had done so in compliance with its voice. If she then had nothing to reproach herself with, it must be the garden which had betrayed her; the garden which was torturing her for the mere sake of seeing her suffer.

She halted and looked around her. The great gloomy masses of foliage preserved deep silence. The paths were blocked with black walls of darkness. The distant lawns were lulling to sleep the breezes that kissed them. And she thrust out her hands with a gesture of hopelessness and raised a cry of protest. It could not all end thus. But her voice choked beneath the silent trees. Thrice did she implore the Paradou to answer her, but never an explanation fell from its lofty branches, not a leaf seemed to be moved with pity for her. Then she resumed her weary wandering, and felt that she was entering into the fatal sternness of winter. Now that she had ceased to rebelliously question the earth, she caught sound of a gentle murmur speeding along the ground. It was the farewell of the plants, wishing one another a happy death. To have drunk in the sunshine for a whole season, to have lived ever blossoming, to have breathed continual perfume, and then, at the first blast, to depart, with the hope of springing up again elsewhere, was not that sufficiently long and full a life which obstinate craving for further existence would mar? Ah! how sweet death must be; how sweet to have an endless night before one, wherein to dream of the short days of life and to recall eternally its fugitive joys!

She stayed her steps once more; but she no longer protested as she stood there amidst the deep stillness of the Paradou. She now believed that she understood everything. The garden doubtless had death in store for her as a supreme culminating happiness. It was to death that it had all along been leading her in its tender fashion. After love, there could be nought but death. And never had the garden loved her so much as it did now; she had shown herself ungrateful in accusing it, for all the time she had remained its best beloved child. The motionless boughs, the paths blocked up with darkness, the lawns where the breezes fell asleep, had only become mute in order that they might lure her on to taste the joys of long silence. They wished her to be with them in their winter rest, they dreamt of carrying her off, swathed in their dry leaves with her eyes frozen like the waters of the springs, her limbs stiffened like the bare branches, and her blood sleeping the sleep of the sap. And, yes, she would live their life to the very end, and die their death. Perhaps they had already willed that she should spring up next summer as a rose in the flower-garden, or a pale willow in the meadow-lands, or a tender birch in the forest. Yes, it was the great law of life; she was about to die.

Then, for the last time, she resumed her walk through the Paradou in quest of death. What fragrant plant might need her sweet-scented tresses to increase the perfume of its leaves? What flower might wish the gift of her satinlike skin, the snowy whiteness of her arms, the tender pink of her bosom? To what weakly tree should she offer her young blood? She would have liked to be of service to the weeds vegetating beside the paths, to slay herself there so that from her flesh some huge greenery might spring, lofty and sapful, laden with birds at May-time, and passionately caressed by the sun. But for a long while the Paradou still maintained silence as if it had not yet made up its mind to confide to her in what last kiss it would spirit away her life. She had to wander all over it again, seeking, pilgrim-like, for her favourite spots. Night was now more swiftly approaching, and it seemed to her as if she were being gradually sucked into the earth. She climbed to the great rocks and questioned them, asking whether it was upon their stony beds that she must breathe her last breath. She crossed the forest with lingering steps, hoping that some oak would topple down and bury her beneath the majesty of its fall. She skirted the streams that flowed through the meadows, bending down at almost every step she took so as to peep into the depths and see whether a couch had not been prepared for her amongst the water lilies. But nowhere did Death call her; nowhere did he offer her his cold hands. Yet, she was not mistaken. It was, indeed, the Paradou that was about to teach her to die, as, indeed, it had taught her to love. She again began to scour the bushes, more eagerly even than on those warm mornings of the past when she had gone searching for love. And, suddenly, just as she was reaching the parterre, she came upon death, amidst all the evening fragrance. She ran forward, breaking out into a rapturous laugh. She was to die amongst the flowers.

First she hastened to the thicket-like rosary. There, in the last flickering of the gloaming, she searched the beds and gathered all the roses that hung languishing at the approach of winter. She plucked them from down below, quite heedless of their thorns; she plucked them in front of her, with both hands; she plucked them from above, rising upon tip-toes and pulling down the boughs. So eager was she, so desperate was her haste, that she even broke the branches, she, who had ever shown herself tender to the tiniest blades of grass. Soon her arms were full of roses, she tottered beneath her burden of flowers. And having quite stripped the rose trees, carrying away even the fallen petals, she turned her steps to the pavilion; and when she had let her load of blossoms slip upon the floor of the room with the blue ceiling, she again went down to the garden.

This time she sought the violets. She made huge bunches of them, which she pressed one by one against her breast. Then she sought the carnations, plucking them all, even to the buds; massing them together in big sheaves of white blossoms that suggested bowls of milk, and big sheaves of the red ones, that seemed like bowls of blood. Then, too, she sought the stocks, the patches of mirabilis, the heliotropes and the lilies. She tore the last blossoming stocks off by the handful, pitilessly crumpling their satin ruches; she devastated the beds of mirabilis, whose flowers were scarcely opening to the evening air; she mowed down the field of heliotropes, piling her harvest of blooms into a heap; and she thrust bundles of lilies under her arms like handles of reeds. When she was again laden with as much as she could carry, she returned to the pavilion to cast the violets, the carnations, the lilies, the stocks, the heliotrope, and the mirabilis by the side of the roses. And then, without stopping to draw breath, she went down yet again.

This time she repaired to that gloomy corner which seemed like the graveyard of the flower-garden. A warm autumn had there brought on a second crop of spring flowers. She raided the borders of tuberoses and hyacinths; going down upon her knees, and gathering her harvest with all a miser's care, lest she should miss a single blossom. The tuberoses seemed to her to be extremely precious flowers, which would distil drops of gold and wealth and wondrous sweetness. The hyacinths, beaded with pearly blooms, were like necklets, whose every pearl would pour forth joys unknown to man. And although she almost buried herself beneath the mass of tuberoses and hyacinths which she plucked, she next stripped a field of poppies, and even found means to crop an expanse of marigolds farther on. All these she heaped over the tuberoses and hyacinths, and then ran back to the room with the blue ceiling, taking the greatest care as she went that the breeze should not rob her of a single pistil. And once more did she come downstairs.

But what was she to gather now? She had stripped the parterre bare. As she rose upon the tips of her shoes in the dim gloom, she could only see the garden lying there naked and dead, deprived of the tender eyes of its roses, the crimson smile of its carnations, and the perfumed locks of its heliotropes. Nevertheless, she could not return with empty arms. So she laid hands upon the herbs and leafy plants. She crawled over the ground, as though she would have carried off the very soil itself in a clutch of supreme passion. She filled her skirt with a harvest of aromatic plants, southernwood, mint, verbenas. She came across a border of balm, and left not a leaf of it unplucked. She even broke off two big fennels which she threw over her shoulders like a couple of trees. Had she been able, she would have carried all the greenery of the garden away with her between her teeth. When she reached the threshold of the pavilion, she turned round and gave a last look at the Paradou. It was quite dark now. The night had fully come and cast a black veil over everything. Then for the last time she went up the stairs, never more to step down them.

The spacious room was quickly decked. She had placed a lighted lamp upon the table. She sorted out the flowers heaped upon the floor and arranged them in big bunches, which she distributed about the room. First she placed some lilies behind the lamp on the table, forming with them a lofty lacelike screen which softened the light with its snowy purity. Then she threw handfuls of carnations and stocks over the old sofa, which was already strewn with red bouquets that had faded a century ago, till all these were hidden, and the sofa looked like a huge bed of stocks bristling with carnations. Next she placed the four armchairs in front of the alcove. On the first one she piled marigolds, on the second poppies, on the third mirabilis, and on the fourth heliotrope. The chairs were completely buried in bloom, with nothing but the tips of their arms visible. At last she thought of the bed. She pushed a little table near the head of it, and reared thereon a huge pile of violets. Then she covered the whole bed with the hyacinths and tuberoses she had plucked. They were so abundant that they formed a thick couch overflowing all around, so that the bed now looked like one colossal bloom.

The roses still remained. And these she scattered chancewise all over the room, without even looking to see where they fell. Some of them dropped upon the table, the sofa, and the chairs; and a corner of the bed was inundated with them. For some minutes there was a rain of roses, a real downpour of heavy blossoms, which settled in flowery pools in the hollows of the floor. But as the heap seemed scarcely diminished, she finished by weaving garlands of roses which she hung upon the walls. She twined wreaths around the necks and arms and waists of the plaster cupids that sported over the alcove. The blue ceiling, the oval panels, edged with flesh-coloured ribbon, the voluptuous paintings, preyed upon by time, were all hung with a mantle, a drapery of roses. The big room was fully decked at last. Now she could die there.

For a moment she remained standing, glancing around her. She was looking to see if death was there. And she gathered up the aromatic greenery, the southernwood, the mint, the verbenas, the balm, and the fennel. She broke them and twisted them and made wedges of them with which to stop up every little chink and cranny about the windows and the door. Then she drew the white coarsely sewn calico curtains and, without even a sigh, laid herself upon the bed, on all the florescence of hyacinths and tuberoses.

And then a final rapture was granted her. With her eyes wide open she smiled at the room. Ah! how she had loved there! And how happily she was there going to die! At that supreme moment the plaster cupids suggested nothing impure to her; the amorous paintings disturbed her no more. She was conscious of nothing beneath that blue ceiling save the intoxicating perfume of the flowers. And it seemed to her as if this perfume was none other than the old love-fragrance which had always warmed the room, now increased a hundredfold, till it had become so strong and penetrating that it would surely suffocate her. Perchance it was the breath of the lady who had died there a century ago. In perfect stillness, with her hands clasped over her heart, she continued smiling, while she listened to the whispers of the perfumes in her buzzing head. They were singing to her a soft strange melody of fragrance, which slowly and very gently lulled her to sleep.

At first there was a prelude, bright and childlike; her hands, that had just now twisted and twined the aromatic greenery, exhaled the pungency of crushed herbage, and recalled her old girlish ramblings through the wildness of the Paradou. Then there came a flutelike song, a song of short musky notes, rising from the violets that lay upon the table near the head of the bed; and this flutelike strain, trilling melodiously to the soft accompaniment of the lilies on the other table, sang to her of the first joys of love, its first confession, and first kiss beneath the trees of the forest. But she began to stifle as passion drew nigh with the clove-like breath of the carnations, which burst upon her in brazen notes that seemed to drown all others. She thought that death was nigh when the poppies and the marigolds broke into a wailing strain, which recalled the torment of desire. But suddenly all grew quieter; she felt that she could breathe more freely; she glided into greater serenity, lulled by a descending scale that came from the throats of the stocks, and died away amidst a delightful hymn from the heliotropes, which, with their vanilla-like breath, proclaimed the approach of nuptial bliss. Here and there the mirabilis gently trilled. Then came a hush. And afterwards the roses languidly made their entry. Their voices streamed from the ceiling, like the strains of a distant choir. It was a chorus of great breadth, to which she at first listened with a slight quiver. Then the volume of the strain increased, and soon her whole frame vibrated with the mighty sounds that burst in waves around her. The nuptials were at hand, the trumpet blasts of the roses announced them. She pressed her hands more closely to her heart as she lay there panting, gasping, dying. When she opened her lips for the kiss which was to stifle her, the hyacinths and tuberoses shot out their perfume and enveloped her with so deep, so great a sigh that the chorus of the roses could be heard no more.

And then, amidst the final gasp of the flowers, Albine died. _

Read next: Book 3: Chapter 15

Read previous: Book 3: Chapter 13

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