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The Little Lady of the Big House, a novel by Jack London

CHAPTER 19

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________________________________________________
_ After Mrs. Tully's departure, Paula, true to her threat, filled the
house with guests. She seemed to have remembered all who had been
waiting an invitation, and the limousine that met the trains eight
miles away was rarely empty coming or going. There were more singers
and musicians and artist folk, and bevies of young girls with their
inevitable followings of young men, while mammas and aunts and
chaperons seemed to clutter all the ways of the Big House and to fill
a couple of motor cars when picnics took place.

And Graham wondered if this surrounding of herself by many people was
not deliberate on Paula's part. As for himself, he definitely
abandoned work on his book, and joined in the before-breakfast swims
of the hardier younger folk, in the morning rides over the ranch, and
in whatever fun was afoot indoors and out.

Late hours and early were kept; and one night, Dick, who adhered to
his routine and never appeared to his guests before midday, made a
night of it at poker in the stag-room. Graham had sat in, and felt
well repaid when, at dawn, the players received an unexpected visit
from Paula--herself past one of her white nights, she said, although
no sign of it showed on her fresh skin and color. Graham had to
struggle to keep his eyes from straying too frequently to her as she
mixed golden fizzes to rejuvenate the wan-eyed, jaded players. Then
she made them start the round of "jacks" that closed the game, and
sent them off for a cold swim before breakfast and the day's work or
frolic.

Never was Paula alone. Graham could only join in the groups that were
always about her. Although the young people ragged and tangoed
incessantly, she rarely danced, and then it was with the young men.
Once, however, she favored him with an old-fashioned waltz. "Your
ancestors in an antediluvian dance," she mocked the young people, as
she stepped out; for she and Graham had the floor to themselves.

Once down the length of the room, the two were in full accord. Paula,
with the sympathy Graham recognized that made her the exceptional
accompanist or rider, subdued herself to the masterful art of the man,
until the two were as parts of a sentient machine that operated
without jar or friction. After several minutes, finding their perfect
mutual step and pace, and Graham feeling the absolute giving of Paula
to the dance, they essayed rhythmical pauses and dips, their feet
never leaving the floor, yet affecting the onlookers in the way Dick
voiced it when he cried out: "They float! They float!" The music was
the "Waltz of Salomé," and with its slow-fading end they postured
slower and slower to a perfect close.

There was no need to speak. In silence, without a glance at each
other, they returned to the company where Dick was proclaiming:

"Well, younglings, codlings, and other fry, that's the way we old
folks used to dance. I'm not saying anything against the new dances,
mind you. They're all right and dandy fine. But just the same it
wouldn't injure you much to learn to waltz properly. The way you
waltz, when you do attempt it, is a scream. We old folks do know a
thing or two that is worth while."

"For instance?" queried one of the girls.

"I'll tell you. I don't mind the young generation smelling of gasoline
the way it does--"

Cries and protests drowned Dick out for a moment.

"I know I smell of it myself," he went on. "But you've all failed to
learn the good old modes of locomotion. There isn't a girl of you that
Paula can't walk into the ground. There isn't a fellow of you that
Graham and I can't walk into a receiving hospital.--Oh, I know you can
all crank engines and shift gears to the queen's taste. But there
isn't one of you that can properly ride a horse--a real horse, in the
only way, I mean. As for driving a smart pair of roadsters, it's a
screech. And how many of you husky lads, hell-scooting on the bay in
your speed-boats, can take the wheel of an old-time sloop or schooner,
without an auxiliary, and get out of your own way in her?"

"But we get there just the same," the same girl retorted.

"And I don't deny it," Dick answered. "But you are not always pretty.
I'll tell you a pretty sight that no one of you can ever present--
Paula, there, with the reins of four slashing horses in her hands, her
foot on the brake, swinging tally-ho along a mountain road."

On a warm morning, in the cool arcade of the great patio, a chance
group of four or five, among whom was Paula, formed about Graham, who
had been reading alone. After a time he returned to his magazine with
such absorption that he forgot those about him until an awareness of
silence penetrated to his consciousness. He looked up. All the others
save Paula had strayed off. He could hear their distant laughter from
across the patio. But Paula! He surprised the look on her face, in her
eyes. It was a look bent on him, concerning him. Doubt, speculation,
almost fear, were in her eyes; and yet, in that swift instant, he had
time to note that it was a look deep and searching--almost, his quick
fancy prompted, the look of one peering into the just-opened book of
fate. Her eyes fluttered and fell, and the color increased in her
cheeks in an unmistakable blush. Twice her lips moved to the verge of
speech; yet, caught so arrantly in the act, she was unable to phrase
any passing thought. Graham saved the painful situation by saying
casually:

"Do you know, I've just been reading De Vries' eulogy of Luther
Burbank's work, and it seems to me that Dick is to the domestic animal
world what Burbank is to the domestic vegetable world. You are life-
makers here--thumbing the stuff into new forms of utility and beauty."

Paula, by this time herself again, laughed and accepted the
compliment.

"I fear me," Graham continued with easy seriousness, "as I watch your
achievements, that I can only look back on a misspent life. Why didn't
I get in and _make_ things? I'm horribly envious of both of you."

"We _are_ responsible for a dreadful lot of creatures being
born," she said. "It makes one breathless to think of the
responsibility."

"The ranch certainly spells fecundity," Graham smiled. "I never before
was so impressed with the flowering and fruiting of life. Everything
here prospers and multiplies--"

"Oh!" Paula cried, breaking in with a sudden thought. "Some day I'll
show you my goldfish. I breed them, too--yea, and commercially. I
supply the San Francisco dealers with their rarest strains, and I even
ship to New York. And, best of all, I actually make money--profits, I
mean. Dick's books show it, and he is the most rigid of bookkeepers.
There isn't a tack-hammer on the place that isn't inventoried; nor a
horse-shoe nail unaccounted for. That's why he has such a staff of
bookkeepers. Why, do you know, calculating every last least item of
expense, including average loss of time for colic and lameness, out of
fearfully endless columns of figures he has worked the cost of an
hour's labor for a draught horse to the third decimal place."

"But your goldfish," Graham suggested, irritated by her constant
dwelling on her husband.

"Well, Dick makes his bookkeepers keep track of my goldfish in the
same way. I'm charged every hour of any of the ranch or house labor I
use on the fish--postage stamps and stationery, too, if you please. I
have to pay interest on the plant. He even charges me for the water,
just as if he were a city water company and I a householder. And still
I net ten per cent., and have netted as high as thirty. But Dick
laughs and says when I've deducted the wages of superintendence--my
superintendence, he means--that I'll find I am poorly paid or else am
operating at a loss; that with my net I couldn't hire so capable a
superintendent.

"Just the same, that's why Dick succeeds in his undertakings. Unless
it's sheer experiment, he never does anything without knowing
precisely, to the last microscopic detail, what it is he is doing."

"He is very sure," Graham observed.

"I never knew a man to be so sure of himself," Paula replied warmly;
"and I never knew a man with half the warrant. I know him. He is a
genius--but only in the most paradoxical sense. He is a genius because
he is so balanced and normal that he hasn't the slightest particle of
genius in him. Such men are rarer and greater than geniuses. I like to
think of Abraham Lincoln as such a type."

"I must admit I don't quite get you," Graham said.

"Oh, I don't dare to say that Dick is as good, as cosmically good, as
Lincoln," she hurried on. "Dick _is_ good, but it is not that. It
is in their excessive balance, normality, lack of flare, that they are
of the same type. Now I am a genius. For, see, I do things without
knowing how I do them. I just do them. I get effects in my music that
way. Take my diving. To save my life I couldn't tell how I swan-dive,
or jump, or do the turn and a half.

"Dick, on the other hand, can't do anything unless he clearly knows in
advance _how_ he is going to do it. He does everything with
balance and foresight. He's a general, all-around wonder, without ever
having been a particular wonder at any one thing.--Oh, I know him.
He's never been a champion or a record-breaker in any line of
athletics. Nor has he been mediocre in any line. And so with
everything else, mentally, intellectually. He is an evenly forged
chain. He has no massive links, no weak links."

"I'm afraid I'm like you," Graham said, "that commoner and lesser
creature, a genius. For I, too, on occasion, flare and do the most
unintentional things. And I am not above falling on my knees before
mystery."

"And Dick hates mystery--or it would seem he does. Not content with
knowing _how_--he is eternally seeking the _why_ of the
_how_. Mystery is a challenge to him. It excites him like a red
rag does a bull. At once he is for ripping the husks and the heart
from mystery, so that he will know the _how_ and the _why_,
when it will be no longer mystery but a generalization and a
scientifically demonstrable fact."

Much of the growing situation was veiled to the three figures of it.
Graham did not know of Paula's desperate efforts to cling close to her
husband, who, himself desperately busy with his thousand plans and
projects, was seeing less and less of his company. He always appeared
at lunch, but it was a rare afternoon when he could go out with his
guests. Paula did know, from the multiplicity of long, code telegrams
from Mexico, that things were in a parlous state with the Harvest
Group. Also, she saw the agents and emissaries of foreign investors in
Mexico, always in haste and often inopportune, arriving at the ranch
to confer with Dick. Beyond his complaint that they ate the heart out
of his time, he gave her no clew to the matters discussed.

"My! I wish you weren't so busy," she sighed in his arms, on his
knees, one fortunate morning, when, at eleven o'clock, she had caught
him alone.

It was true, she had interrupted the dictation of a letter into the
phonograph; and the sigh had been evoked by the warning cough of
Bonbright, whom she saw entering with more telegrams in his hand.

"Won't you let me drive you this afternoon, behind Duddy and Fuddy,
just you and me, and cut the crowd?" she begged.

He shook his head and smiled.

"You'll meet at lunch a weird combination," he explained. "Nobody else
needs to know, but I'll tell you." He lowered his voice, while
Bonbright discreetly occupied himself at the filing cabinets. "They're
Tampico oil folk. Samuels himself, President of the Nacisco; and
Wishaar, the big inside man of the Pearson-Brooks crowd--the chap that
engineered the purchase of the East Coast railroad and the Tiuana
Central when they tried to put the Nacisco out of business; and
Matthewson--he's the _hi-yu-skookum_ big chief this side the
Atlantic of the Palmerston interests--you know, the English crowd that
fought the Nacisco and the Pearson-Brooks bunch so hard; and, oh,
there'll be several others. It shows you that things are rickety down
Mexico way when such a bunch stops scrapping and gets together.

"You see, they are oil, and I'm important in my way down there, and
they want me to swing the mining interests in with the oil. Truly, big
things are in the air, and we've got to hang together and do something
or get out of Mexico. And I'll admit, after they gave me the turn-down
in the trouble three years ago, that I've sulked in my tent and made
them come to see me."

He caressed her and called her his armful of dearest woman, although
she detected his eye roving impatiently to the phonograph with its
unfinished letter.

"And so," he concluded, with a pressure of his arms about her that
seemed to hint that her moment with him was over and she must go,
"that means the afternoon. None will stop over. And they'll be off and
away before dinner."

She slipped off his knees and out of his arms with unusual abruptness,
and stood straight up before him, her eyes flashing, her cheeks white,
her face set with determination, as if about to say something of grave
importance. But a bell tinkled softly, and he reached for the desk
telephone.

Paula drooped, and sighed inaudibly, and, as she went down the room
and out the door, and as Bonbright stepped eagerly forward with the
telegrams, she could hear the beginning of her husband's conversation:

"No. It is impossible. He's got to come through, or I'll put him out
of business. That gentleman's agreement is all poppycock. If it were
only that, of course he could break it. But I've got some mighty
interesting correspondence that he's forgotten about.... Yes, yes; it
will clinch it in any court of law. I'll have the file in your office
by five this afternoon. And tell him, for me, that if he tries to put
through this trick, I'll break him. I'll put a competing line on, and
his steamboats will be in the receiver's hands inside a year.... And...
hello, are you there?... And just look up that point I suggested. I
am rather convinced you'll find the Interstate Commerce has got him on
two counts...."

Nor did Graham, nor even Paula, imagine that Dick--the keen one, the
deep one, who could see and sense things yet to occur and out of
intangible nuances and glimmerings build shrewd speculations and
hypotheses that subsequent events often proved correct--was already
sensing what had not happened but what might happen. He had not heard
Paula's brief significant words at the hitching post; nor had he seen
Graham catch her in that deep scrutiny of him under the arcade. Dick
had heard nothing, seen little, but sensed much; and, even in advance
of Paula, had he apprehended in vague ways what she afterward had come
to apprehend.

The most tangible thing he had to build on was the night, immersed in
bridge, when he had not been unaware of the abrupt leaving of the
piano after the singing of the "Gypsy Trail"; nor when, in careless
smiling greeting of them when they came down the room to devil him
over his losing, had he failed to receive a hint or feeling of
something unusual in Paula's roguish teasing face. On the moment,
laughing retorts, giving as good as she sent, Dick's own laughing eyes
had swept over Graham beside her and likewise detected the unusual.
The man was overstrung, had been Dick's mental note at the time. But
why should he be overstrung? Was there any connection between his
overstrungness and the sudden desertion by Paula of the piano? And all
the while these questions were slipping through his thoughts, he had
laughed at their sallies, dealt, sorted his hand, and won the bid on
no trumps.

Yet to himself he had continued to discount as absurd and preposterous
the possibility of his vague apprehension ever being realized. It was
a chance guess, a silly speculation, based upon the most trivial data,
he sagely concluded. It merely connoted the attractiveness of his wife
and of his friend. But--and on occasional moments he could not will
the thought from coming uppermost in his mind--why had they broken off
from singing that evening? Why had he received the feeling that there
was something unusual about it? Why had Graham been overstrung?

* * * * *

Nor did Bonbright, one morning, taking dictation of a telegram in the
last hour before noon, know that Dick's casual sauntering to the
window, still dictating, had been caused by the faint sound of hoofs
on the driveway. It was not the first of recent mornings that Dick had
so sauntered to the window, to glance out with apparent absentness at
the rush of the morning riding party in the last dash home to the
hitching rails. But he knew, on this morning, before the first figures
came in sight whose those figures would be.

"Braxton is safe," he went on with the dictation without change of
tone, his eyes on the road where the riders must first come into view.
"If things break he can get out across the mountains into Arizona. See
Connors immediately. Braxton left Connors complete instructions.
Connors to-morrow in Washington. Give me fullest details any move--
signed."

Up the driveway the Fawn and Altadena clattered neck and neck. Dick
had not been disappointed in the figures he expected to see. From the
rear, cries and laughter and the sound of many hoofs tokened that the
rest of the party was close behind.

"And the next one, Mr. Bonbright, please put in the Harvest code,"
Dick went on steadily, while to himself he was commenting that Graham
was a passable rider but not an excellent one, and that it would have
to be seen to that he was given a heavier horse than Altadena. "It is
to Jeremy Braxton. Send it both ways. There is a chance one or the
other may get through..." _

Read next: CHAPTER 20

Read previous: CHAPTER 18

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