________________________________________________
_ The fact that she would be late in keeping her engagement with William
was not the only reason which sent Katharine almost at racing speed
along the Strand in the direction of his rooms. Punctuality might have
been achieved by taking a cab, had she not wished the open air to fan
into flame the glow kindled by Mary's words. For among all the
impressions of the evening's talk one was of the nature of a
revelation and subdued the rest to insignificance. Thus one looked;
thus one spoke; such was love.
"She sat up straight and looked at me, and then she said, 'I'm in
love,'" Katharine mused, trying to set the whole scene in motion. It
was a scene to dwell on with so much wonder that not a grain of pity
occurred to her; it was a flame blazing suddenly in the dark; by its
light Katharine perceived far too vividly for her comfort the
mediocrity, indeed the entirely fictitious character of her own
feelings so far as they pretended to correspond with Mary's feelings.
She made up her mind to act instantly upon the knowledge thus gained,
and cast her mind in amazement back to the scene upon the heath, when
she had yielded, heaven knows why, for reasons which seemed now
imperceptible. So in broad daylight one might revisit the place where
one has groped and turned and succumbed to utter bewilderment in a
fog.
"It's all so simple," she said to herself. "There can't be any doubt.
I've only got to speak now. I've only got to speak," she went on
saying, in time to her own footsteps, and completely forgot Mary
Datchet.
William Rodney, having come back earlier from the office than he
expected, sat down to pick out the melodies in "The Magic Flute" upon
the piano. Katharine was late, but that was nothing new, and, as she
had no particular liking for music, and he felt in the mood for it,
perhaps it was as well. This defect in Katharine was the more strange,
William reflected, because, as a rule, the women of her family were
unusually musical. Her cousin, Cassandra Otway, for example, had a
very fine taste in music, and he had charming recollections of her in
a light fantastic attitude, playing the flute in the morning-room at
Stogdon House. He recalled with pleasure the amusing way in which her
nose, long like all the Otway noses, seemed to extend itself into the
flute, as if she were some inimitably graceful species of musical
mole. The little picture suggested very happily her melodious and
whimsical temperament. The enthusiasms of a young girl of
distinguished upbringing appealed to William, and suggested a thousand
ways in which, with his training and accomplishments, he could be of
service to her. She ought to be given the chance of hearing good
music, as it is played by those who have inherited the great
tradition. Moreover, from one or two remarks let fall in the course of
conversation, he thought it possible that she had what Katharine
professed to lack, a passionate, if untaught, appreciation of
literature. He had lent her his play. Meanwhile, as Katharine was
certain to be late, and "The Magic Flute" is nothing without a voice,
he felt inclined to spend the time of waiting in writing a letter to
Cassandra, exhorting her to read Pope in preference to Dostoevsky,
until her feeling for form was more highly developed. He set himself
down to compose this piece of advice in a shape which was light and
playful, and yet did no injury to a cause which he had near at heart,
when he heard Katharine upon the stairs. A moment later it was plain
that he had been mistaken, it was not Katharine; but he could not
settle himself to his letter. His temper had changed from one of
urbane contentment--indeed of delicious expansion--to one of
uneasiness and expectation. The dinner was brought in, and had to be
set by the fire to keep hot. It was now a quarter of an hour beyond
the specified time. He bethought him of a piece of news which had
depressed him in the earlier part of the day. Owing to the illness of
one of his fellow-clerks, it was likely that he would get no holiday
until later in the year, which would mean the postponement of their
marriage. But this possibility, after all, was not so disagreeable as
the probability which forced itself upon him with every tick of the
clock that Katharine had completely forgotten her engagement. Such
things had happened less frequently since Christmas, but what if they
were going to begin to happen again? What if their marriage should
turn out, as she had said, a farce? He acquitted her of any wish to
hurt him wantonly, but there was something in her character which made
it impossible for her to help hurting people. Was she cold? Was she
self-absorbed? He tried to fit her with each of these descriptions,
but he had to own that she puzzled him.
"There are so many things that she doesn't understand," he reflected,
glancing at the letter to Cassandra which he had begun and laid aside.
What prevented him from finishing the letter which he had so much
enjoyed beginning? The reason was that Katharine might, at any moment,
enter the room. The thought, implying his bondage to her, irritated
him acutely. It occurred to him that he would leave the letter lying
open for her to see, and he would take the opportunity of telling her
that he had sent his play to Cassandra for her to criticize. Possibly,
but not by any means certainly, this would annoy her--and as he
reached the doubtful comfort of this conclusion, there was a knock on
the door and Katharine came in. They kissed each other coldly and she
made no apology for being late. Nevertheless, her mere presence moved
him strangely; but he was determined that this should not weaken his
resolution to make some kind of stand against her; to get at the truth
about her. He let her make her own disposition of clothes and busied
himself with the plates.
"I've got a piece of news for you, Katharine," he said directly they
sat down to table; "I shan't get my holiday in April. We shall have to
put off our marriage."
He rapped the words out with a certain degree of briskness. Katharine
started a little, as if the announcement disturbed her thoughts.
"That won't make any difference, will it? I mean the lease isn't
signed," she replied. "But why? What has happened?"
He told her, in an off-hand way, how one of his fellow-clerks had
broken down, and might have to be away for months, six months even, in
which case they would have to think over their position. He said it in
a way which struck her, at last, as oddly casual. She looked at him.
There was no outward sign that he was annoyed with her. Was she well
dressed? She thought sufficiently so. Perhaps she was late? She looked
for a clock.
"It's a good thing we didn't take the house then," she repeated
thoughtfully.
"It'll mean, too, I'm afraid, that I shan't be as free for a
considerable time as I have been," he continued. She had time to
reflect that she gained something by all this, though it was too soon
to determine what. But the light which had been burning with such
intensity as she came along was suddenly overclouded, as much by his
manner as by his news. She had been prepared to meet opposition, which
is simple to encounter compared with--she did not know what it was
that she had to encounter. The meal passed in quiet, well-controlled
talk about indifferent things. Music was not a subject about which she
knew anything, but she liked him to tell her things; and could, she
mused, as he talked, fancy the evenings of married life spent thus,
over the fire; spent thus, or with a book, perhaps, for then she would
have time to read her books, and to grasp firmly with every muscle of
her unused mind what she longed to know. The atmosphere was very free.
Suddenly William broke off. She looked up apprehensively, brushing
aside these thoughts with annoyance.
"Where should I address a letter to Cassandra?" he asked her. It was
obvious again that William had some meaning or other to-night, or was
in some mood. "We've struck up a friendship," he added.
"She's at home, I think," Katharine replied.
"They keep her too much at home," said William. "Why don't you ask her
to stay with you, and let her hear a little good music? I'll just
finish what I was saying, if you don't mind, because I'm particularly
anxious that she should hear to-morrow."
Katharine sank back in her chair, and Rodney took the paper on his
knees, and went on with his sentence. "Style, you know, is what we
tend to neglect--"; but he was far more conscious of Katharine's eye
upon him than of what he was saying about style. He knew that she was
looking at him, but whether with irritation or indifference he could
not guess.
In truth, she had fallen sufficiently into his trap to feel
uncomfortably roused and disturbed and unable to proceed on the lines
laid down for herself. This indifferent, if not hostile, attitude on
William's part made it impossible to break off without animosity,
largely and completely. Infinitely preferable was Mary's state, she
thought, where there was a simple thing to do and one did it. In fact,
she could not help supposing that some littleness of nature had a part
in all the refinements, reserves, and subtleties of feeling for which
her friends and family were so distinguished. For example, although
she liked Cassandra well enough, her fantastic method of life struck
her as purely frivolous; now it was socialism, now it was silkworms,
now it was music--which last she supposed was the cause of William's
sudden interest in her. Never before had William wasted the minutes of
her presence in writing his letters. With a curious sense of light
opening where all, hitherto, had been opaque, it dawned upon her that,
after all, possibly, yes, probably, nay, certainly, the devotion which
she had almost wearily taken for granted existed in a much slighter
degree than she had suspected, or existed no longer. She looked at him
attentively as if this discovery of hers must show traces in his face.
Never had she seen so much to respect in his appearance, so much that
attracted her by its sensitiveness and intelligence, although she saw
these qualities as if they were those one responds to, dumbly, in the
face of a stranger. The head bent over the paper, thoughtful as usual,
had now a composure which seemed somehow to place it at a distance,
like a face seen talking to some one else behind glass.
He wrote on, without raising his eyes. She would have spoken, but
could not bring herself to ask him for signs of affection which she
had no right to claim. The conviction that he was thus strange to her
filled her with despondency, and illustrated quite beyond doubt the
infinite loneliness of human beings. She had never felt the truth of
this so strongly before. She looked away into the fire; it seemed to
her that even physically they were now scarcely within speaking
distance; and spiritually there was certainly no human being with whom
she could claim comradeship; no dream that satisfied her as she was
used to be satisfied; nothing remained in whose reality she could
believe, save those abstract ideas--figures, laws, stars, facts, which
she could hardly hold to for lack of knowledge and a kind of shame.
When Rodney owned to himself the folly of this prolonged silence, and
the meanness of such devices, and looked up ready to seek some excuse
for a good laugh, or opening for a confession, he was disconcerted by
what he saw. Katharine seemed equally oblivious of what was bad or of
what was good in him. Her expression suggested concentration upon
something entirely remote from her surroundings. The carelessness of
her attitude seemed to him rather masculine than feminine. His impulse
to break up the constraint was chilled, and once more the exasperating
sense of his own impotency returned to him. He could not help
contrasting Katharine with his vision of the engaging, whimsical
Cassandra; Katharine undemonstrative, inconsiderate, silent, and yet
so notable that he could never do without her good opinion.
She veered round upon him a moment later, as if, when her train of
thought was ended, she became aware of his presence.
"Have you finished your letter?" she asked. He thought he heard faint
amusement in her tone, but not a trace of jealousy.
"No, I'm not going to write any more to-night," he said. "I'm not in
the mood for it for some reason. I can't say what I want to say."
"Cassandra won't know if it's well written or badly written,"
Katharine remarked.
"I'm not so sure about that. I should say she has a good deal of
literary feeling."
"Perhaps," said Katharine indifferently. "You've been neglecting my
education lately, by the way. I wish you'd read something. Let me
choose a book." So speaking, she went across to his bookshelves and
began looking in a desultory way among his books. Anything, she
thought, was better than bickering or the strange silence which drove
home to her the distance between them. As she pulled one book forward
and then another she thought ironically of her own certainty not an
hour ago; how it had vanished in a moment, how she was merely marking
time as best she could, not knowing in the least where they stood,
what they felt, or whether William loved her or not. More and more the
condition of Mary's mind seemed to her wonderful and enviable--if,
indeed, it could be quite as she figured it--if, indeed, simplicity
existed for any one of the daughters of women.
"Swift," she said, at last, taking out a volume at haphazard to settle
this question at least. "Let us have some Swift."
Rodney took the book, held it in front of him, inserted one finger
between the pages, but said nothing. His face wore a queer expression
of deliberation, as if he were weighing one thing with another, and
would not say anything until his mind were made up.
Katharine, taking her chair beside him, noted his silence and looked
at him with sudden apprehension. What she hoped or feared, she could
not have said; a most irrational and indefensible desire for some
assurance of his affection was, perhaps, uppermost in her mind.
Peevishness, complaints, exacting cross-examination she was used to,
but this attitude of composed quiet, which seemed to come from the
consciousness of power within, puzzled her. She did not know what was
going to happen next.
At last William spoke.
"I think it's a little odd, don't you?" he said, in a voice of
detached reflection. "Most people, I mean, would be seriously upset if
their marriage was put off for six months or so. But we aren't; now
how do you account for that?"
She looked at him and observed his judicial attitude as of one holding
far aloof from emotion.
"I attribute it," he went on, without waiting for her to answer, "to
the fact that neither of us is in the least romantic about the other.
That may be partly, no doubt, because we've known each other so long;
but I'm inclined to think there's more in it than that. There's
something temperamental. I think you're a trifle cold, and I suspect
I'm a trifle self-absorbed. If that were so it goes a long way to
explaining our odd lack of illusion about each other. I'm not saying
that the most satisfactory marriages aren't founded upon this sort of
understanding. But certainly it struck me as odd this morning, when
Wilson told me, how little upset I felt. By the way, you're sure we
haven't committed ourselves to that house?"
"I've kept the letters, and I'll go through them to-morrow; but I'm
certain we're on the safe side."
"Thanks. As to the psychological problem," he continued, as if the
question interested him in a detached way, "there's no doubt, I think,
that either of us is capable of feeling what, for reasons of
simplicity, I call romance for a third person--at least, I've little
doubt in my own case."
It was, perhaps, the first time in all her knowledge of him that
Katharine had known William enter thus deliberately and without sign
of emotion upon a statement of his own feelings. He was wont to
discourage such intimate discussions by a little laugh or turn of the
conversation, as much as to say that men, or men of the world, find
such topics a little silly, or in doubtful taste. His obvious wish to
explain something puzzled her, interested her, and neutralized the
wound to her vanity. For some reason, too, she felt more at ease with
him than usual; or her ease was more the ease of equality--she could
not stop to think of that at the moment though. His remarks interested
her too much for the light that they threw upon certain problems of
her own.
"What is this romance?" she mused.
"Ah, that's the question. I've never come across a definition that
satisfied me, though there are some very good ones"--he glanced in the
direction of his books.
"It's not altogether knowing the other person, perhaps--it's
ignorance," she hazarded.
"Some authorities say it's a question of distance--romance in
literature, that is--"
"Possibly, in the case of art. But in the case of people it may be--"
she hesitated.
"Have you no personal experience of it?" he asked, letting his eyes
rest upon her swiftly for a moment.
"I believe it's influenced me enormously," she said, in the tone of
one absorbed by the possibilities of some view just presented to them;
"but in my life there's so little scope for it," she added. She
reviewed her daily task, the perpetual demands upon her for good
sense, self-control, and accuracy in a house containing a romantic
mother. Ah, but her romance wasn't THAT romance. It was a desire, an
echo, a sound; she could drape it in color, see it in form, hear it in
music, but not in words; no, never in words. She sighed, teased by
desires so incoherent, so incommunicable.
"But isn't it curious," William resumed, "that you should neither feel
it for me, nor I for you?"
Katharine agreed that it was curious--very; but even more curious to
her was the fact that she was discussing the question with William. It
revealed possibilities which opened a prospect of a new relationship
altogether. Somehow it seemed to her that he was helping her to
understand what she had never understood; and in her gratitude she was
conscious of a most sisterly desire to help him, too--sisterly, save
for one pang, not quite to be subdued, that for him she was without
romance.
"I think you might be very happy with some one you loved in that way,"
she said.
"You assume that romance survives a closer knowledge of the person one
loves?"
He asked the question formally, to protect himself from the sort of
personality which he dreaded. The whole situation needed the most
careful management lest it should degenerate into some degrading and
disturbing exhibition such as the scene, which he could never think of
without shame, upon the heath among the dead leaves. And yet each
sentence brought him relief. He was coming to understand something or
other about his own desires hitherto undefined by him, the source of
his difficulty with Katharine. The wish to hurt her, which had urged
him to begin, had completely left him, and he felt that it was only
Katharine now who could help him to be sure. He must take his time.
There were so many things that he could not say without the greatest
difficulty--that name, for example, Cassandra. Nor could he move his
eyes from a certain spot, a fiery glen surrounded by high mountains,
in the heart of the coals. He waited in suspense for Katharine to
continue. She had said that he might be very happy with some one he
loved in that way.
"I don't see why it shouldn't last with you," she resumed. "I can
imagine a certain sort of person--" she paused; she was aware that he
was listening with the greatest intentness, and that his formality was
merely the cover for an extreme anxiety of some sort. There was some
person then--some woman--who could it be? Cassandra? Ah, possibly--
"A person," she added, speaking in the most matter-of-fact tone she
could command, "like Cassandra Otway, for instance. Cassandra is the
most interesting of the Otways--with the exception of Henry. Even so,
I like Cassandra better. She has more than mere cleverness. She is a
character--a person by herself."
"Those dreadful insects!" burst from William, with a nervous laugh,
and a little spasm went through him as Katharine noticed. It WAS
Cassandra then. Automatically and dully she replied, "You could insist
that she confined herself to--to--something else. . . . But she cares
for music; I believe she writes poetry; and there can be no doubt that
she has a peculiar charm--"
She ceased, as if defining to herself this peculiar charm. After a
moment's silence William jerked out:
"I thought her affectionate?"
"Extremely affectionate. She worships Henry. When you think what a
house that is--Uncle Francis always in one mood or another--"
"Dear, dear, dear," William muttered.
"And you have so much in common."
"My dear Katharine!" William exclaimed, flinging himself back in his
chair, and uprooting his eyes from the spot in the fire. "I really
don't know what we're talking about. . . . I assure you. . . ."
He was covered with an extreme confusion.
He withdrew the finger that was still thrust between the pages of
Gulliver, opened the book, and ran his eye down the list of chapters,
as though he were about to select the one most suitable for reading
aloud. As Katharine watched him, she was seized with preliminary
symptoms of his own panic. At the same time she was convinced that,
should he find the right page, take out his spectacles, clear his
throat, and open his lips, a chance that would never come again in all
their lives would be lost to them both.
"We're talking about things that interest us both very much," she
said. "Shan't we go on talking, and leave Swift for another time? I
don't feel in the mood for Swift, and it's a pity to read any one when
that's the case--particularly Swift."
The presence of wise literary speculation, as she calculated, restored
William's confidence in his security, and he replaced the book in the
bookcase, keeping his back turned to her as he did so, and taking
advantage of this circumstance to summon his thoughts together.
But a second of introspection had the alarming result of showing him
that his mind, when looked at from within, was no longer familiar
ground. He felt, that is to say, what he had never consciously felt
before; he was revealed to himself as other than he was wont to think
him; he was afloat upon a sea of unknown and tumultuous possibilities.
He paced once up and down the room, and then flung himself impetuously
into the chair by Katharine's side. He had never felt anything like
this before; he put himself entirely into her hands; he cast off all
responsibility. He very nearly exclaimed aloud:
"You've stirred up all these odious and violent emotions, and now you
must do the best you can with them."
Her near presence, however, had a calming and reassuring effect upon
his agitation, and he was conscious only of an implicit trust that,
somehow, he was safe with her, that she would see him through, find
out what it was that he wanted, and procure it for him.
"I wish to do whatever you tell me to do," he said. "I put myself
entirely in your hands, Katharine."
"You must try to tell me what you feel," she said.
"My dear, I feel a thousand things every second. I don't know, I'm
sure, what I feel. That afternoon on the heath--it was then--then--"
He broke off; he did not tell her what had happened then. "Your
ghastly good sense, as usual, has convinced me--for the moment--but
what the truth is, Heaven only knows!" he exclaimed.
"Isn't it the truth that you are, or might be, in love with
Cassandra?" she said gently.
William bowed his head. After a moment's silence he murmured:
"I believe you're right, Katharine."
She sighed, involuntarily. She had been hoping all this time, with an
intensity that increased second by second against the current of her
words, that it would not in the end come to this. After a moment of
surprising anguish, she summoned her courage to tell him how she
wished only that she might help him, and had framed the first words of
her speech when a knock, terrific and startling to people in their
overwrought condition, sounded upon the door.
"Katharine, I worship you," he urged, half in a whisper.
"Yes," she replied, withdrawing with a little shiver, "but you must
open the door." _
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