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Moby Dick (or The Whale), a novel by Herman Melville

CHAPTER 112 The Blacksmith.

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_ Availing himself of the mild, summer-cool weather that now reigned
in these latitudes, and in preparation for the peculiarly active
pursuits shortly to be anticipated, Perth, the begrimed, blistered
old blacksmith, had not removed his portable forge to the hold again,
after concluding his contributory work for Ahab's leg, but still
retained it on deck, fast lashed to ringbolts by the foremast; being
now almost incessantly invoked by the headsmen, and harpooneers, and
bowsmen to do some little job for them; altering, or repairing, or
new shaping their various weapons and boat furniture. Often he would
be surrounded by an eager circle, all waiting to be served; holding
boat-spades, pike-heads, harpoons, and lances, and jealously watching
his every sooty movement, as he toiled. Nevertheless, this old man's
was a patient hammer wielded by a patient arm. No murmur, no
impatience, no petulance did come from him. Silent, slow, and
solemn; bowing over still further his chronically broken back, he
toiled away, as if toil were life itself, and the heavy beating of
his hammer the heavy beating of his heart. And so it was.--Most
miserable!

A peculiar walk in this old man, a certain slight but painful
appearing yawing in his gait, had at an early period of the voyage
excited the curiosity of the mariners. And to the importunity of
their persisted questionings he had finally given in; and so it came
to pass that every one now knew the shameful story of his wretched
fate.

Belated, and not innocently, one bitter winter's midnight, on the
road running between two country towns, the blacksmith half-stupidly
felt the deadly numbness stealing over him, and sought refuge in a
leaning, dilapidated barn. The issue was, the loss of the
extremities of both feet. Out of this revelation, part by part, at
last came out the four acts of the gladness, and the one long, and as
yet uncatastrophied fifth act of the grief of his life's drama.

He was an old man, who, at the age of nearly sixty, had postponedly
encountered that thing in sorrow's technicals called ruin. He had
been an artisan of famed excellence, and with plenty to do; owned a
house and garden; embraced a youthful, daughter-like, loving wife,
and three blithe, ruddy children; every Sunday went to a
cheerful-looking church, planted in a grove. But one night, under
cover of darkness, and further concealed in a most cunning
disguisement, a desperate burglar slid into his happy home, and
robbed them all of everything. And darker yet to tell, the
blacksmith himself did ignorantly conduct this burglar into his
family's heart. It was the Bottle Conjuror! Upon the opening of
that fatal cork, forth flew the fiend, and shrivelled up his home.
Now, for prudent, most wise, and economic reasons, the blacksmith's
shop was in the basement of his dwelling, but with a separate
entrance to it; so that always had the young and loving healthy wife
listened with no unhappy nervousness, but with vigorous pleasure, to
the stout ringing of her young-armed old husband's hammer; whose
reverberations, muffled by passing through the floors and walls, came
up to her, not unsweetly, in her nursery; and so, to stout Labor's
iron lullaby, the blacksmith's infants were rocked to slumber.

Oh, woe on woe! Oh, Death, why canst thou not sometimes be timely?
Hadst thou taken this old blacksmith to thyself ere his full ruin
came upon him, then had the young widow had a delicious grief, and
her orphans a truly venerable, legendary sire to dream of in their
after years; and all of them a care-killing competency. But Death
plucked down some virtuous elder brother, on whose whistling daily
toil solely hung the responsibilities of some other family, and left
the worse than useless old man standing, till the hideous rot of life
should make him easier to harvest.

Why tell the whole? The blows of the basement hammer every day grew
more and more between; and each blow every day grew fainter than the
last; the wife sat frozen at the window, with tearless eyes,
glitteringly gazing into the weeping faces of her children; the
bellows fell; the forge choked up with cinders; the house was sold;
the mother dived down into the long church-yard grass; her children
twice followed her thither; and the houseless, familyless old man
staggered off a vagabond in crape; his every woe unreverenced; his
grey head a scorn to flaxen curls!

Death seems the only desirable sequel for a career like this; but
Death is only a launching into the region of the strange Untried; it
is but the first salutation to the possibilities of the immense
Remote, the Wild, the Watery, the Unshored; therefore, to the
death-longing eyes of such men, who still have left in them some
interior compunctions against suicide, does the all-contributed and
all-receptive ocean alluringly spread forth his whole plain of
unimaginable, taking terrors, and wonderful, new-life adventures; and
from the hearts of infinite Pacifics, the thousand mermaids sing to
them--"Come hither, broken-hearted; here is another life without the
guilt of intermediate death; here are wonders supernatural, without
dying for them. Come hither! bury thyself in a life which, to your
now equally abhorred and abhorring, landed world, is more oblivious
than death. Come hither! put up THY gravestone, too, within the
churchyard, and come hither, till we marry thee!"

Hearkening to these voices, East and West, by early sunrise, and by
fall of eve, the blacksmith's soul responded, Aye, I come! And so
Perth went a-whaling. _

Read next: CHAPTER 113 The Forge.

Read previous: CHAPTER 111 The Pacific.

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