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Les Miserables, a novel by Victor Hugo

VOLUME II - COSETTE - BOOK FIRST - WATERLOO - CHAPTER III. The Eighteenth of June, 1815

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_ Let us turn back,--that is one of the story-teller's rights,--
and put ourselves once more in the year 1815, and even a little
earlier than the epoch when the action narrated in the first part
of this book took place.

If it had not rained in the night between the 17th and the 18th
of June, 1815, the fate of Europe would have been different.
A few drops of water, more or less, decided the downfall of Napoleon.
All that Providence required in order to make Waterloo the end
of Austerlitz was a little more rain, and a cloud traversing the sky
out of season sufficed to make a world crumble.

The battle of Waterloo could not be begun until half-past eleven
o'clock, and that gave Blucher time to come up. Why? Because the
ground was wet. The artillery had to wait until it became a little
firmer before they could manoeuvre.

Napoleon was an artillery officer, and felt the effects of this.
The foundation of this wonderful captain was the man who, in the report
to the Directory on Aboukir, said: Such a one of our balls killed
six men. All his plans of battle were arranged for projectiles.
The key to his victory was to make the artillery converge on one point.
He treated the strategy of the hostile general like a citadel,
and made a breach in it. He overwhelmed the weak point with grape-shot;
he joined and dissolved battles with cannon. There was something
of the sharpshooter in his genius. To beat in squares, to pulverize
regiments, to break lines, to crush and disperse masses,--for him
everything lay in this, to strike, strike, strike incessantly,--
and he intrusted this task to the cannon-ball. A redoubtable method,
and one which, united with genius, rendered this gloomy athlete
of the pugilism of war invincible for the space of fifteen years.

On the 18th of June, 1815, he relied all the more on his artillery,
because he had numbers on his side. Wellington had only one hundred
and fifty-nine mouths of fire; Napoleon had two hundred and forty.

Suppose the soil dry, and the artillery capable of moving,
the action would have begun at six o'clock in the morning.
The battle would have been won and ended at two o'clock, three
hours before the change of fortune in favor of the Prussians.
What amount of blame attaches to Napoleon for the loss of this battle?
Is the shipwreck due to the pilot?

Was it the evident physical decline of Napoleon that complicated
this epoch by an inward diminution of force? Had the twenty years
of war worn out the blade as it had worn the scabbard, the soul
as well as the body? Did the veteran make himself disastrously
felt in the leader? In a word, was this genius, as many historians
of note have thought, suffering from an eclipse? Did he go into
a frenzy in order to disguise his weakened powers from himself?
Did he begin to waver under the delusion of a breath of adventure?
Had he become--a grave matter in a general--unconscious of peril?
Is there an age, in this class of material great men, who may be
called the giants of action, when genius grows short-sighted? Old
age has no hold on the geniuses of the ideal; for the Dantes and
Michael Angelos to grow old is to grow in greatness; is it to grow
less for the Hannibals and the Bonapartes? Had Napoleon lost the
direct sense of victory? Had he reached the point where he could
no longer recognize the reef, could no longer divine the snare,
no longer discern the crumbling brink of abysses? Had he lost
his power of scenting out catastrophes? He who had in former days
known all the roads to triumph, and who, from the summit of his
chariot of lightning, pointed them out with a sovereign finger,
had he now reached that state of sinister amazement when he could
lead his tumultuous legions harnessed to it, to the precipice?
Was he seized at the age of forty-six with a supreme madness?
Was that titanic charioteer of destiny no longer anything more than
an immense dare-devil?

We do not think so.

His plan of battle was, by the confession of all, a masterpiece.
To go straight to the centre of the Allies' line, to make a breach
in the enemy, to cut them in two, to drive the British half back on Hal,
and the Prussian half on Tongres, to make two shattered fragments
of Wellington and Blucher, to carry Mont-Saint-Jean, to seize Brussels,
to hurl the German into the Rhine, and the Englishman into the sea.
All this was contained in that battle, according to Napoleon.
Afterwards people would see.

Of course, we do not here pretend to furnish a history of the battle
of Waterloo; one of the scenes of the foundation of the story which
we are relating is connected with this battle, but this history
is not our subject; this history, moreover, has been finished,
and finished in a masterly manner, from one point of view by Napoleon,
and from another point of view by a whole pleiad of historians.[7]


[7] Walter Scott, Lamartine, Vaulabelle, Charras, Quinet, Thiers.


As for us, we leave the historians at loggerheads; we are but a
distant witness, a passer-by on the plain, a seeker bending over
that soil all made of human flesh, taking appearances for realities,
perchance; we have no right to oppose, in the name of science,
a collection of facts which contain illusions, no doubt; we possess
neither military practice nor strategic ability which authorize
a system; in our opinion, a chain of accidents dominated the two
leaders at Waterloo; and when it becomes a question of destiny,
that mysterious culprit, we judge like that ingenious judge,
the populace. _

Read next: VOLUME II - COSETTE: BOOK FIRST - WATERLOO: CHAPTER IV. A

Read previous: VOLUME II - COSETTE: BOOK FIRST - WATERLOO: CHAPTER II. Hougomont

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