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The Valley of the Moon, a novel by Jack London

BOOK I - CHAPTER XV

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_ "Why, Bert!--you're squiffed!" Mary cried reproachfully.

The four were at the table in the private room at Barnum's. The
wedding supper, simple enough, but seemingly too expensive to
Saxon, had been eaten. Bert, in his hand a glass of California
red wine, which the management supplied for fifty cents a bottle,
was on his feet endeavoring a speech. His face was flushed; his
black eyes wers feverishly bright.

"You've ben drinkin' before you met me," Mary continued. "I can
see it stickin' out all over you."

"Consult an oculist, my dear," he replied. "Bertram is himself
to-night. An' he is here, arisin' to his feet to give the glad
hand to his old pal. Bill, old man, here's to you. It's how-de-do
an' good-bye, I guess. You're a married man now, Bill, an' you
got to keep regular hours. No more runnin' around with the boys.
You gotta take care of yourself, an' get your life insured, an'
take out an accident policy, an' join a buildin' an' loan
society, an' a buryin' association--"

"Now you shut up, Bert," Mary broke in. "You don't talk about
buryin's at weddings. You oughta be ashamed of yourself."

"Whoa, Mary! Back up! I said what I said because I meant it. I
ain't thinkin' what Mary thinks. What I was thinkin' ... Let me
tell you what I was thinkin'. I said buryin' association, didn't
I? Well, it was not with the idea of castin' gloom over this
merry gatherin'. Far be it..."

He was so evidently seeking a way out of his predicament, that
Mary tossed her head triumphantly. This acted as a spur to his
reeling wits.

"Let me tell you why," he went on. "Because, Bill, you got such
an all-fired pretty wife, that's why. All the fellows is crazy
over her, an' when they get to runnin' after her, what'll you be
doin'? You'll be gettin' busy. And then won't you need a buryin'
association to bury 'em? I just guess yes. That was the
compliment to your good taste in skirts I was tryin' to come
across with when Mary butted in."

His glittering eyes rested for a moment in bantering triumph on
Mary.

"Who says I'm squiffed? Me? Not on your life. I'm seein' all
things in a clear white light. An' I see Bill there, my old
friend Bill. An' I don't see two Bills. I see only one. Bill was
never two-faced in his life. Bill, old man, when I look at you
there in the married harness, I'm sorry--" He ceased abruptly and
turned on Mary. "Now don't go up in the air, old girl. I'm onto
my job. My grandfather was a state senator, and he could spiel
graceful an' pleasin' till the cows come home. So can I.--Bill,
when I look at you, I'm sorry. I repeat, I'm sorry. He glared
challengingly at Mary. "For myself when I look at you an' know
all the happiness you got a hammerlock on. Take it from me,
you're a wise guy, bless the women. You've started well. Keep it
up. Marry 'em all, bless 'em. Bill, here's to you. You're a
Mohegan with a scalplock. An' you got a squaw that is some squaw,
take it from me. Minnehaha, here's to you--to the two of you--an'
to the papooses, too, gosh-dang them!"

He drained the glass suddenly and collapsed in his chair,
blinking his eyes across at the wedded couple while tears
trickled unheeded down his cheeks. Mary's hand went out
soothingly to his, completing his break-down.

"By God, I got a right to cry," he sobbed. "I'm losin' my best
friend, ain't I? It'll never be the same again never. When I
think of the fun, an' scrapes, an' good times Bill an' me has had
together, I could darn near hate you, Saxon, sittin' there with
your hand in his."

"Cheer up, Bert," she laughed gently. "Look at whose hand you are
holding."

"Aw, it's only one of his cryin' jags," Mary said, with a
harshness that her free hand belied as it caressed his hair with
soothing strokes. "Buck up, Bert. Everything's all right. And now
it's up to Bill to say something after your dandy spiel."

Bert recovered himself quickly with another glass of wine.

"Kick in, Bill," he cried. "It's your turn now."

"I'm no hotair artist," Billy grumbled. "What'll I say, Saxon?
They ain't no use tellin' 'em how happy we are. They know that."

"Tell them we're always going to he happy," she said. "And thank
them for all their good wishes, and we both wish them the same.
And we're always going to be together, like old times, the four
of us. And tell them they're invited down to 507 Pine Street next
Sunday for Sunday dinner.--And, Mary, if you want to come
Saturday night you can sleep in the spare bedroom."

"You've told'm yourself, better'n I could." Billy clapped his
hands. "You did yourself proud, an' I guess they ain't much to
add to it, but just the same I'm goin' to pass them a hot one."

He stood up, his hand on his glass. His clear blue eyes under the
dark brows and framed by the dark lashes, seemed a deeper blue,
and accentuated the blondness of hair and skin. The smooth cheeks
were rosy--not with wine, for it was only his second glass--but
with health and joy. Saxon, looking up at him, thrilled with
pride in him, he was so well-dressed, so strong, so handsome, so
clean-looking--her man-boy. And she was aware of pride in
herself, in her woman's desirableness that had won for her so
wonderful a lover.

"Well, Bert an' Mary, here you are at Saxon's and my wedding
supper. We're just goin' to take all your good wishes to heart,
we wish you the same back, and when we say it we mean more than
you think we mean. Saxon an' I believe in tit for tat. So we're
wishin' for the day when the table is turned clear around an'
we're sittin' as guests at your weddin' supper. And then, when
you come to Sunday dinner, you can both stop Saturday night in
the spare bedroom. I guess I was wised up when I furnished it,
eh?"

"I never thought it of you, Billy!" Mary exclaimed. "You're every
hit as raw as Bert. But just the same ... "

There was a rush of moisture to her eyes. Her voice faltered and
broke. She smiled through her tears at them, then turned to look
at Bert, who put his arm around her and gathered her on to his
knees.

When they left the restaurant, the four walked to Eighth and
Broadway, where they stopped beside the electric car. Bert and
Billy were awkward and silent, oppressed by a strange aloofness.
But Mary embraced Saxon with fond anxiousness.

"It's all right, dear," Mary whispered. "Don't be scared. It's
all right. Think of all the other women in the world."

The conductor clanged the gong, and the two couples separated in
a sudden hubbub of farewell.

"Oh, you Mohegan!" Bert called after, as the car got under way.
"Oh, you Minnehaha!"

"Remember what I said," was Mary's parting to Saxon.


The car stopped at Seventh and Pine, the terminus of the line. It
was only a little over two blocks to the cottage. On the front
steps Billy took the key from his pocket.

"Funny, isn't it?" he said, as the key turned in tlie lock. "You
an' me. Just you an' me."

While he lighted the lamp in the parlor, Saxon was taking off her
hat. He went into the bedroom and lighted the lamp there, then
turned back and stood in the doorway. Saxon, still unaccountably
fumbling with her hatpins, stole a glance at him. He held out his
arms.

"Now," he said.

She came to him, and in his arms he could feel her trembling. _

Read next: BOOK II: CHAPTER I

Read previous: BOOK I: CHAPTER XIV

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