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Pausanias, the Spartan: An Unfinished Historical Romance, a novel by Edward Bulwer-Lytton

Book 3 - Chapter 6

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_ BOOK III CHAPTER VI

If we were enabled minutely to examine the mental organization of men who have risked great dangers, whether by the impulse of virtue, or in the perpetration of crime, we should probably find therein a large preponderance of hope. By that preponderance we should account for those heroic designs which would annihilate prudence as a calculator, did not a sanguine confidence in the results produce special energies to achieve them, and thus create a prudence of its own, being as it were the self-conscious admeasurement of the diviner strength which justified the preterhuman spring. Nor less should we account by the same cause for that audacity which startles us in criminals on a colossal scale, which blinds them to the risks of detection, and often at the bar of justice, while the evidences that ensure condemnation are thickening round them, with the persuasion of acquittal or escape. Hope is thus alike the sublime inspirer or the arch corrupter; it is the foe of terror, the defier of consequences, the buoyant gamester which at every loss doubles the stakes, with a firm hand rattles the dice, and, invoking ruin, cries within itself, "How shall I expend the gain?"

In the character, therefore, of a man like Pausanias, risking so much glory, daring so much peril, strong indeed must have been this sanguine motive power of human action. Nor is a large and active development of hope incompatible with a temperament habitually grave and often profoundly melancholy. For hope itself is often engendered by discontent. A vigorous nature keenly susceptible to joy, and deprived of the possession of the joy it yearns for by circumstances that surround it in the present, is goaded on by its impatience and dissatisfaction; it hopes for the something it has not got, indifferent to the things it possesses, and saddened by the want which it experiences. And therefore it has been well said by philosophers, that real happiness would exclude desire; in other words, not only at the gates of hell, but at the porch of heaven, he who entered would leave hope behind him. For perfect bliss is but supreme content. And if content could say to itself,--"But I hope for something more," it would destroy its own existence.

From his brief slumber the Spartan rose refreshed. The trumpets were sounding near him, and the very sound brightened his aspect, and animated his spirits.

Agreeably to orders he had given the night before, the anchor was raised, the rowers were on their benches, the libation to the Carnean Apollo, under whose special protection the ship was placed, had been poured forth, and with the rising sea and to the blare of trumpets the gorgeous trireme moved forth from the bay.

It moved, as the trumpets ceased, to the note of a sweeter, but not less exciting music. For, according to Hellenic custom, to the rowers was allotted a musician, with whose harmony their oars, when first putting forth to sea, kept time. And on this occasion Alcman superseded the wonted performer by his own more popular song and the melody of his richer voice. Standing by the mainmast, and holding the large harp, which was stricken by the quill, its strings being deepened by a sounding-board, he chanted an Io Paean to the Dorian god of light and poesy. The harp at stated intervals was supported by a burst of flutes, and the burthen of the verse was caught up by the rowers as in chorus. Thus, far and wide over the shining waves, went forth the hymn.


Io, Io Paean! slowly. Song and oar must chime together:
Io, Io Paean! by what title call Apollo!
Clarian? Xanthian? Boëdromian?
Countless are thy names, Apollo,
Io Carnëe! Io Carnëe!
By the margent of Eurotas,
'Neath the shadows of Täygetus,
Thee the sons of Lacedaemon
Name Carneus. Io, Io!
Io Carnëe! Io Carnëe!

Io, Io Paean! quicker. Song and voice must chime together:
Io Paean! Io Paean! King Apollo, Io, Io!
Io Carnëe!
For thine altars do the seasons

Paint the tributary flowers,
Spring thy hyacinth restores,
Summer greets thee with the rose,
Autumn the blue Cyane mingles
With the coronals of corn,
And in every wreath thy laurel
Weaves its everlasting green.
Io Carnëe! Io Carnëe!
For the brows Apollo favours
Spring and winter does the laurel
Weave its everlasting green.

Io, Io Paean! louder. Voice and oar must chime together:
For the brows Apollo favours
Even Ocean bears the laurel.
Io Carnëe! Io Carnëe!

Io, Io Paean! stronger. Strong are those who win the laurel.


As the ship of the Spartan commander thus bore out to sea, the other vessels of the armament had been gradually forming themselves into a crescent, preserving still the order in which the allies maintained their several contributions to the fleet, the Athenian ships at the extreme end occupying the right wing, the Peloponnesians massed together at the left.

The Chian galleys adjoined the Samian; for Uliades and Antagoras had contrived that their ships should be close to each other, so that they might take counsel at any moment and act in concert.

And now when the fleet had thus opened its arms as it were to receive the commander, the great trireme of Pausanias began to veer round, and to approach the half moon of the expanded armament. On it came, with its beaked prow, like a falcon swooping down on some array of the lesser birds.

From the stern hung a gilded shield and a crimson pennon. The heavy-armed soldiers in their Spartan mail occupied the centre of the vessel, and the sun shone full upon their armour.

"By Pallas the guardian," said Cimon, "it is the Athenian vessels that the strategus honours with his first visit."

And indeed the Spartan galley now came alongside that of Aristides, the admiral of the Athenian navy.

The soldiers on board the former gave way on either side. And a murmur of admiration circled through the Athenian ship, as Pausanias suddenly appeared. For, as if bent that day on either awing mutiny or conciliating the discontented, the Spartan chief had wisely laid aside the wondrous Median robes. He stood on her stern in the armour he had worn at Plataea, resting one hand upon his shield, which itself rested on the deck. His head alone was uncovered, his long sable locks gathered up into a knot, in the Spartan fashion, a crest as it were in itself to that lofty head. And so imposing were his whole air and carriage, that Cimon, gazing at him, muttered, "What profane hand will dare to rob that demigod of command?" _

Read next: Book 3: Chapter 7

Read previous: Book 3: Chapter 5

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