Book 1 - Chapter 3. Papa And Mamma Gerard

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_ BOOK I CHAPTER III. PAPA AND MAMMA GERARD

One, two, three years rolled by without anything very remarkable happening to the inhabitants of the fifth story.

The quarter had not changed, and it still had the appearance of a suburban faubourg. They had just erected, within gunshot of the house where the Violettes and Gerards lived, a large five-story building, upon whose roof still trembled in the wind the masons' withered bouquets. But that was all. In front of them, on the lot "For Sale," enclosed by rotten boards, where one could always see tufts of nettles and a goat tied to a stake, and upon the high wall above which by the end of April the lilacs hung in their perfumed clusters, the rains had not effaced this brutal declaration of love, scraped with a knife in the plaster: "When Melie wishes she can have me," and signed "Eugene."

Three years had passed, and little Amedee had grown a trifle. At that time a child born in the centre of Paris--for example, in the labyrinth of infected streets about the Halles--would have grown up without having any idea of the change of seasons other than by the state of the temperature and the narrow strip of sky which he could see by raising his head. Even today certain poor children--the poor never budge from their hiding-places--learn of the arrival of winter only by the odor of roasted chestnuts; of spring, by the boxes of gilly-flowers in the fruiterer's stall; of summer, by the water-carts passing, and of autumn, by the heaps of oyster-shells at the doors of wine-shops. The broad sky, with its confused shapes of cloud architecture, the burning gold of the setting sun behind the masses of trees, the enchanting stillness of moonlight upon the river, all these grand and magnificent spectacles are for the delight of those who live in suburban quarters, or play there sometimes. The sons of people who work in buttons and jet spend their infancy playing on staircases that smell of lead, or in courts that resemble wells, and do not suspect that nature exists. At the outside they suspect that nature may exist when they see the horses on Palm Sunday decorated with bits of boxwood behind each ear. What matters it, after all, if the child has imagination? A star reflected in a gutter will reveal to him an immense nocturnal poem; and he will breathe all the intoxication of summer in the full-blown rose which the grisette from the next house lets fall from her hair.

Amedee had had the good fortune of being born in that delicious and melancholy suburb of Paris which had not yet become "Haussmannized," and was full of wild and charming nooks.

His father, the widower, could not be consoled, and tried to wear out his grief in long promenades, going out on clear evenings, holding his little boy by the hand, toward the more solitary places. They followed those fine boulevards, formerly in the suburbs, where there were giant elms, planted in the time of Louis XIV, ditches full of grass, ruined palisades, showing through their opening market-gardens where melons glistened in the rays of the setting sun. Both were silent; the father lost in reveries, Amedee absorbed in the confused dreams of a child. They went long distances, passing the Barriere d'Enfer, reaching unknown parts, which produced the same effect upon an inhabitant of Rue Montmartre as the places upon an old map of the world, marked with the mysterious words 'Mare ignotum', would upon a savant of the Middle Ages. There were many houses in this ancient suburb; curious old buildings, nearly all of one story.

Sometimes they would pass a public-house painted in a sinister wine-color; or else a garden hedged in by acacias, at the fork of two roads, with arbors and a sign consisting of a very small windmill at the end of a pole, turning in the fresh evening breeze. It was almost country; the grass grew upon the sidewalks, springing up in the road between the broken pavements. A poppy flashed here and there upon the tops of the low walls. They met very few people; now and then some poor person, a woman in a cap dragging along a crying child, a workman burdened with his tools, a belated invalid, and sometimes in the middle of the sidewalk, in a cloud of dust, a flock of exhausted sheep, bleating desperately, and nipped in the legs by dogs hurrying them toward the abattoir. The father and son would walk straight ahead until it was dark under the trees; then they would retrace their steps, the sharp air stinging their faces. Those ancient hanging street-lamps, the tragic lanterns of the time of the Terror, were suspended at long intervals in the avenue, mingling their dismal twinkle with the pale gleams of the green twilight sky.

These sorrowful promenades with his melancholy companion would commonly end a tiresome day at Batifol's school. Amedee was now in the "seventh," and knew already that the phrase, "the will of God," could not be turned into Latin by 'bonitas divina', and that the word 'cornu' was not declinable. These long, silent hours spent at his school-desk, or beside a person absorbed in grief, might have become fatal to the child's disposition, had it not been for his good friends, the Gerards. He went to see them as often as he was able, a spare hour now and then, and most of the day on Thursdays. The engraver's house was always full of good-nature and gayety, and Amedee felt comfortable and really happy there.

The good Gerards, besides their Louise and Maria, to say nothing of Amedee, whom they looked upon as one of the family, had now taken charge of a fourth child, a little girl, named Rosine, who was precisely the same age as their youngest.

This was the way it happened. Above the Gerards, in one of the mansards upon the sixth floor, lived a printer named Combarieu, with his wife or mistress--the concierge did not know which, nor did it matter much. The woman had just deserted him, leaving a child of eight years. One could expect nothing better of a creature who, according to the concierge, fed her husband upon pork-butcher's meat, to spare herself the trouble of getting dinner, and passed the entire day with uncombed hair, in a dressing-sacque, reading novels, and telling her fortune with cards. The grocer's daughter declared she had met her one evening, at a dancing-hall, seated with a fireman before a salad-bowl full of wine, prepared in the French fashion.

During the day Combarieu, although a red-hot Republican, sent his little girl to the Sisters; but he went out every evening with a mysterious air and left the child alone. The concierge even uttered in a low voice, with the romantic admiration which that class of people have for conspirators, the terrible word "secret society," and asserted that the printer had a musket concealed under his straw bed.

These revelations were of a nature to excite M. Gerard's sympathy in favor of his neighbor, for the coup d'etat and the proclamation of the Empire had irritated him very much. Had it not been his melancholy duty to engrave, the day after the second of December--he must feed his family first of all--a Bonapartist allegory entitled, "The Uncle and the Nephew," where one saw France extending its hand to Napoleon I and Prince Louis, while soaring above the group was an eagle with spreading wings, holding in one of his claws the cross of the Legion of Honor?

One day the engraver asked his wife, as he lighted his pipe--he had given up Abd-el-Kader and smoked now a Barbes--if they ought not to interest themselves a little in the abandoned child. It needed nothing more to arouse the good woman, who had already said more than once: "What a pity!" as she saw little Rosine waiting for her father in the lodge of the concierge, asleep in a chair before the stove. She coaxed the child to play with her children. Rosine was very pretty, with bright eyes, a droll little Parisian nose, and a mass of straw-colored curly hair escaping from her cap. The little rogue let fly quite often some gutter expression, such as "Hang it!" or "Tol-derol-dol!" at which Madame Gerard would exclaim, "What do I hear, Mademoiselle?" but she was intelligent and soon corrected herself.

One Sunday morning, Combarieu, having learned of their kindness to his child, made a visit to thank them.

Very dark, with a livid complexion, all hair and beard, and trying to look like the head of Jesus Christ, in his long black blouse he embodied the type of a club conspirator, a representative of the workingmen. A Freemason, probably; a solemn drunkard, who became intoxicated oftener on big words than on native wine, and spoke in a loud, pretentious voice, gazing before him with large, stupid eyes swimming in a sort of ecstasy; his whole person made one think of a boozy preacher. He immediately inspired the engraver with respect, and dazzled him by the fascination which the audacious exert over the timid. M. Gerard thought he discerned in Combarieu one of those superior men whom a cruel fate had caused to be born among the lower class and in whom poverty had stifled genius.

Enlightened as to the artist's political preferences by the bowl of his pipe, Combarieu complacently eulogized himself. Upon his own admission he had at first been foolish enough to dream of a universal brotherhood, a holy alliance of the people. He had even written poems which he had published himself, notably an "Ode to Poland," and an "Epistle to Beranger," which latter had evoked an autograph letter from the illustrious song-writer. But he was no longer such a simpleton.

"When one has seen what we have seen during June, and on the second of December, there is no longer any question of sentiment." Here the engraver, as a hospitable host, brought a bottle of wine and two glasses. "No, Monsieur Gerard, I thank you, I take nothing between my meals. The workingmen have been deceived too often, and at the next election we shall not let the bourgeoisie strangle the Republic." (M. Gerard had now uncorked the bottle.) "Only a finger! Enough! Enough! simply so as not to refuse you. While waiting, let us prepare ourselves. Just now the Eastern question muddles us, and behold 'Badinguet,'--[A nickname given to Napoleon III.]--with a big affair upon his hands. You have some wine here that is worth drinking. If he loses one battle he is done for. One glass more? Ah! you make me depart from my usual custom--absolutely done for. But this time we shall keep our eyes open. No half measures! We will return to the great methods of 'ninety-three--the Committee of Public Safety, the Law of Suspects, the Revolutionary Tribunal, every damned one of them! and, if it is necessary, a permanent guillotine! To your good health!"

So much energy frightened Father Gerard a little; for in spite of his Barbes pipe-bowl he was not a genuine red-hot Republican. He dared not protest, however, and blushed a little as he thought that the night before an editor had proposed to him to engrave a portrait of the new Empress, very decollete, and showing her famous shoulders, and that he had not said No; for his daughters needed new shoes, and his wife had declared the day before that she had not a gown to put on.

So for several months he had four children--Amedee, Louise, Maria, and little Rose Combarieu--to make a racket in his apartment. Certainly they were no longer babies; they did not play at making calls nor chase the old fur hat around the room; they were more sensible, and the old furniture had a little rest. And it was time, for all the chairs were lame, two of the larger ones had lost an arm each, and the Empire sofa had lost the greater part of its hair through the rents in its dark-green velvet covering. The unfortunate square piano had had no pity shown it; more out of tune and asthmatic than ever, it was now always open, and one could read above the yellow and worn-out keyboard a once famous name-"Sebastian Erard, Manufacturer of Pianos and Harps for S.A.R. Madame la Duchesse de Berri." Not only Louise, the eldest of the Gerards--a large girl now, having been to her first communion, dressing her hair in bands, and wearing white waists--not only Louise, who had become a good musician, had made the piano submit to long tortures, but her sister Maria, and Amedee also, already played the 'Bouquet de Bal' or 'Papa, les p'tits bateaux'. Rosine, too, in her character of street urchin, knew all the popular songs, and spent entire hours in picking out the airs with one finger upon the old instrument.

Ah! the songs of those days, the last of romanticism, the make-believe 'Orientales'; 'Odes' and 'Ballads', by the dozen; 'Comes d'Espagne et d'Italie', with their pages, turrets, chatelaines; bull-fighters, Spanish ladies; vivandieres, beguiled away from their homes under the pale of the church, "near a stream of running water, by a gay and handsome chevalier," and many other such silly things--Amedee will remember them always! They bring back to him, clearly and strongly, certain happy hours in his childhood! They make him smell again at times even the odor that pervaded the Gerards' house. A mule-driver's song will bring up before his vision the engraver working at his plate before the curtainless window on a winter's day. It snows in the streets, and large white flakes are slowly falling behind the glass; but the room, ornamented with pictures and busts, is lighted and heated by a bright coke fire. Amedee can see himself seated in a corner by the fire, learning by heart a page of the "Epitome" which he must recite the next morning at M. Batifol's. Maria and Rosine are crouched at his feet, with a box of glass beads, which they are stringing into a necklace. It was comfortable; the whole apartment smelled of the engraver's pipe, and in the dining-room, whose door is half opened, Louise is at the piano, singing, in a fresh voice, some lines where "Castilla" rhymes with "mantilla," and "Andalousie" with "jealousy," while her agile fingers played on the old instrument an accompaniment supposed to imitate bells and castanets.

Or perhaps it is a radiant morning in June, and they are in the dining-room; the balcony door is open wide, and a large hornet buzzes loudly in the vine. Louise is still at the piano; she is singing this time, and trying to reach the low tones of a dramatic romance where a Corsican child is urged on to vengeance by his father:

Tiens, prends ma carabiue!
Sur toi veillera Dieu--

This is a great day, the day when Mamma Gerard makes her gooseberry preserves. There is a large basin already full of it on the table. What a delicious odor! A perfume of roses mingled with that of warm sugar. Maria and Rosine have just slipped into the kitchen, the gourmands! But Louise is a serious person, and will not interrupt her singing for such a trifle. She continues to sing in a low voice: and at the moment when Amedee stands speechless with admiration before her, as she is scolding in a terrible tone and playing dreadful chords, to and behold! here come the children, both with pink moustaches, and licking their lips voluptuously.

Ah! these were happy hours to Amedee. They consoled him for the interminable days at M. Batifol's.

Having passed the ninth preparatory grade, under the direction of the indolent M. Tavernier, always busy polishing his nails, like a Chinese mandarin, the child had for a professor in the eighth grade Pere Montandeuil, a poor fellow stupefied by thirty years of teaching, who secretly employed all his spare hours in composing five-act tragedies, and who, by dint of carrying to and going for his manuscripts at the Odeon, ended by marrying the stagedoor-keeper's daughter. In the seventh grade Amedee groaned under the tyranny of M. Prudhommod, a man from the country, with a smattering of Latin and a terribly violent temper, throwing at the pupils the insults of a plowboy. Now he had entered the sixth grade, under M. Bance, an unfortunate fellow about twenty years old, ugly, lame, and foolishly timid, whom M. Batifol reproached severely with not having made himself respected, and whose eyes filled with tears every morning when, upon entering the schoolroom, he was obliged to efface with a cloth a caricature of himself made by some of his pupils.

Everything in M. Batifol's school--the grotesque and miserable teachers, the ferocious and cynical pupils, the dingy, dusty, and ink-stained rooms--saddened and displeased Amedee. Although very intelligent, he was disgusted with the sort of instruction there, which was served out in portions, like soldier's rations, and would have lost courage but for his little friend, Louise Gerard, who out of sheer kindness constituted herself his school-mistress, guiding and inspiriting him, and working hard at the rudiments of L'homond's Grammar and Alexandre's Dictionary, to help the child struggle with his 'De Viris'. Unfortunate indeed is he who has not had, during his infancy, a petticoat near him--the sweet influence of a woman. He will always have something coarse in his mind and hard in his heart. Without this excellent and kind Louise, Amedee would have been exposed to this danger. His mother was dead, and M. Violette, alas! was always overwhelmed with his grief, and, it must be admitted, somewhat neglected his little son.

The widower could not be consoled. Since his wife's death he had grown ten years older, and his refractory lock of hair had become perfectly white. His Lucie had been the sole joy in his commonplace and obscure life. She was so pretty, so sweet! such a good manager, dressing upon nothing, and making things seem luxurious with only one flower! M. Violette existed only on this dear and cruel souvenir, living his humble idyll over again in his mind.

He had had six years of this happiness. One of his comrades took him to pass an evening with an old friend who was captain in the Invalides. The worthy man had lost an arm at Waterloo; he was a relative of Lucie, a good-natured old fellow, amiable and lively, delighting in arranging his apartments into a sort of Bonapartist chapel and giving little entertainments with cake and punch, while Lucie's mother, a cousin of the captain, did the honors. M. Violette immediately observed the young girl, seated under a "Bataille des Pyramides" with two swords crossed above it, a carnation in her hair. It was in midsummer, and through the open window one could see the magnificent moonlight, which shone upon the esplanade and made the huge cannon shine. They were playing charades, and when it came Lucie's turn to be questioned among all the guests, M. Violette, to relieve her of her embarrassment, replied so awkwardly that they all exclaimed, "Now, then, that is cheating!" With what naive grace and bashful coquetry she served the tea, going from one table to another, cup in hand, followed by the one-armed captain with silver epaulets, carrying the plum-cake! In order to see her again, M. Violette paid the captain visit after visit. But the greater part of the time he saw only the old soldier, who told him of his victories and conquests, of the attack of the redoubt at Borodino, and the frightful swearing of the dashing Murat, King of Naples, as he urged the squadrons on to the rescue. At last, one beautiful Sunday in autumn, he found himself alone with the young girl in the private garden of the veteran of the Old Guard. He seated himself beside Lucie on a stone bench: he told her his love, with the profound gaze of the Little Corporal, in bronzed plaster, resting upon them; and, full of delicious confusion, she replied, "Speak to mamma," dropping her bewildered eyes and gazing at the bed of china-asters, whose boxwood border traced the form of a cross of the Legion of Honor.

And all this was effaced, lost forever! The captain was dead; Lucie's mother was dead, and Lucie herself, his beloved Lucie, was dead, after giving him six years of cloudless happiness.

Certainly, he would never marry again. Oh, never!

No woman had ever existed or ever would exist for him but his poor darling, sleeping in the Montparnasse Cemetery, whose grave he visited every Sunday with a little watering-pot concealed under his coat.

He recalled, with a shiver of disgust, how, a few months after Lucie's death, one stifling evening in July, he was seated upon a bench in the Luxembourg, listening to the drums beating a retreat under the trees, when a woman came and took a seat beside him and looked at him steadily. Surprised by her significant look, he replied, to the question that she addressed to him, timidly and at the same time boldly: "So this is the way that you take the air?" And when she ended by asking him, "Come to my house," he had followed her. But he had hardly entered when the past all came back to him, and he felt a stifled feeling of distress. Falling into a chair, he sobbed, burying his face in his hands. His grief was so violent that, by a feminine instinct of pity, the wretched creature took his head in her arms, saying, in a consoling tone, "There, cry, cry, it will do you good!" and rocked him like an infant. At last he disengaged himself from this caress, which made him ashamed of himself, and throwing what little money he had about him upon the top of the bureau, he went away and returned to his home, where he went hastily to bed and wept to his heart's content, as he gnawed his pillow. Oh, horrible memories!

No! never a wife, no mistress, nothing! Now his grief was his wife, and lived with him.

The widower's morning awakening was frightful above all things else-his awakening in the large bed that now had but one pillow. It was there that he had once had the exquisite pleasure of watching his dear Lucie every morning when asleep; for she did not like to get up early, and sometimes he had jokingly scolded her for it. What serenity upon this delicate, sweet face, with its closed eyes, nestling among her beautiful, disordered hair! How chaste this lovely young wife was in her unconstraint! She had thrown one of her arms outside of the covering, and the neck of her nightrobe, having slipped down, showed such a pure white shoulder and delicate neck. He leaned over the half-opened mouth, which exhaled a warm and living odor, something like the perfume of a flower, to inhale it, and a tender pride swept over him when he thought that she was his, his wife, this delicious creature who was almost a child yet, and that her heart was given to him forever. He could not resist it; he touched his young wife's lips with his own. She trembled under the kiss and opened her eyes, when the astonishment of the awakening was at once transformed into a happy smile as she met her husband's glance. Oh, blissful moment! But in spite of all, one must be sensible. He recalled that the milk-maid had left at daybreak her pot of milk at the door of their apartment; that the fire was not lighted, and that he must be at the office early, as the time for promotions was drawing near. Giving another kiss to the half-asleep Lucie, he said to her, in a coaxing tone, "Now then, Lucie, my child, it is half-past eight. Up, up with you, lazy little one!"

How could he console himself for such lost happiness? He had his son, yes--and he loved him very much--but the sight of Amedee increased M. Violette's grief; for the child grew to look more like his mother every day. _

Read next: Book 1: Chapter 4. The Demon Absinthe

Read previous: Book 1: Chapter 2. Sad Changes

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