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Young Lives, a novel by Richard Le Gallienne

Chapter 13. Damon And Pythias At The Theatre

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_ CHAPTER XIII. DAMON AND PYTHIAS AT THE THEATRE


Once, long before the beginning of this story, Damon and Pythias were sitting in a theatre together, with the wonderful overture just beginning to steal through their senses.

Ah, violins, whither would you take their souls? You call to them like the voice of one waiting by the sea, bathed in sunset. What are these wonderful things you are whispering to their souls? You promise--ah, what things you promise, strange voices of the string!

Oh, sirens, have pity! Their hearts are pure, their bodies sweet as apples. Oh, be faithful, betray them not, beautiful voices of the wondrous world!

The overture had succeeded. Their souls had followed it over the footlights, and, floating in the limelight, shone there awaiting the fulfilment of the promise.

The play was "Pygmalion and Galatea," and at the appearance of Galatea they knew that the overture had not lied. There, in dazzling white flesh, was all it had promised; and when she called "Pyg-ma-lion!" how their hearts thumped!--for they knew it was really them she was calling.

"Pyg-ma-lion! Pyg-ma-lion!"

It was as though Cleopatra called them from the tomb.

Their hands met. They could hear each other's blood singing. And was not the play itself an allegory of their coming lives? Did not Galatea symbolise all the sleeping beauty of the world that was to awaken, warm and fragrant, at the kiss of their youth? And somewhere, too, shrouded in enchanted quiet, such a white white woman waited for their kiss. In a vision they saw life like the treasure cave of the Arabian thief; and they said to their beating hearts that they had the secret of the magic word, that the "open Sesame" was youth.

No fall of the curtain could hide the vision from their young eyes. It transfigured the faces of their fellow-playgoers, crowding from the pit; it made another stage of the embers of the sunset, a distant bridge of silver far down the street. Then they took it with them to the tavern; and to write of the solemn libations of that night would be to laugh or cry. Only youth can be so radiantly ridiculous.

They had found their own corner. Turning down the gas, the fire played at day and night with their faces. Imagine them in one of the flashes, solemnly raising their glasses, hands clasped across the table, earnest gleaming eyes holding each other above it.

"Old man, some day, somewhere, a woman like that!"

But there was still a sequel. At home at last and in bed, how could Damon sleep! It seemed as if he had got into a rosy sunset cloud in mistake for his bed. The candle was out, and yet the room was full of rolling light.

It was no use; he must get up. So, striking a light, he was presently deep in the composition of a fiery sonnet. It was evidently that which had caused all the phosphorescence. But a sonnet is a mere pill-box; it holds nothing. A mere cockle-shell,--and, oh, the raging sea it could not hold! Besides being confessedly an art-form, duly licenced to lie, it was apt to be misunderstood. It could not say in plain words, "Meet me at the pier to-morrow at three in the afternoon;" it could make no assignation nearer than the Isles of the Blest, "after life's fitful fever." Therefore, it seemed well to add a postscript to that effect in prose.

But then, how was she to receive it? There was nothing to be hoped from the post, and Damon's home in Sidon was three miles from the ferry. Likewise, it was now nearing three in the morning. Just time to catch the half-past three boat, run up to the theatre, a mile away, and meet the return boat. So down, down through the creaking house, carefully, as though he were a Jason picking his way among the coils of the sleeping dragon; and soon he was shooting through the phantom streets, like Mercury on a message through Hades.

At last the river came in sight, growing slate-colour in the earliest dawn. He could see the boat nuzzling up against the pier, and snoring in its sleep. He said to himself that this was Styx and the fare an obolus. As he jumped on board, with hot face and hotter heart, Charon clicked his signal to the engines; the boat slowly snuffled itself half awake, and shoved out into the sleepy water.

As they crossed, the light grew, and the gas-lamps of Tyre beaconed with fading gleam. Overhead began a restlessness in the clouds, as of a giant drowsily shuffling off some of his bedclothes; but as yet he slept, and only the silver bosom of his spouse, the moon, was uncovered.

When they landed, the streets of Tyre were already light, but empty, as though they had got up early to meet some one who had not arrived. Damon sped through them like a sea-gull that has the harbour to itself, and was not long in reaching the theatre. How desolate the play-bills looked that had been so companionable but three or four hours before! And there was her photograph! Surely it was an omen.

"Ah, my angel! See, I am bringing you my heart in a song. 'All my heart in this my singing!'"

He dropped the letter into the box; but, as he turned away, momentarily glancing up the long street, he caught sight of an approaching figure that could hardly be mistaken. Good Heavens! it was Pythias, and he too was carrying a letter. _

Read next: Chapter 14. Contributions Towards A Genealogy

Read previous: Chapter 12. Damon And Pythias

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