Cupid And Psyche

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_ To a student of comparative literature the story of Cupid and Psyche[334] is one of those tales which are current in many countries (and of which _Lohengrin_ is a familiar instance), that were originally intended as object lessons to enforce the moral that women must not be too inquisitive regarding their lovers or husbands, who may seem monsters, but in reality are gods and should be accepted as such. If most persons, nevertheless, fancy that _Cupid and Psyche_ is a story of "modern" romantic love, that is presumably due to the fact that most persons have never read it. It is not too much to say that had Apuleius really known such a thing as modern romantic love--or conjugal affection either--it would have required great ingenuity on his part to invent a plot from which those qualities are so rigorously excluded. Romantic love means pre-matrimonial infatuation, based not only on physical charms but on soul-beauty. The time when alone it flourishes with its mental purity, its minute sympathies, its gallant attentions and sacrifices, its hyperbolic adorations, and mixed moods of agonies and ecstasies, is during the period of courtship. Now from the story of Cupid and Psyche this period is absolutely eliminated. Venus is jealous because divine honors are paid to the Princess Psyche on account of her beauty; so she sends her son Cupid to punish Psyche by making her fall in love violently (_amore flagrantissimo_) with the lowest, poorest, and most abject man on earth. Just at that time Psyche has been exposed by the king on a mountain top in obedience to an obscure oracle. Cupid sees her there, and, disobeying his mother's orders, has her brought while asleep, by his servant Zephir, to a beautiful palace, where all the luxuries of life are provided for her by unseen hands; and at night, after she has retired, an unknown lover visits her, disappearing again before dawn (_jamque aderat ignobilis maritus et torem inscenderat et uxorem sibi Psychen fecerat et ante lucis exortum propere discesserat_).

[FOOTNOTE 334: Lucii Apulei _Metamorphoseon_, Libri XI., Ed. van der Vliet (_Teubner_), IV., 89-135.]

Now follow some months in which Psyche is neither maiden nor wife. Even if they had been properly married there would have been no opportunity for the development or manifestation of supersensual conjugal attachment, for all this time Psyche is never allowed even to see her lover; and when an opportunity arises for her to show her devotion to him she fails utterly to rise to the occasion. One night he informs her that her two sisters, who are unhappily married, are trying to find her, and he warns her seriously not to heed them in any way, should they succeed in their efforts. She promises, but spends the whole of the next day weeping and wailing because she is locked up in a beautiful prison, unable to see her sisters--very unlike a loving modern girl on her honeymoon, whose one desire is to be alone with her beloved, giving him a monopoly of her affection and enjoying a monopoly of his, with no distractions or jealousies to mar their happiness. Cupid chides her for being sad and dissatisfied even amid his caresses and he again warns her against her scheming sisters; whereat she goes so far as to threaten to kill herself unless he allows her to receive her sisters. He consents at last, after making her promise not to let them persuade her to try to find out anything about his personal appearance, lest such forbidden curiosity make her lose him forever. Nevertheless, when, on their second visit, the sisters, filled with envy, try to persuade her that her unseen lover is a monster who intends to eat her after she has grown fat, and that to save herself she must cut off his head while he is asleep, she resolves to follow their advice. But when she enters the room at night, with a knife in one hand and a lamp in the other, and sees the beautiful god Cupid in her bed, she is so agitated that a drop of hot oil falls from her lamp on his face and wakes him; whereupon, after reproaching her, he rises on his wings and forsakes her.

Overcome with grief, Psyche tries to end her life by jumping into a river, but Zephir saves her. Then she takes revenge on her sisters by calling on them separately and telling each one that Cupid had deserted her because he had seen her with lamp and knife, and that he was now going to marry one of them. The sisters hasten one after the other to the rock, but Zephir fails to catch them, and they are dashed to pieces. Venus meanwhile had discovered the escapade of her boy and locked him up till his wound from the hot oil was healed. Her anger now vents itself on Psyche. She sets her several impossible tasks, but Psyche, with supernatural aid, accomplishes all of them safely. At last Cupid manages to escape through a window. He finds Psyche lying on the road like a corpse, wakes her and Mercury brings her to heaven, where at last she is properly married to Cupid--_sic rite Psyche convenit in manum Cupidinis et nascitur illis maturo partu filia, quam Voluptatem nominamus_.

Such is the much-vaunted "love-story" of Cupid and Psyche! Commentators have found all sorts of fanciful and absurd allegories in this legend. Its real significance I have already pointed out. But it may be looked at from still another point of view. Psyche means soul, and in the story of Apuleius Cupid does not fall in love with a soul, but with a beautiful body. This sums up Hellenic love in general. _The Greek Cupid_ NEVER _fell in love with a Psyche_.

[THE END]
Henry Theophilus Finck's Book: Greek Love-Stories and Poems

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