The Maiden Who Always Refused

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_ Robert Hartmann (480) describes the Yoruba people as vivacious and intelligent. But the details given by Ellis regarding the peculiar functions of bridesmaids, and the assertion that "virginity in a bride is only of paramount importance when the girl has been betrothed in childhood," explain sufficiently why we must not look for sentimental features in a Yoruba love-story. The most noticeable thing in the above tale is the girl's power to refuse chiefs and even the King. In Ellis's book on the Ewe-speaking peoples of the Slave Coast, there is also a love-story concerning a "Maiden who always refused." It has a moral which seems to indicate masculine disapproval of such a feminine privilege. The following is a condensed version:

There was a beautiful girl whose parents were rich. Men
came to marry her, but she always said "Not yet." Men
continued to come, but she said "My shape is good, my
skin is good, therefore I shall stay;" and she stayed.

Now the leopard, in the leopard's place, hears this. He
turns himself to resemble man. He takes a musical
instrument in his hand and makes himself a fine young
man. His shape is good. Then he goes to the parents of
the maiden and says, "I look strong and manly, but I do
not look stronger than I love." Then the father says,
"Who looks strong takes;" and the young man says, "I am
ready."

The young man comes in the house. His shape pleases the
young girl. They give him to eat and they give him to
drink. Then the young man asks the maiden if she is
ready to go, and the maiden says she is ready to go.
Her parents give her two female slaves to take along,
and goats, sheep, and fowls. Ere long, as they travel
along the road, the husband says, "I am hungry." He
eats the fowls, but is still hungry: he eats the goats
and sheep and is hungry still. The two slaves next fall
a victim to his voracity, and then he says, "I am
hungry."

Then the wife weeps and cries aloud and throws herself
on the ground. Immediately the leopard, having resumed
his own shape, makes a leap toward her. But there is a
hunter concealed in the bush; he has witnessed the
scene; he aims his gun and kills the leopard on the
leap. Then he cuts off his tail and takes the young
woman home.

"This is the way of young women," the tale concludes.
"The young men come to ask; the young women meet them,
and continue to refuse--again, again, again--and so the
wild animals turn themselves into men and carry them
off." _

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