The Drover's Wife

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Title:     The Drover's Wife
Author: Henry Lawson [More Titles by Lawson]

The two-roomed house is built of round timber, slabs, and stringy-bark, and floored with split slabs. A big bark kitchen standing at one end is larger than the house itself, veranda included.

Bush all round--bush with no horizon, for the country is flat. No ranges in the distance. The bush consists of stunted, rotten native apple-trees. No undergrowth. Nothing to relieve the eye save the darker green of a few she-oaks which are sighing above the narrow, almost waterless creek. Nineteen miles to the nearest sign of civilization--a shanty on the main road.

The drover, an ex-squatter, is away with sheep. His wife and children are left here alone.

Four ragged, dried-up-looking children are playing about the house. Suddenly one of them yells: "Snake! Mother, here's a snake!"

The gaunt, sun-browned bushwoman dashes from the kitchen, snatches her baby from the ground, holds it on her left hip, and reaches for a stick.

"Where is it?"

"Here! gone into the wood-heap!" yells the eldest boy--a sharp-faced urchin of eleven. "Stop there, mother! I'll have him. Stand back! I'll have the beggar!"

"Tommy, come here, or you'll be bit. Come here at once when I tell you, you little wretch!"

The youngster comes reluctantly, carrying a stick bigger than himself. Then he yells, triumphantly:

"There it goes--under the house!" and darts away with club uplifted. At the same time the big, black, yellow-eyed dog-of-all-breeds, who has shown the wildest interest in the proceedings, breaks his chain and rushes after that snake. He is a moment late, however, and his nose reaches the crack in the slabs just as the end of its tail disappears. Almost at the same moment the boy's club comes down and skins the aforesaid nose. Alligator takes small notice of this, and proceeds to undermine the building; but he is subdued after a struggle and chained up. They cannot afford to lose him.

The drover's wife makes the children stand together near the dog-house while she watches for the snake. She gets two small dishes of milk and sets them down near the wall to tempt it to come out; but an hour goes by and it does not show itself.

It is near sunset, and a thunderstorm is coming. The children must be brought inside. She will not take them into the house, for she knows the snake is there, and may at any moment come up through a crack in the rough slab floor; so she carries several armfuls of firewood into the kitchen, and then takes the children there. The kitchen has no floor--or, rather, an earthen one--called a "ground floor" in this part of the bush. There is a large, roughly-made table in the centre of the place. She brings the children in, and makes them get on this table. They are two boys and two girls--mere babies. She gives them some supper, and then, before it gets dark, she goes into the house, and snatches up some pillows and bedclothes--expecting to see or lay her hand on the snake any minute. She makes a bed on the kitchen table for the children, and sits down beside it to watch all night.

She has an eye on the corner, and a green sapling club laid in readiness on the dresser by her side; also her sewing basket and a copy of the _Young Ladies' Journal_. She has brought the dog into the room.

Tommy turns in, under protest, but says he'll lie awake all night and smash that blinded snake.

His mother asks him how many times she has told him not to swear.

He has his club with him under the bedclothes, and Jacky protests:

"Mummy! Tommy's skinnin' me alive wif his club. Make him take it out."

Tommy: "Shet up, you little---! D'yer want to be bit with the snake?"

Jacky shuts up.

"If yer bit," says Tommy, after a pause, "you'll swell up, an' smell, an' turn red an' green an' blue all over till yer bust. Won't he, mother?"

"Now then, don't frighten the child. Go to sleep," she says.

The two younger children go to sleep, and now and then Jacky complains of being "skeezed." More room is made for him. Presently Tommy says: "Mother! listen to them (adjective) little possums. I'd like to screw their blanky necks."

And Jacky protests drowsily.

"But they don't hurt us, the little blanks!".

Mother: "There, I told you you'd teach Jacky to swear." But the remark makes her smile. Jacky goes to sleep. Presently Tommy asks:

"Mother! Do you think they'll ever extricate the (adjective) kangaroo?"

"Lord! How am I to know, child? Go to sleep."

"Will you wake me if the snake comes out?"

"Yes. Go to sleep."

Near midnight. The children are all asleep and she sits there still, sewing and reading by turns. From time to time she glances round the floor and wall-plate, and, whenever she hears a noise, she reaches for the stick. The thunderstorm comes on, and the wind, rushing through the cracks in the slab wall, threatens to blow out her candle. She places it on a sheltered part of the dresser and fixes up a newspaper to protect it. At every flash of lightning, the cracks between the slabs gleam like polished silver. The thunder rolls, and the rain comes down in torrents.

Alligator lies at full length on the floor, with his eyes turned towards the partition. She knows by this that the snake is there. There are large cracks in that wall opening under the floor of the dwelling-house.

She is not a coward, but recent events have shaken her nerves. A little son of her brother-in-law was lately bitten by a snake, and died. Besides, she has not heard from her husband for six months, and is anxious about him.

He was a drover, and started squatting here when they were married. The drought of 18-- ruined him. He had to sacrifice the remnant of his flock and go droving again. He intends to move his family into the nearest town when he comes back, and, in the meantime, his brother, who keeps a shanty on the main road, comes over about once a month with provisions. The wife has still a couple of cows, one horse, and a few sheep. The brother-in-law kills one of the latter occasionally, gives her what she needs of it, and takes the rest in return for other provisions. She is used to being left alone. She once lived like this for eighteen months. As a girl she built the usual castles in the air; but all her girlish hopes and aspirations have long been dead. She finds all the excitement and recreation she needs in the _Young Ladies' Journal_, and Heaven help her! takes a pleasure in the fashion-plates.

Her husband is an Australian, and so is she. He is careless, but a good enough husband. If he had the means he would take her to the city and keep her there like a princess. They are used to being apart, or at least she is. "No use fretting," she says. He may forget sometimes that he is married; but if he has a good cheque when he comes back he will give most of it to her. When he had money he took her to the city several times--hired a railway sleeping compartment, and put up at the best hotels. He also bought her a buggy, but they had to sacrifice that along with the rest.

The last two children were born in the bush--one while her husband was bringing a drunken doctor, by force, to attend to her. She was alone on this occasion, and very weak. She had been ill with a fever. She prayed to God to send her assistance. God sent Black Mary--the "whitest" gin in all the land. Or, at least, God sent King Jimmy first, and he sent Black Mary. He put his black face round the door post, took in the situation at a glance, and said cheerfully: "All right, missus--I bring my old woman, she down alonga creek."

One of the children died while she was here alone. She rode nineteen miles for assistance, carrying the dead child.

It must be near one or two o'clock. The fire is burning low. Alligator lies with his head resting on his paws, and watches the wall. He is not a very beautiful dog, and the light shows numerous old wounds where the hair will not grow. He is afraid of nothing on the face of the earth or under it. He will tackle a bullock as readily as he will tackle a flea. He hates all other dogs--except kangaroo-dogs--and has a marked dislike to friends or relations of the family. They seldom call, however. He sometimes makes friends with strangers. He hates snakes and has killed many, but he will be bitten some day and die; most snake-dogs end that way.

Now and then the bushwoman lays down her work and watches, and listens, and thinks. She thinks of things in her own life, for there is little else to think about.

The rain will make the grass grow, and this reminds her how she fought a bush-fire once while her husband was away. The grass was long, and very dry, and the fire threatened to burn her out. She put on an old pair of her husband's trousers and beat out the flames with a green bough, till great drops of sooty perspiration stood out on her forehead and ran in streaks down her blackened arms. The sight of his mother in trousers greatly amused Tommy, who worked like a little hero by her side, but the terrified baby howled lustily for his "mummy." The fire would have mastered her but for four excited bushmen who arrived in the nick of time. It was a mixed-up affair all round; when she went to take up the baby he screamed and struggled convulsively, thinking it was a "blackman;" and Alligator, trusting more to the child's sense than his own instinct, charged furiously, and (being old and slightly deaf) did not in his excitement at first recognize his mistress's voice, but continued to hang on to the moleskins until choked off by Tommy with a saddle-strap. The dog's sorrow for his blunder, and his anxiety to let it be known that it was all a mistake, was as evident as his ragged tail and a twelve-inch grin could make it. It was a glorious time for the boys; a day to look back to, and talk about, and laugh over for many years.

She thinks how she fought a flood during her husband's absence. She stood for hours in the drenching downpour, and dug an overflow gutter to save the dam across the creek. But she could not save it. There are things that a bushwoman can not do. Next morning the dam was broken, and her heart was nearly broken too, for she thought how her husband would feel when he came home and saw the result of years of labour swept away. She cried then.

She also fought the pleuro-pneumonia--dosed and bled the few remaining cattle, and wept again when her two best cows died.

Again, she fought a mad bullock that besieged the house for a day. She made bullets and fired at him through cracks in the slabs with an old shot-gun. He was dead in the morning. She skinned him and got seventeen-and-sixpence for the hide.

She also fights the crows and eagles that have designs on her chickens. Her plan of campaign is very original. The children cry "Crows, mother!" and she rushes out and aims a broomstick at the birds as though it were a gun, and says "Bung!" The crows leave in a hurry; they are cunning, but a woman's cunning is greater.

Occasionally a bushman in the horrors, or a villainous-looking sundowner, comes and nearly scares the life out of her. She generally tells the suspicious-looking stranger that her husband and two sons are at work below the dam, or over at the yard, for he always cunningly inquires for the boss.

Only last week a gallows-faced swagman--having satisfied himself that there were no men on the place--threw his swag down on the veranda, and demanded tucker. She gave him something to eat; then he expressed his intention of staying for the night. It was sundown then. She got a batten from the sofa, loosened the dog, and confronted the stranger, holding the batten in one hand and the dog's collar with the other. "Now you go!" she said. He looked at her and at the dog, said "All right, mum," in a cringing tone, and left. She was a determined- looking woman, and Alligator's yellow eyes glared unpleasantly-- besides, the dog's chawing-up apparatus greatly resembled that of the reptile he was named after.

She has few pleasures to think of as she sits here alone by the fire, on guard against a snake. All days are much the same to her; but on Sunday afternoon she dresses herself, tidies the children, smartens up baby, and goes for a lonely walk along the bush-track, pushing an old perambulator in front of her. She does this every Sunday. She takes as much care to make herself and the children look smart as she would if she were going to do the block in the city. There is nothing to see, however, and not a soul to meet. You might walk for twenty miles along this track without being able to fix a point in your mind, unless you are a bushman. This is because of the everlasting, maddening sameness of the stunted trees--that monotony which makes a man long to break away and travel as far as trains can go, and sail as far as ship can sail--and farther.

But this bushwoman is used to the loneliness of it. As a girl-wife she hated it, but now she would feel strange away from it.

She is glad when her husband returns, but she does not gush or make a fuss about it. She gets him something good to eat, and tidies up the children.

She seems contented with her lot. She loves her children, but has no time to show it. She seems harsh to them. Her surroundings are not favourable to the development of the "womanly" or sentimental side of nature.

It must be near morning now; but the clock is in the dwellinghouse. Her candle is nearly done; she forgot that she was out of candles. Some more wood must be got to keep the fire up, and so she shuts the dog inside and hurries round to the woodheap. The rain has cleared off. She seizes a stick, pulls it out, and--crash! the whole pile collapses.

Yesterday she bargained with a stray blackfellow to bring her some wood, and while he was at work she went in search of a missing cow. She was absent an hour or so, and the native black made good use of his time. On her return she was so astonished to see a good heap of wood by the chimney, that she gave him an extra fig of tobacco, and praised him for not being lazy. He thanked her, and left with head erect and chest well out. He was the last of his tribe and a King; but he had built that wood-heap hollow.

She is hurt now, and tears spring to her eyes as she sits down again by the table. She takes up a handkerchief to wipe the tears away, but pokes her eyes with her bare fingers instead. The handkerchief is full of holes, and she finds that she has put her thumb through one, and her forefinger through another.

This makes her laugh, to the surprise of the dog. She has a keen, very keen, sense of the ridiculous; and some time or other she will amuse bushmen with the story.

She had been amused before like that. One day she sat down "to have a good cry," as she said--and the old cat rubbed against her dress and "cried too." Then she had to laugh.

It must be near daylight now. The room is very close and hot because of the fire. Alligator still watches the wall from time to time. Suddenly he becomes greatly interested; he draws himself a few inches nearer the partition, and a thrill runs through his body. The hair on the back of his neck begins to bristle, and the battle-light is in his yellow eyes. She knows what this means, and lays her hand on the stick. The lower end of one of the partition slabs has a large crack on both sides. An evil pair of small, bright bead-like eyes glisten at one of these holes. The snake--a black one--comes slowly out, about a foot, and moves its head up and down. The dog lies still, and the woman sits as one fascinated. The snake comes out a foot farther. She lifts her stick, and the reptile, as though suddenly aware of danger, sticks his head in through the crack on the other side of the slab, and hurries to get his tail round after him. Alligator springs, and his jaws come together with a snap. He misses, for his nose is large, and the snake's body close down in the angle formed by the slabs and the floor. He snaps again as the tail comes round. He has the snake now, and tugs it out eighteen inches. Thud, thud comes the woman's club on the ground. Alligator pulls again. Thud, thud. Alligator gives another pull and he has the snake out--a black brute, five feet long. The head rises to dart about, but the dog has the enemy close to the neck. He is a big, heavy dog, but quick as a terrier. He shakes the snake as though he felt the original curse in common with mankind. The eldest boy wakes up, seizes his stick, and tries to get out of bed, but his mother forces him back with a grip of iron. Thud, thud--the snake's back is broken in several places. Thud, thud--its head is crushed, and Alligator's nose skinned again.

She lifts the mangled reptile on the point of her stick, carries it to the fire, and throws it in; then piles on the wood and watches the snake burn. The boy and dog watch too. She lays her hand on the dog's head, and all the fierce, angry light dies out of his yellow eyes. The younger children are quieted, and presently go to sleep. The dirty-legged boy stands for a moment in his shirt, watching the fire. Presently he looks up at her, sees the tears in her eyes, and, throwing his arms round her neck exclaims:

"Mother, I won't never go drovin'; blarst me if I do!" And she hugs him to her worn-out breast and kisses him; and they sit thus together while the sickly daylight breaks over the bush.

 

 

[THE END]

Notes on Australianisms

Based on my own speech over the years, with some checking in the dictionaries. Not all of these are peculiar to Australian slang, but are important in Lawson's stories, and carry overtones.

bagman: commercial traveller

Bananaland: Queensland

billabong. Based on an aboriginal word. Sometimes used for an anabranch (a bend in a river cut off by a new channel, but more often used for one that, in dry season or droughts especially, is cut off at either or both ends from the main stream. It is often just a muddy pool, and may indeed dry up completely.

billy: quintessentially Australian. It is like (or may even be made out of) a medium-sized can, with wire handles and a lid. Used to boil water. If for tea, the leaves are added into the billy itself; the billy may be swung ('to make the leaves settle') or a eucalyptus twig place across the top, more ritual than pragmatic. These stories are supposedly told while the billy is suspended over the fire at night, at the end of a tramp. (Also used in want of other things, for cooking)

blackfellow (also, blackman): condescending for Australian Aboriginal

blackleg: someone who is employed to cross a union picket line to break a workers' strike. As Molly Ivins said, she was brought up on the three great commandments: do not lie; do not steal; never cross a picket line. Also scab.

blanky or --- : Fill in your own favourite word. Usually however used for "bloody"

blucher: a kind of half-boot (named after Austrian general)

blued: of a wages cheque: all spent extravagantly--and rapidly.

bluey: swag. Supposedly because blankets were mostly blue (so Lawson)

boggabri: never heard of it. It is a town in NSW: the dictionaries seem to suggest that it is a plant, which fits context. What then is a 'tater-marrer' (potato-marrow?). Any help?

bowyangs: ties (cord, rope, cloth) put around trouser legs below knee

bullocky: Bullock driver. A man who drove teams of bullocks yoked to wagons carrying e.g. wool bales or provisions. Proverbially rough and foul mouthed.

bush: originally referred to the low tangled scrubs of the semi-desert regions ('mulga' and 'mallee'), and hence equivalent to "outback". Now used generally for remote rural areas ("the bush") and scrubby forest.

bushfire: wild fires: whether forest fires or grass fires. bushman/bushwoman: someone who lives an isolated existence, far from cities, "in the bush". (today: a "bushy")

bushranger: an Australian "highwayman", who lived in the 'bush'-- scrub--and attacked especially gold carrying coaches and banks. Romanticised as anti-authoritarian Robin Hood figures--cf. Ned Kelly--but usually very violent.

cheque: wages for a full season of sheep-shearing; meant to last until the next year, including a family, but often "blued' in a 'spree'

chyack: (chy-ike) like chaffing; to tease, mildly abuse

cocky: a farmer, esp. dairy farmers (='cow-cockies')

cubby-house: or cubby. Children's playhouse ("Wendy house" is commercial form))

Darlinghurst: Sydney suburb--where the gaol was in those days

dead marine: empty beer bottle

dossing: sleeping rough or poorly (as in a "doss-house")

doughboy: kind of dumpling

drover: one who "droves" cattle or sheep.

droving: driving on horseback cattle or sheep from where they were fattened to a a city, or later, a rail-head.

drown the miller: to add too much water to flour when cooking. Used metaphorically in story.

fossick: pick over areas for gold. Not mining as such.

half-caser: Two shillings and sixpence. As a coin, a half-crown.

half-sov.: a coin worth half a pound (sovereign)

Gladesville: Sydney suburb--site of mental hospital.

goanna: various kinds of monitor lizards. Can be quite a size.

Homebush: Saleyard, market area in Sydney

humpy: originally an aboriginal shelter (=gunyah); extended to a settler's hut

jackaroo: (Jack + kangaroo; sometimes jackeroo)--someone, in early days a new immigrant from England, learning to work on a sheep/cattle station (U.S. "ranch")

jumbuck: a sheep (best known from Waltzing Matilda: "where's that jolly jumbuck, you've got in your tucker bag".

larrikin: anything from a disrespectful young man to a violent member of a gang ("push"). Was considered a major social problem in Sydney of the 1880's to 1900. The _Bulletin_, a magazine in which much of Lawson was published, spoke of the "aggressive, soft-hatted "stoush brigade". Anyone today who is disrespectful of authority or convention is said to show the larrikin element in the Australian character.

larrikiness: jocular feminine form

leather-jacket: kind of pancake (more often a fish, these days)

lucerne: cattle feed-a leguminous plant, alfalfa in US

lumper: labourer; esp. on wharves?

mallee: dwarfed eucalyptus trees growing in very poor soil and under harsh rainfall conditions. Usually many stems emerging from the ground, creating a low thicket.

Maoriland: Lawson's name for New Zealand

marine, dead: see dead

mooching: wandering idly, not going anywhere in particular

mug: gullible person, a con-man's 'mark' (potential victim)

mulga: Acacia sp. ("wattle" in Australian) especially Acacia aneura; growing in semi-desert conditions. Used as a description of such a harsh region.

mullock: the tailings left after gold has been removed. In Lawson generally mud (alluvial) rather than rock

myall: aboriginal living in a traditional--pre-conquest--manner

narked: annoyed

navvies: labourers (especially making roads, railways; originally canals, thus from 'navigators')

nobbler: a drink

nuggety: compact but strong physique; small but well-muscled

pannikin: metal mug

peckish: hungry--usually only mildly so. Use here is thus ironic.

poley: a dehorned cow

poddy-(calf): a calf separated from its mother but still needing milk

rouseabout: labourer in a (sheep) shearing shed. Considered to be, as far as any work is, unskilled labour.

sawney: silly, gormless

selector: small farmer who under the "Selection Act (Alienation of Land Act", Sydney 1862 could settle on a few acres of land and farm it, with hope of buying it. As the land had been leased by "squatters" to run sheep, they were NOT popular. The land was usually pretty poor, and there was little transport to get food to market, many, many failed. (The same mistake was made after WWI-- returned soldiers were given land to starve on.)

shanty: besides common meaning of shack it refers to an unofficial (and illegal) grog-shop; in contrast to the legal 'pub'.

spieler; con artist

sliprails: in lieu of a gate, the rails of a fence may be loosely socketed into posts, so that they may 'let down' (i.e. one end pushed in socket, the other end resting on the ground). See 'A Day on a Selection'

spree: prolonged drinking bout--days, weeks.

stoush: a fight,

strike: the perhaps the Shearers' strike in Barcaldine, Queensland, 1891 gjc]

sundowner: a swagman (see) who is NOT looking for work, but a "handout". Lawson explains the term as referring to someone who turns up at a station at sundown, just in time for "tea" i.e. the evening meal. In view of the Great Depression of the time, these expressions of attitude are probably unfair, but the attitudes are common enough even today.

Surry Hills: Sydney inner suburb (where I live)

swagman (swaggy): Generally, anyone who is walking in the "outback" with a swag. (See "The Romance of the Swag" in Children of the Bush, also a PG Etext) Lawson also restricts it at times to those whom he considers to be tramps, not looking for work but for "handouts". See 'travellers'.

'swelp: mild oath of affirmation ="so help me [God]"

travellers: "shearers and rouseabouts travelling for work" (Lawson).

whare: small Maori house--is it used here for European equivalent? Help anyone?

whipping the cat: drunk

[The end]
Henry Lawson's short story: Drover's Wife

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