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An essay by Timothy Titcomb

The Rights Of Woman

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Title:     The Rights Of Woman
Author: Timothy Titcomb [More Titles by Titcomb]

"Heard melodies are sweet, but those unheard
Are sweeter; therefore ye soft pipes play on;
Not to the sensual ear, but, more endeared,
Pipe to the spirit ditties of no tones."
JOHN KEATS.

"I am as free as Nature first made man." DRYDEN.

"What she wills to do or say
Seems wisest, virtuousest, discreetest, best." MILTON.

It was the sarcastic remark of a crusty old parson of Connecticut that woman has the undoubted right to shave and sing bass, if she chooses to do so. I question the right of bearded man to shave himself, and I will not concede that woman has a superior right, based on inferior necessities; but believing that man has an undoubted right to sing bass, I am inclined to accord the same right to woman. Woman is a female man, and there is no reason that I know of why she should not have the same rights, precisely, that a male man has. I claim for myself, and for man, the privilege of singing treble, under certain circumstances; and why should I not accord to woman the right to sing bass? The brave old chorals of Germany would hardly be sung with much effect were the airs denied to the masculine voice, yet if it be man's prerogative to sing bass, it is surely woman's to sing treble. If it be usurpation for her to grope among the gutturals of the masculine clef, it is gross presumption for him to attempt to leap the five-rail fence that stands between him and high C. I put this consideration forward for the purpose of stopping every caviller's mouth upon the subject, until I present arguments of a broader and more comprehensive character, in support of woman's right to sing bass.

It is claimed by those who deny woman's right to sing bass that she is needed for the treble and alto parts. Needed by whom? Needed by man? But who gave man the right to set up his needs as the law of woman's life? If man needs treble and alto, I hope he may get them. He has the undoubted right to sing both parts to suit his own fancy, or to hire others to do it for him. Man needs buttons on his shirts, and clean linen, but for the life of me I cannot see why that need defines a woman's duty in any respect. Let him do his own washing, and sew on his own buttons. Suppose a woman should need to have hooks and eyes sewed upon her dress, as some of them do, sometimes, after taking a very long breath, would that determine it to be man's duty to sew them on? "It is a poor rule that will not work both ways." This is one of the illustrations of man's selfishness--that he sets up his needs as the rule by which the rights of one-half of the human race are to be determined.

This same selfishness of man will demand that I reconsider this talk, and will accuse me of sophistry. It will declare that I do not state the case fairly. It will say that woman needs money with which to buy her dresses and procure her food, and strong hands to labor for her and protect her, and that these needs do indeed define man's duty with respect to her. But I place all this on the ground of gallantry and humanity. Of course, we are all very glad to do these things, you know,--we who have human feelings--but woman has no right to them, based upon her need--particularly if she be a woman who insists, as I do, upon her indefeasible right to sing bass. I know that it helps things along for a woman to look after a man's linen and buttons, and do his fine work generally, because she seems to have a kind of natural knack at the business. I am aware that it is exceedingly pleasant to hear a woman sing treble, if she sings it well, but I am talking, be it remembered, of woman's right to sing bass. Let us stick to the question.

The enemies of this highest among the rights of woman are fond of alluding to the fact that only here and there a woman can be found who wishes to avail herself of her right, and practically to enter upon the work of singing bass. The large majority of women prefer to sing the soprano, while a few, of moderate views, adopt alto as a kind of compromise. But what has this fact to do with the matter of right in the premises? Most people prefer beef-steak without onions, but I never knew that fact to be brought forward as an argument against the right of a man to eat it with onions. It is possible, indeed, that if people were more accustomed to eating beef-steak with onions, or those savory vegetables were less objectionable in their style of perfume, there would be a majority in favor of the associated luxuries. We must remember, too, in considering this aspect of the question, that woman is, to a certain extent, a creature of whims. (She is exceedingly apt to adopt a practice because it is fashionable.) If it were fashionable for woman to sing bass, how long would it be before the lower tones would find full development? And how long would it be before the men themselves would repeat those words of the immortal bard:--


"Her voice was ever soft,
Gentle and _low_,--An excellent thing in woman"?

After all, this sort of argument against woman's right to sing bass answers itself. If the preference of women generally for the soprano and alto be a good reason for their confining themselves to the performance of those parts, then a change of preference would be a valid reason for their leaving them. If individual right goes with general preference, then the pillars of the universe are uprooted, or we have no pillars worth mentioning. I suppose that women generally prefer in-door to out-of-door employments--labor that draws less upon muscle, and more upon ingenuity and delicate-fingered facility; but that settles nothing as to their right to engage in muscular toils in the open air. The German peasant-woman has labored out-of-doors for many generations. The result has been the gradual approach to each other of her hips and shoulders, the extinguishment of that portion of her person known as the waist, and some noticeable flatness over the cerebral organs; but the German peasant-woman has her right, and that is worth any sacrifice, you know. If she prefers hoeing cabbages to spinning flax, who shall hinder her? If all women should prefer hoeing cabbages to spinning flax, or any variety of yarn, who shall hinder them? So far as man is concerned, woman has a right to grow her shoulders just as near her hips, and wear a head as flat as she pleases. In short, the general preference of women with respect to any thing decides no question of individual right, whatever.

I will not admit that the general preference of women for private life imposes any obligation upon any woman to abstain from public life, or affects in any way her right to enter upon public life. I am aware that one would not like to have one's wife or sister an opera-singer, or a public dancer, or a preacher, or a doctor in general practice, or a circus-rider, or a popular lecturer, or an actress; but I am talking about the question of right. Most women would shrink from war--from its fatigues, its dangers, its bloody strife; but Joan of Arc asserted her right to go into war; and her name is engrossed upon the scroll of fame. All women have the same right to go to war that she had. I confess that I should like to see a regiment of women six feet high, officered by women, all dressed in Balmorals illustrating the national colors, marching to battle in as close order as the peculiarity of their garments would permit, and accompanied by a corps of cavalry in sidesaddles. Such an assertion of woman's right would be grand beyond description. I should not care to live on very intimate terms with the colonel of the regiment, but I don't know as that has any thing to do with this question.

I was talking, however, about the right of women to sing bass, and must go on. It is declared by those who oppose this right that woman has no natural organs and aptitudes for bass. This is the strong-point of the enemy, but it amounts to nothing. If woman fails, apparently, in organs and aptitudes for this part, it only shows what long years of abuse will accomplish. Let us never forget in this discussion that woman is only a female man, that there is no such thing as "sex of soul," and that woman's vocal organs are built exactly like man's--as much like man's as her hands and her feet and her head are like his--a little smaller, perhaps,--that's all. It is a familiar fact, I presume, that the little colts born of South American dams take to ambling as their natural step, simply because the men of South America have taught the fathers and mothers of these colts to amble through uncounted generations. Now in North America we train horses to trot, and the consequence is that amblers are scarce, and in most cases have to be educated to their gait. This is the way in which nature adapts herself to popular want and popular usage. The large variety of apples which load our orchards were developed from the insignificant crab, and the peach was the child of the almond, or the almond of the peach--I have forgotten which. Now I suppose (with some feeble doubts about it) that man and woman started exactly together, that her singing treble better than she does bass results from usage, and that her singing treble rather than bass was purely a matter of accident at first. All analogy teaches me that if she had begun on bass, and the other part had been given to man, we should be hearing today of Ma'lle Patti, "the charming new baritone," and "the magnificent basso," Madame Jenny Lind Goldschmidt, while admiring crowds would toss flowers to Carl Formes, "the unapproachable soprano," or Mario, "the king of contraltos."

I suppose that those who maintain that woman has no natural organs and aptitudes for singing bass, would say that she has no natural organs and aptitudes for boxing and playing at ball. Just because woman holds her fists the wrong side up, as if she were kneading bread rather than flesh, it is claimed that she was not made for the "manly art of self-defence," and from the wholly incompetent facts that she cannot throw a ball three feet against a common north-west wind, and is not as fleet as a deer, it is judged that she has no right to engage in base-ball. But suppose all women had been accustomed to boxing and playing ball as much as the men have been; would they not have arrived at corresponding excellence? I know that as women are now (and they please me exceedingly) they have not muscle to "hit from the shoulder" with force sufficient to make them formidable antagonists; and I am aware that they lack something in the length of limb requisite for the rapid locomotion of the ball-ground; but they have never had a chance. See what the washerwomen have done for themselves. They seem to be a separate race of beings, for they all have large arms, and shoulders that would do honor to Tom Sayers. I have seen negro slave women at work in the field, with a muscular development that would be the envy of a Bowery boy. The washerwoman and the field slave show what can be done by cultivation. I know that their style of figure is not quite so attractive as I have seen, and I know that wherever there is an extraordinary tax upon muscle there is an extraordinary repression of mind and blunting of the sensibilities, but it must be remembered that we are talking about rights, now. I claim and maintain, (I may as well come out with the whole of it,) that a woman has a right to do any thing she chooses to do, with perhaps the unimportant exception of becoming the father of a family.

The truth is that women have never had a fair chance. They can do any thing they are trained to do. The proper physical culture of woman, carried on through a competent number of generations, would develop her beyond all our present conceptions. She would be likely to arrive at a high condition of muscle and a low condition of mind, very unlike our present idea of the noblest type of womanhood; but very possibly our ideals of womanhood are conventional, or traditional. She has hands, and has a right to use them; a tongue, and the right to wag it in her own way; powers corresponding to those of man in all important respects, and the right to develop and employ them according to her taste and choice. I deny, to man, the privilege of defining the rights and duties of woman. A woman is mistress of her own actions and judge of her own powers and aptitudes; and if any woman thinks that she can do a man's work better than what society considers her own, then she has an undeniable right to do it, if she can get it to do, and is willing to accept the work with the conditions that attend it.

I am a firm believer in "woman's rights"--especially her right to do as she pleases. It is possible that, before the law, she is not in possession of all her rights, but all wrongs in this direction will be corrected as time progresses. I speak particularly at this time of her right to sing bass, because it is a representative right, and covers, as with a lid, a whole chest full of others. Yet while I claim this right, I confess that I should not care to see it exercised to any great extent, for I think that treble is, by all odds, the finer and more attractive part in music. Is it worth while to exercise the right of singing bass, when it costs a good deal to get up a voice for it, and when treble comes natural and easy, and is very much pleasanter to the ear? Bass would be a bad thing for a lullaby, and could only silence a baby by scaring it. If I should have committed to me the melodies of the world, I would care very little about my right to sing those subordinate parts that gather around them in obedient harmonies. At least, I think I would, unless some upstart man should deny my right to sing any thing but melodies. If it were committed to me to sing like a bird, I would not care, I think, to exercise my right to roar like a bull. If I can witch the ears and win the hearts of men and women by doing that which I can do easily and naturally and well, then I shall do best not to exercise my right to do that which I can only do difficultly, and unnaturally, and ill.

Woman, in my apprehension, is the mistress, not alone of the melody of music, but of the melody of life. Whatever it may be possible to do by cultivation and a long course of development, it is doubtful whether a woman would ever sing bass well. I am aware that she has the right, and the organs, but I question whether her bass would amount to any thing--whether it would be worth singing. When women talk with me about their right to vote, and their right to practise law, and their right to engage in any business which usage has assigned to man, I say "yes--you have all those rights." I never dispute with them at all. Indeed, you see how I have put myself forward as the defender of these same rights; yet I should be sorry to see them exercised by the women I admire and love. It is all very well to say that the presence of woman at the ballot-box would purify it, and restrain the manners of the men around it; but I have seen enough of the world to learn that all human influence is reciprocal and reactionary. Man and the ballot-box might gain, but woman would lose, and men and the ballot-box themselves would lose in the long run. The ballot-box is the bass, and it should be man's business to sing it, while woman should give him home melody with which it should harmonize.

In the matter of rights, I suppose that I should not differ materially with any strong-minded woman; but I have always observed that the most truly lovable, humble, pure-hearted, God-fearing and humanity-loving women of my acquaintance, never say any thing about these rights, and scorn those of their sex who do. I have never known a woman who was at once satisfied in her affections and discontented with her woman's lot and her woman's work. There is a weak place, or a wrong place, or a rotten place, in the character or nature of every woman who stands and howls upon the spot where her Creator placed her, and neglects her own true work and life while claiming the right to do the work and live the life of man. I will admit all the rights that such a woman claims--all that I myself possess--if she will let me alone, and keep her distance from me. She may sing bass, but I do not wish to hear her. She is repulsive to me. She offends me.

I believe in women. I believe they are the sweetest, purest, most unselfish, best part of the human race. I have no doubt on this subject, whatever. They do sing the melody in all human life, as well as the melody in music. They carry the leading part, at least in the sense that they are a step in advance of us, all the way in the journey heavenward. I believe that they cannot move very widely out of the sphere which they now occupy, and remain as good as they now are; and I deny that my belief rests upon any sentimentality, or jealousy, or any other weak or unworthy basis. A man who has experienced a mother's devotion, a wife's self-sacrificing love, and a daughter's affection, and is grateful for all, may be weakly sentimental about some things, but not about women. He would help every woman he loves to the exercise of all the rights which hold dignity and happiness for her. He would fight that she might have those rights, if necessary; but he would rather have her lose her voice entirely, than to hear her sound a bass note so long as a demi-semi-quaver.


[The end]
Timothy Titcomb's essay: The Rights Of Woman

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