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An essay by Samuel Johnson

Rambler 193 [The author's art of praising himself]

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Title:     Rambler 193 [The author's art of praising himself]
Author: Samuel Johnson [More Titles by Johnson]

No. 193. Tuesday, January 21, 1752.

Laudis amore tumes? sunt certa piacula, quoe te
Ter pure lecto poterunt recreare libello.
HOR. Lib. i. Ep. i. 36.


Or art thou vain? books yield a certain spell
To stop thy tumour; you shall cease to swell
When you have read them thrice, and studied well.
CREECH.

Whatever is universally desired, will be sought by industry and artifice, by merit and crimes, by means good and bad, rational and absurd, according to the prevalence of virtue or vice, of wisdom or folly. Some will always mistake the degree of their own desert, and some will desire that others may mistake it. The cunning will have recourse to stratagem, and the powerful to violence, for the attainment of their wishes; some will stoop to theft, and others venture upon plunder.

Praise is so pleasing to the mind of man, that it is the original motive of almost all our actions. The desire of commendation, as of every thing else, is varied indeed by innumerable differences of temper, capacity, and knowledge; some have no higher wish than for the applause of a club; some expect the acclamations of a county; and some have hoped to fill the mouths of all ages and nations with their names. Every man pants for the highest eminence within his view; none, however mean, ever sinks below the hope of being distinguished by his fellow-beings, and very few have by magnanimity or piety been so raised above it, as to act wholly without regard to censure or opinion.

To be praised, therefore, every man resolves; but resolutions will not execute themselves. That which all think too parsimoniously distributed to their own claims, they will not gratuitously squander upon others, and some expedient must be tried, by which praise may be gained before it can be enjoyed.

Among the innumerable bidders for praise, some are willing to purchase at the highest rate, and offer ease and health, fortune and life. Yet even of these only a small part have gained what they so earnestly desired; the student wastes away in meditation, and the soldier perishes on the ramparts, but unless some accidental advantage cooperates with merit, neither perseverance nor adventure attracts attention, and learning and bravery sink into the grave, without honour or remembrance.

But ambition and vanity generally expect to be gratified on easier terms. It has been long observed, that what is procured by skill or labour to the first possessor, may be afterwards transferred for money; and that the man of wealth may partake all the acquisitions of courage without hazard, and all the products of industry without fatigue. It was easily discovered, that riches would obtain praise among other conveniencies, and that he whose pride was unluckily associated with laziness, ignorance, or cowardice, needed only to pay the hire of a panegyrist, and he might be regaled with periodical eulogies; might determine, at leisure, what virtue or science he would be pleased to appropriate, and be lulled in the evening with soothing serenades, or waked in the morning by sprightly gratulations.

The happiness which mortals receive from the celebration of beneficence which never relieved, eloquence which never persuaded, or elegance which never pleased, ought not to be envied or disturbed, when they are known honestly to pay for their entertainment. But there are unmerciful exactors of adulation, who withhold the wages of venality; retain their encomiast from year to year by general promises and ambiguous blandishments; and when he has run through the whole compass of flattery, dismiss him with contempt, because his vein of fiction is exhausted.

A continual feast of commendation is only to be obtained by merit or by wealth; many are therefore obliged to content themselves with single morsels, and recompense the infrequency of their enjoyment by excess and riot, whenever fortune sets the banquet before them. Hunger is never delicate; they who are seldom gorged to the full with praise, may be safely fed with gross compliments; for the appetite must be satisfied before it is disgusted.

It is easy to find the moment at which vanity is eager for sustenance, and all that impudence or servility can offer will be well received. When any one complains of the want of what he is known to possess in an uncommon degree, he certainly waits with impatience to be contradicted. When the trader pretends anxiety about the payment of his bills, or the beauty remarks how frightfully she looks, then is the lucky moment to talk of riches or of charms, of the death of lovers, or the honour of a merchant.

Others there are yet more open and artless, who, instead of suborning a flatterer, are content to supply his place, and, as some animals impregnate themselves, swell with the praises which they hear from their own tongues. _Recte is dicitur laudare sese, cui nemo alius contigit laudator_. "It is right," says Erasmus, "that he, whom no one else will commend, should bestow commendations on himself." Of all the sons of vanity, these are surely the happiest and greatest; for what is greatness or happiness but independence on external influences, exemption from hope or fear, and the power of supplying every want from the common stores of nature, which can neither be exhausted nor prohibited? Such is the wise man of the stoicks; such is the divinity of the epicureans; and such is the flatterer of himself. Every other enjoyment malice may destroy; every other panegyrick envy may withhold; but no human power can deprive the boaster of his own encomiums. Infamy may hiss, or contempt may growl, the hirelings of the great may follow fortune, and the votaries of truth may attend on virtue; but his pleasures still remain the same; he can always listen with rapture to himself, and leave those who dare not repose upon their own attestation, to be elated or depressed by chance, and toil on in the hopeless task of fixing caprice, and propitiating malice.

This art of happiness has been long practised by periodical writers, with little apparent violation of decency. When we think our excellencies overlooked by the world, or desire to recall the attention of the publick to some particular performance, we sit down with great composure and write a letter to ourselves. The correspondent, whose character we assume, always addresses us with the deference due to a superior intelligence; proposes his doubts with a proper sense of his own inability; offers an objection with trembling diffidence; and at last has no other pretensions to our notice than his profundity of respect, and sincerity of admiration, his submission to our dictates, and zeal for our success. To such a reader, it is impossible to refuse regard, nor can it easily be imagined with how much alacrity we snatch up the pen which indignation or despair had condemned to inactivity, when we find such candour and judgment yet remaining in the world.

A letter of this kind I had lately the honour of perusing, in which, though some of the periods were negligently closed, and some expressions of familiarity were used, which I thought might teach others to address me with too little reverence, I was so much delighted with the passages in which mention was made of universal learning--unbounded genius--soul of Homer, Pythagoras, and Plato--solidity of thought--accuracy of distinction--elegance of combination--vigour of fancy--strength of reason--and regularity of composition--that I had once determined to lay it before the publick. Three times I sent it to the printer, and three times I fetched it back. My modesty was on the point of yielding, when reflecting that I was about to waste panegyricks on myself, which might be more profitably reserved for my patron, I locked it up for a better hour, in compliance with the farmer's principle, who never eats at home what he can carry to the market.


[The end]
Samuel Johnson's essay: Rambler 193 - Tuesday, January 21, 1752

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