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An essay by Arthur C. Benson

Wordsworth

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Title:     Wordsworth
Author: Arthur C. Benson [More Titles by Benson]

I believe that I was once taken to Rydal Mount as a small boy, led there meekly, no doubt, in a sort of dream; but I retain not the remotest recollection of the place, except of a small flight of stone steps, which struck me as possessing some attractive quality or other. And I have since read, I suppose, a good many descriptions of the place; but on visiting it, as I recently did, I discovered that I had not the least idea of what it was like. And I would here shortly speak of the extraordinary kindness which I received from the present tenants, who are indeed of the hallowed dynasty; it may suffice to say that I could only admire the delicate courtesy which enabled people, who must have done the same thing a hundred times before, to show me the house with as much zest and interest, as if I was the first pilgrim that had ever visited the place.

In the first place, the great simplicity of the whole struck me. It is like a little grange or farm. The rooms are small and low, and of a pleasant domesticity; it is a place apt for a patriarchal life, where simple people might live at close quarters with each other. The house is hardly visible from the gate. You turn out of a steep lane, embowered by trees, into a little gravel sweep, approaching the house from the side. But its position is selected with admirable art; the ground falls steeply in front of it, and you look out over a wide valley, at the end of which Windermere lies, a tract of sapphire blue, among wooded hills and dark ranges. Behind, the ground rises still more steeply, to the rocky, grassy heights of Nab Scar; and the road leads on to a high green valley among the hills, a place of unutterable peace.

In this warm, sheltered nook, hidden in woods, with its southerly aspect, the vegetation grows with an almost tropical luxuriance, so that the general impression of the place is by no means typically English. Laurels and rhododendrons grow in dense shrubberies; the trees are full of leaf; flowers blossom profusely. There is a little orchard beneath the house, and everywhere there is the fragrant and pungent smell of sun-warmed garden-walks and box-hedges. There are little terraces everywhere, banked up with stone walls built into the steep ground, where stonecrops grow richly. One of these leads to a little thatched arbour, where the poet often sat; below it, the ground falls very rapidly, among rocks and copse and fern, so that you look out on to the tree-tops below, and catch a glimpse of the steely waters of the hidden lake of Rydal.

Wordsworth lived there for more than thirty years; and half a century has passed since he died. He was a skilful landscape gardener; and I suppose that in his lifetime, when the walks were being constructed and the place laid out, it must have had a certain air of newness, of interference with the old wild peace of the hillside, which it has since parted with. Now it is all as full of a quiet and settled order, as if it had been thus for ever. One little detail deserves a special mention; just below the house, there is an odd, circular, low, grassy mound, said to be the old meeting-place for the village council, in primitive and patriarchal days,--the Mount, from which the place has its name.

I thought much of the stately, simple, self-absorbed poet, whom somehow one never thinks of as having been young; the lines of Milton haunted me, as I moved about the rooms, the garden-terraces:--


"In this mount he appeared; under this tree
Stood visible; among these pines his voice
I heard; here with him at this fountain talked."

The place is all permeated with the thought of him, his deep and tranquil worship of natural beauty, his love of the kindly earth.

I do not think that Wordsworth is one whose memory evokes a deep personal attachment. I doubt if any figures of bygone days do that, unless there is a certain wistful pathos about them; unless something of compassion, some wish to proffer sympathy or consolation, mingles with one's reverence. I have often, for instance, stayed at a house where Shelley spent a few half-rapturous, half-miserable months. There, meditating about him, striving to reconstruct the picture of his life, one felt that he suffered much and needlessly; one would have wished to shelter, to protect him if it had been possible, or at least to have proffered sympathy to that inconsolable spirit. One's heart goes out to those who suffered long years ago, whose love of the earth, of life, of beauty, was perpetually overshadowed by the pain that comes from realising transitoriness and decay.

But Wordsworth is touched by no such pathos. He was extraordinarily prosperous and equable; he was undeniably self-sufficient. Even the sorrows and bereavements that he had to bear were borne gently and philosophically. He knew exactly what he wanted to do, and did it. Those sturdy, useful legs of his bore him many a pleasant mile. He always had exactly as much money as he needed, in order to live his life as he desired. He chose precisely the abode he preferred; his fame grew slowly and solidly. He became a great personage; he was treated with immense deference and respect. He neither claimed nor desired sympathy; he was as strong and self-reliant as the old yeomen of the hills, of whom he indeed was one; his vocation was poetry, just as their vocation was agriculture; and this vocation he pursued in as business-like and intent a spirit as they pursued their farming.

Wordsworth, indeed, was armed at all points by a strong and simple pride, too strong to be vanity, too simple to be egotism. He is one of the few supremely fortunate men in the history of literature, because he had none of the sensitiveness or indecision that are so often the curse of the artistic temperament. He never had the least misgivings about the usefulness of his life; he wrote because he enjoyed it; he ate and drank, he strolled and talked, with the same enjoyment. He had a perfect balance of physical health. His dreams never left him cold; his exaltations never plunged him into depression. He felt the mysteries of the world with a solemn awe, but he had no uneasy questionings, no remorse, no bewilderment, no fruitless melancholy.

He bore himself with the same homely dignity in all companies alike; he was never particularly interested in any one; he never had any fear of being thought ridiculous or pompous. His favourite reading was his own poetry; he wished every one to be interested in his work, because he was conscious of its supreme importance. He probably made the mistake of thinking that it was his sense of poetry and beauty that made him simple and tranquil. As a matter of fact, it was the simplicity and tranquillity of his temperament that gave him the power of enjoyment in so large a measure. There is no growth or expansion about his life; he did not learn his serene and impassioned attitude through failures and mistakes: it was his all along.

And yet what a fine, pure, noble, gentle life it was! The very thought of him, faring quietly about among his hills and lakes, murmuring his calm verse, in a sober and temperate joy, looking everywhere for the same grave qualities among quiet homekeeping folk, brings with it a high inspiration. But we tend to think of Wordsworth as a father and a priest, rather than as a brother and a friend. He is a leader and a guide, not a comrade. We must learn that, though he can perhaps turn our heart the right way, towards the right things, we cannot necessarily acquire that pure peace, that solemn serenity, by obeying his precepts, unless we too have something of the same strong calmness of soul. In some moods, far from sustaining and encouraging us, the thought of his equable, impassioned life may only fill us with unutterable envy. But still to have sat in his homely rooms, to have paced his little terraces, does bring a certain imagined peace into the mind, a noble shame for all that is sordid or mean, a hatred for the conventional aims, the pitiful ambitions of the world.

Alas, that the only sound from the little hill-platform, the embowered walks, should be the dull rolling of wheels--motors, coaches, omnibuses--in the road below! That is the shadow of his greatness. It is a pitiable thought that one of the fruits of his genius is that it has made his holy retreat fashionable. The villas rise in rows along the edges of the clear lakes, under the craggy fell-sides, where the feathery ashes root among the mimic precipices. A stream of chattering, vacuous, indifferent tourists pours listlessly along the road from _table-d'hote_ to _table-d'hote_. The turbid outflow of the vulgar world seems a profanation of these august haunts. One hopes despairingly that something of the spirit of lonely beauty speaks to these trivial heads and hearts. But is there consolation in this? What would the poet himself have felt if he could have foreseen it all?

I descended the hill-road and crossed the valley highway; it was full of dust; the vehicles rolled along, crowded with men smoking cigars and reading newspapers, tired women, children whose idea of pleasure had been to fill their hands with ferns and flowers torn from cranny and covert. I climbed the little hill opposite the great Scar; its green towering head, with its feet buried in wood, the hardy trees straggling up the front wherever they could get a hold among the grey crags, rose in sweet grandeur opposite to me. I threaded tracks of shimmering fern, out of which the buzzing flies rose round me; I went by silent, solitary places where the springs soak out of the moorland, while I pondered over the bewildering ways of the world. The life, the ideals of the great poet, set in the splendid framework of the great hills, seemed so majestic and admirable a thing. But the visible results--the humming of silly strangers round his sacred solitudes, the contaminating influence of commercial exploitation--made one fruitlessly and hopelessly melancholy.

But even so the hills were silent; the sun went down in a great glory of golden haze among the shadowy ridges. The valleys lay out at my feet, the rolling woodland, the dark fells. There fell a mood of strange yearning upon me, a yearning for the peaceful secret that, as the orange sunset slowly waned, the great hills seemed to guard and hold. What was it that was going on there, what solemn pageant, what sweet mystery, that I could only desire to behold and apprehend? I know not! I only know that if I could discern it, if I could tell it, the world would stand to listen; its littleness, its meanness, would fade in that august light; the peace of God would go swiftly and secretly abroad.


[The end]
Arthur C. Benson's essay: Wordsworth

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