Home
Fictions/Novels
Short Stories
Poems
Essays
Plays
Nonfictions
 
Authors
All Titles
 






In Association with Amazon.com

Home > Authors Index > Browse all available works of Stephen Crane > Text of Royal Irish Constabulary

A short story by Stephen Crane

The Royal Irish Constabulary

________________________________________________
Title:     The Royal Irish Constabulary
Author: Stephen Crane [More Titles by Crane]

The newspapers called it a Veritable Arsenal. There was a description of how the sergeant of Constabulary had bent an ear to receive whispered information of the concealed arms, and had then marched his men swiftly and by night to surround a certain house. The search elicited a double-barrelled breech-loading shot-gun, some empty shells, powder, shot, and a loading machine. The point of it was that some of the Irish papers called it a Veritable Arsenal, and appeared to congratulate the Government upon having strangled another unhappy rebellion in its nest. They floundered and misnamed and mis-reasoned, and made a spectacle of the great modern craft of journalism, until the affair of this poor poacher was too absurd to be pitiable, and Englishmen over their coffee next morning must have almost believed that the prompt action of the Constabulary had quelled a rising. Thus it is that the Irish fight the Irish.

One cannot look Ireland straight in the face without seeing a great many constables. The country is dotted with little garrisons. It must have been said a thousand times that there is an absolute military occupation. The fact is too plain.

The constable himself becomes a figure interesting in its isolation. He has in most cases a social position which is somewhat analogous to that of a Turk in Thessaly. But then, in the same way, the Turk has the Turkish army. He can have battalions as companions and make the acquaintance of brigades. The constable has the Constabulary, it is true; but to be cooped with three or four others in a small white-washed iron-bound house on some bleak country side is not an exact parallel to the Thessalian situation. It looks to be a life that is infinitely lonely, ascetic, and barren. Two keepers of a lighthouse at a bitter end of land in a remote sea will, if they are properly let alone, make a murder in time. Five constables imprisoned 'mid a folk that will not turn a face toward them, five constables planted in a populated silence, may develop an acute and vivid economy, dwell in scowling dislike. A religious asylum in a snow-buried mountain pass will breed conspiring monks. A separated people will beget an egotism that is almost titanic. A world floating distinctly in space will call itself the only world. The progression is perfect.

But the constables take the second degree. They are next to the lighthouse keepers. The national custom of meeting stranger and friend alike on the road with a cheery greeting like "God save you" is too kindly and human a habit not to be missed. But all through the South of Ireland one sees the peasant turn his eyes pretentiously to the side of the road at the passing of the constable. It seemed to be generally understood that to note the presence of a constable was to make a conventional error. None looked, nodded, or gave sign. There was a line drawn so sternly that it reared like a fence. Of course, any police force in any part of the world can gather at its heels a riff-raff of people, fawning always on a hand licensed to strike that would be larger than the army of the Potomac, but of these one ordinarily sees little. The mass of the Irish strictly obey the stern tenet. One hears often of the ostracism or other punishment that befell some girl who was caught flirting with a constable.

Naturally the constable retreats to his pride. He is commonly a soldierly-looking chap, straight, lean, long-strided, well set-up. His little saucer of a forage cap sits obediently on his ear, as it does for the British soldier. He swings a little cane. He takes his medicine with a calm and hard face, and evidently stares full into every eye. But it is singular to find in the situation of the Royal Irish Constabulary the quality of pathos.

It is not known if these places in the South of Ireland are called disturbed districts. Over them hangs the peace of Surrey, but the word disturbance has an elastic arrangement by which it can be made to cover anything. All of the villages visited garrisoned from four to ten men. They lived comfortably in their white houses, strolled in pairs over the country roads, picked blackberries, and fished for trout. If at some time there came a crisis, one man was more than enough to surround it. The remaining nine add dignity to the scene. The crisis chiefly consisted of occasional drunken men who were unable to understand the local geography on Saturday nights.

The note continually struck was that each group of constables lived on a little social island, and there was no boat to take them off. There has been no such marooning since the days of the pirates. The sequestration must be complete when a man with a dinky little cap on his ear is not allowed to talk to the girls.

But they fish for trout. Isaac Walton is the father of the Royal Irish Constabulary. They could be seen on any fine day whipping the streams from source to mouth. There was one venerable sergeant who made a rod less than a yard long. With a line of about the same length attached to this rod, he hunted the gorse-hung banks of the little streams in the hills. An eight-inch ribbon of water lined with masses of heather and gorse will be accounted contemptible by a fisherman with an ordinary rod. But it was the pleasure of the sergeant to lay on his stomach at the side of such a stream and carefully, inch by inch, scout his hook through the pools. He probably caught more trout than any three men in county Cork. He fished more than any twelve men in the county Cork. Some people had never seen him in any other posture but that of crowding forward on his stomach to peer into a pool. They did not believe the rumour that he sometimes stood or walked like a human.


[The end]
Stephen Crane's short story: Royal Irish Constabulary

________________________________________________



GO TO TOP OF SCREEN