Medea's Caldron

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Title:     Medea's Caldron
Author: Carolyn Sherwin Bailey [More Titles by Bailey]

If a boy of to-day could have lived in the days of the ancient Greeks, learning by means of self restraint and all the arts of soldiery to be a hero in warfare, it is possible that his captain would have told him a strange story as part of his training. The boy would have wondered why he had to hear such a grim tale, and what it all meant, for it was one of the myths which rivalled almost all the rest in its hidden meaning. It was the story of Medea, the dark sorceress, and how she worked her art on Aeson, the father of Jason.

Jason brought Medea home to Thessaly with him at the same time that he brought the fleece of gold whose capture had been his great adventure. She was the princess who had helped him with her sorcery to brave a fire breathing dragon, but she was ill suited to the court of Greece, never having taken any pleasure in the arts that most maidens delighted in, needlework, weaving and the other crafts needful in making a home. Instead Medea was wont to flee from the feasts and the games of the court and sit by herself on a cliff beside the sea, her long black hair blowing about her pale face and her lips muttering incantations to the wild accompaniment that the waves sang.

She had a fondness for the hero, Jason, though, in her own strange way, and pride in the mighty deeds he had dared. She heard him speak one day of his greatest wish.

"There is only one thing lacking in my triumph and the homage that the nation is paying me," Jason told Medea, "I would that my father were able to take part in the rejoicing but he is growing daily more feeble and helpless. I would willingly give enough years from my life to make him young and strong again."

Medea replied nothing in answer to this wish, but to herself she said,

"My power has been mighty in the aid of this hero and I will try it still farther. If my sorcery avails me anything, the life of Jason's father shall be lengthened without the cost of the sacrifice of any of the youth's own years."

So, when the moon was next in the full, Medea made her way silently and alone out of the palace when it was the dead of night and all creatures slept. She moved swiftly along the fields and groves murmuring strange words as she went, and addressing an incantation to the moon and to the stars. There was a goddess, named Hecate, who was supposed to represent the darkness and terror of the night as Diana represented its beauties. At dusk she began her wandering over the earth, seen only by dogs who howled at her approach. Medea followed Hecate, imploring her help, and she also called to Tellus, that goddess of the earth by whose power those herbs that could be brewed for enchantment were grown. And Medea invoked the aid also of the gods of the woods and caverns, of valleys and mountains, of rivers and lakes, and of the winds and vapors.

As Medea took her enchanted way through the night, the stars shone with an unusual brilliancy and presently a chariot, drawn by flying serpents descended to meet her through the air. Medea ascended in it and made her way to distant regions where the most powerful plants grew and brought them back before the day's first light for her uses. Nine nights Medea rode away in the chariot of the flying serpents, and in all that time she did not go within the doors of her palace or shelter herself under any roof, or speak to a human being.

Hebe was the goddess of youth and one of the cup bearers of the gods. When Medea had gathered the herbs which she needed for her potion, she built a fire in front of a nearby temple to Hebe and over the fire she hung a very wide and deep caldron. In this caldron she mixed the herbs with seeds and flowers that gave out a bitter juice, stones from the far distant east, and sands from the encircling shore of the ocean. There were other ingredients, also, in this brew; a screech owl's head and wings, hoar frost gathered by moonlight, fragments of the shells of tortoises who of all creatures are the most long lived, and the head and beak of a crow, the birds that outlives nine generations of men.

Medea boiled all these ingredients together to get them ready for the deed she proposed to do, stirring them with a dried branch from an olive tree. And, strange to say, the branch did not burn, but when the sorceress lifted it out it instantly turned as green as it had been in the spring, and in a short time it was covered with leaves and a luxuriant growth of olives. The potion in the caldron bubbled and simmered and sometimes rose so high as it boiled that it spilled over the edge and down on the ground. But wherever the drops touched the earth, new green grass shot up and there were flowers as bright and fragrant as the most prized blossoms of the May.

The sorceress wished to further test her brew, though, and she put an old sheep, one of the most ancient of the flock, in the seething potion. Instead of being cooked, the creature was quite unhurt and when Medea removed the cover, a little new lamb, soft and white, jumped out and ran frisking away to the meadow.

So Medea knew that her spell was ready and she commanded that Jason bring his aged father, Aeson, to her.

"I would like to know him," she explained, "and hear from his lips of the deeds you did in your youth."

Then Jason, all unsuspecting, sent for his father and conducted him to the spot near the temple of Hebe where Medea waited. And as soon as she saw Aeson, Medea threw him into a deep sleep by means of a charm and placed him on a bed of herbs where he lay with no apparent breath or life in him.

"Wicked sorceress, you have killed my father whom I so greatly loved," Jason cried.

Then, even as he spoke, Medea advanced toward the old man and wounded him deeply, so that all his blood poured out. After this she dipped into her caldron and poured the charmed brew into Aeson's mouth and bathed his wound with it.

As soon as he had imbibed it and felt its wonderful power, Aeson's hair and beard lost their whiteness and became as black as they had been in his youth. His paleness and emaciation disappeared, for his veins were full of new blood and his limbs were vigorous and robust. Aeson was amazed at himself as he ran toward Jason, for he was as he remembered himself to have been two score years before. The sorceress Medea had made his years drop away from him.

It would be very pleasant to end this story by saying that Medea always used her art for a good purpose as she did in this case, but that was not what happened. She did all manner of things that were wrong, such as riding her serpent-drawn chariot in the pursuit of revenge, sending a poisoned dress to a bride, and setting fire to a palace. What a strange, unusual kind of a story is this one of Medea!

What did it mean to the young Greeks who heard it?

It meant for them just what it means for us to-day. Medea and her caldron signified those times of cruel war and change that come to every nation. They may result in evil. But sometimes, when the world has become old and feeble, it may be made young and strong again through bitter pains, as Aeson was made young through Medea's caldron of such bitter brewing.

[The end]
Carolyn Sherwin Bailey's short story: Medea's Caldron

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