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_ SCENE 2.2:
THE INTERIOR OF THE TEMPLE OF FAMINE. THE STATUE OF THE GODDESS, A SKELETON CLOTHED IN PARTI-COLOURED RAGS, SEATED UPON A HEAP OF SKULLS AND LOAVES INTERMINGLED. A NUMBER OF EXCEEDINGLY FAT PRIESTS IN BLACK GARMENTS ARRAYED ON EACH SIDE, WITH MARROW-BONES AND CLEAVERS IN THEIR HANDS. [SOLOMON, THE COURT PORKMAN.] A FLOURISH OF TRUMPETS.
ENTER MAMMON AS ARCH-PRIEST, SWELLFOOT, DAKRY, PURGANAX, LAOCTONOS, FOLLOWED BY IONA TAURINA GUARDED. ON THE OTHER SIDE ENTER THE SWINE.
CHORUS OF PRIESTS, ACCOMPANIED BY THE COURT PORKMAN ON MARROW-BONES AND CLEAVERS:
GODDESS bare, and gaunt, and pale,
Empress of the world, all hail!
What though Cretans old called thee
City-crested Cybele?
We call thee FAMINE! _5
Goddess of fasts and feasts, starving and cramming!
Through thee, for emperors, kings, and priests and lords,
Who rule by viziers, sceptres, bank-notes, words,
The earth pours forth its plenteous fruits,
Corn, wool, linen, flesh, and roots-- _10
Those who consume these fruits through thee grow fat,
Those who produce these fruits through thee grow lean,
Whatever change takes place, oh, stick to that!
And let things be as they have ever been;
At least while we remain thy priests, _15
And proclaim thy fasts and feasts.
Through thee the sacred SWELLF00T dynasty
Is based upon a rock amid that sea
Whose waves are Swine--so let it ever be!
[SWELLFOOT, ETC., SEAT THEMSELVES AT A TABLE
MAGNIFICENTLY COVERED AT THE UPPER END OF THE
TEMPLE. ATTENDANTS PASS OVER THE STAGE WITH
HOG-WASH IN PAILS. A NUMBER OF PIGS, EXCEEDINGLY
LEAN, FOLLOW THEM LICKING UP THE WASH.]
MAMMON:
I fear your sacred Majesty has lost _20
The appetite which you were used to have.
Allow me now to recommend this dish--
A simple kickshaw by your Persian cook,
Such as is served at the great King's second table.
The price and pains which its ingredients cost _25
Might have maintained some dozen families
A winter or two--not more--so plain a dish
Could scarcely disagree.--
SWELLFOOT:
After the trial,
And these fastidious Pigs are gone, perhaps
I may recover my lost appetite,-- _30
I feel the gout flying about my stomach--
Give me a glass of Maraschino punch.
PURGANAX (FILLING HIS GLASS, AND STANDING UP):
The glorious Constitution of the Pigs!
ALL:
A toast! a toast! stand up, and three times three!
DAKRY:
No heel-taps--darken daylights! --
LAOCTONOS:
Claret, somehow, _35
Puts me in mind of blood, and blood of claret!
SWELLFOOT:
Laoctonos is fishing for a compliment,
But 'tis his due. Yes, you have drunk more wine,
And shed more blood, than any man in Thebes.
[TO PURGANAX.]
For God's sake stop the grunting of those Pigs! _40
PURGANAX:
We dare not, Sire, 'tis Famine's privilege.
CHORUS OF SWINE:
Hail to thee, hail to thee, Famine!
Thy throne is on blood, and thy robe is of rags;
Thou devil which livest on damning;
Saint of new churches, and cant, and GREEN BAGS, _45
Till in pity and terror thou risest,
Confounding the schemes of the wisest;
When thou liftest thy skeleton form,
When the loaves and the skulls roll about,
We will greet thee-the voice of a storm _50
Would be lost in our terrible shout!
Then hail to thee, hail to thee, Famine!
Hail to thee, Empress of Earth!
When thou risest, dividing possessions;
When thou risest, uprooting oppressions, _55
In the pride of thy ghastly mirth;
Over palaces, temples, and graves,
We will rush as thy minister-slaves,
Trampling behind in thy train,
Till all be made level again! _60
MAMMON:
I hear a crackling of the giant bones
Of the dread image, and in the black pits
Which once were eyes, I see two livid flames.
These prodigies are oracular, and show
The presence of the unseen Deity. _65
Mighty events are hastening to their doom!
SWELLFOOT:
I only hear the lean and mutinous Swine
Grunting about the temple.
DAKRY:
In a crisis
Of such exceeding delicacy, I think
We ought to put her Majesty, the QUEEN, _70
Upon her trial without delay.
MAMMON:
THE BAG
Is here.
PURGANAX:
I have rehearsed the entire scene
With an ox-bladder and some ditchwater,
On Lady P--; it cannot fail.
[TAKING UP THE BAG.]
Your Majesty
[TO SWELLFOOT.]
In such a filthy business had better _75
Stand on one side, lest it should sprinkle you.
A spot or two on me would do no harm,
Nay, it might hide the blood, which the sad Genius
Of the Green Isle has fixed, as by a spell,
Upon my brow--which would stain all its seas, _80
But which those seas could never wash away!
IONA TAURINA:
My Lord, I am ready--nay, I am impatient
To undergo the test.
[A GRACEFUL FIGURE IN A SEMI-TRANSPARENT VEIL PASSES
UNNOTICED THROUGH THE TEMPLE; THE WORD "LIBERTY" IS
SEEN THROUGH THE VEIL, AS IF IT WERE WRITTEN IN FIRE
UPON ITS FOREHEAD. ITS WORDS ARE ALMOST DROWNED IN
THE FURIOUS GRUNTING OF THE PIGS, AND THE BUSINESS
OF THE TRIAL. SHE KNEELS ON THE STEPS OF THE ALTAR,
AND SPEAKS IN TONES AT FIRST FAINT AND LOW, BUT WHICH
EVER BECOME LOUDER AND LOUDER.]
Mighty Empress! Death's white wife!
Ghastly mother-in-law of Life! _85
By the God who made thee such,
By the magic of thy touch,
By the starving and the cramming
Of fasts and feasts! by thy dread self, O Famine!
I charge thee! when thou wake the multitude, _90
Thou lead them not upon the paths of blood.
The earth did never mean her foison
For those who crown life's cup with poison
Of fanatic rage and meaningless revenge--
But for those radiant spirits, who are still _95
The standard-bearers in the van of Change.
Be they th' appointed stewards, to fill
The lap of Pain, and Toil, and Age!--
Remit, O Queen! thy accustomed rage!
Be what thou art not! In voice faint and low _100
FREEDOM calls "Famine",--her eternal foe,
To brief alliance, hollow truce.--Rise now!
[WHILST THE VEILED FIGURE HAS BEEN CHANTING THIS STROPHE, MAMMON, DAKRY, LAOCTONOS, AND SWELLFOOT, HAVE SURROUNDED IONA TAURINA, WHO, WITH HER HANDS FOLDED ON HER BREAST, AND HER EYES LIFTED TO HEAVEN, STANDS, AS WITH SAINT-LIKE RESIGNATION, TO WAIT THE ISSUE OF THE BUSINESS, IN PERFECT CONFIDENCE OF HER INNOCENCE.]
[PURGANAX, AFTER UNSEALING THE GREEN BAG, IS GRAVELY ABOUT TO POUR THE LIQUOR UPON HER HEAD, WHEN SUDDENLY THE WHOLE EXPRESSION OF HER FIGURE AND COUNTENANCE CHANGES; SHE SNATCHES IT FROM HIS HAND WITH A LOUD LAUGH OF TRIUMPH, AND EMPTIES IT OVER SWELLFOOT AND HIS WHOLE COURT, WHO ARE INSTANTLY CHANGED INTO A NUMBER OF FILTHY AND UGLY ANIMALS, AND RUSH OUT OF THE TEMPLE. THE IMAGE OF FAMINE THEN ARISES WITH A TREMENDOUS SOUND, THE PIGS BEGIN SCRAMBLING FOR THE LOAVES, AND ARE TRJPPED UP BY THE SKULLS; ALL THOSE WHO EAT THE LOAVES ARE TURNED INTO BULLS, AND ARRANGE THEMSELVES QUIETLY BEHIND THE ALTAR. THE IMAGE OF FAMINE SINKS THROUGH A CHASM IN THE EARTH, AND A MINOTAUR RISES.]
MINOTAUR:
I am the Ionian Minotaur, the mightiest
Of all Europa's taurine progeny--
I am the old traditional Man-Bull; _105
And from my ancestors having been Ionian,
I am called Ion, which, by interpretation,
Is JOHN; in plain Theban, that is to say,
My name's JOHN BULL; I am a famous hunter,
And can leaf any gate in all Boeotia, _110
Even the palings of the royal park,
Or double ditch about the new enclosures;
And if your Majesty will deign to mount me,
At least till you have hunted down your game,
I will not throw you. _115
IONA TAURINA [DURING THIS SPEECH SHE HAS BEEN
PUTTING ON BOOTS AND SPURS, AND A HUNTING-CAP,
BUCKISHLY COCKED ON ONE SIDE, AND TUCKING UP
HER HAIR, SHE LEAPS NIMBLY ON HIS BACK]:
Hoa! hoa! tallyho! tallyho! ho! ho!
Come, let us hunt these ugly badgers down,
These stinking foxes, these devouring otters,
These hares, these wolves, these anything but men.
Hey, for a whipper-in! my loyal Pigs
Now let your noses be as keen as beagles', _120
Your steps as swift as greyhounds', and your cries
More dulcet and symphonious than the bells
Of village-towers, on sunshine holiday;
Wake all the dewy woods with jangling music.
Give them no law (are they not beasts of blood?) _125
But such as they gave you. Tallyho! ho!
Through forest, furze, and bog, and den, and desert,
Pursue the ugly beasts! tallyho! ho!
FULL CHORUS OF I0NA AND THE SWINE:
Tallyho! tallyho!
Through rain, hail, and snow, _130
Through brake, gorse, and briar,
Through fen, flood, and mire,
We go! we go!
Tallyho! tallyho!
Through pond, ditch, and slough, _135
Wind them, and find them,
Like the Devil behind them,
Tallyho! tallyho!
[EXEUNT, IN FULL CRY; IONA DRIVING ON THE SWINE, WITH THE EMPTY GEEEN BAG.]
THE END.
NOTE ON OEDIPUS TYRANNUS, BY MRS. SHELLEY.
In the brief journal I kept in those days, I find recorded, in August, 1820, Shelley 'begins "Swellfoot the Tyrant", suggested by the pigs at the fair of San Giuliano.' This was the period of Queen Caroline's landing in England, and the struggles made by George IV to get rid of her claims; which failing, Lord Castlereagh placed the "Green Bag" on the table of the House of Commons, demanding in the King's name that an enquiry should be instituted into his wife's conduct. These circumstances were the theme of all conversation among the English. We were then at the Baths of San Giuliano. A friend came to visit us on the day when a fair was held in the square, beneath our windows: Shelley read to us his "Ode to Liberty"; and was riotously accompanied by the grunting of a quantity of pigs brought for sale to the fair. He compared it to the 'chorus of frogs' in the satiric drama of Aristophanes; and, it being an hour of merriment, and one ludicrous association suggesting another, he imagined a political-satirical drama on the circumstances of the day, to which the pigs would serve as chorus--and "Swellfoot" was begun. When finished, it was transmitted to England, printed, and published anonymously; but stifled at the very dawn of its existence by the Society for the Suppression of Vice, who threatened to prosecute it, if not immediately withdrawn. The friend who had taken the trouble of bringing it out, of course did not think it worth the annoyance and expense of a contest, and it was laid aside.
Hesitation of whether it would do honour to Shelley prevented my publishing it at first. But I cannot bring myself to keep back anything he ever wrote; for each word is fraught with the peculiar views and sentiments which he believed to be beneficial to the human race, and the bright light of poetry irradiates every thought. The world has a right to the entire compositions of such a man; for it does not live and thrive by the outworn lesson of the dullard or the hypocrite, but by the original free thoughts of men of genius, who aspire to pluck bright truth
'from the pale-faced moon;
Or dive into the bottom of the deep
Where fathom-line would never touch the ground,
And pluck up drowned'
Even those who may dissent from his opinions will consider that he was a man of genius, and that the world will take more interest in his slightest word than in the waters of Lethe which are so eagerly prescribed as medicinal for all its wrongs and woe. This drama, however, must not be judged for more than was meant. It is a mere plaything of the imagination; which even may not excite smiles among many, who will not see wit in those combinations of thought which were full of the ridiculous to the author. But, like everything he wrote, it breathes that deep sympathy for the sorrows of humanity, and indignation against its oppressors, which make it worthy of his name.
[THE END]
Percy Bysshe Shelley's play: Oedipus Tyrannus; Or, Swellfoot The Tyrant: A Tragedy In 2 Acts
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