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Books and Persons: Being Comments on a Past Epoch 1908-1911, a non-fiction book by Arnold Bennett

Intimations Of Immortality

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_ [_3 Dec. '08_]

The judgments of men who have the right to judge are not as other judgments. According to Mr. Yeats "the finest comedian of his kind on the English-speaking stage" is not Mr. George Alexander, but Mr. William Fay! And who, outside Dublin, has ever heard of Mr. J.M. Synge, author of "The Playboy of the Western World?" For myself, I have heard of him, and that is all. Mr. Yeats calls him "a unique man," and puts him above all other Irish creative artists in prose. And very probably Mr. Yeats is correct. For the difference between what informed people truly think about reputations, and what is printed about reputations by mandarins in popular papers, is apt to be startling. The other day I had a terrific pow-wow with one of the most accomplished writers now living; it occurred in the middle of a wood. We presently arrived at this point: He asked impatiently: "Well, who _is_ there who can write tip-top poetry to-day?" I tried to dig out my genuine opinions. Really, it is not so easy to put one's finger on a high-class poet. I gave the names of Robert Bridges and W.B. Yeats. He wouldn't admit Mr. Yeats's tip-topness. "What about T.W.H. Crosland?" he inquired. At first, with the immeasurable and vulgar tedium of Mr. Crosland's popular books in my memory, I thought he was joking. But he was not. He was convinced than an early book by the slanger of suburbs contained as fine poetry as has been written in these days. I was formally bound over to peruse the volume. "And Alfred Douglas?" he said further. (Not that he had shares or interest in the _Academy_!) Of course, I had to admit that Lord Alfred Douglas, before he began to cut capers in the hinterland of Fleet Street, had been a poet. I have an early volume of his that, to speak mildly, I cherish. I should surmise that scarcely one person in a million has the least idea of the identity of the artists by which the end of the twentieth century will remember the beginning. The vital facts of to-day's literature always lie buried beneath chatter of large editions and immense popularities. I wouldn't mind so much, were it not incontestable that at the end of the century I shall be dead. _

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