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_ Although the old coaches, with their gay panels and the guard's horn,
and the humors of the box and the vicissitudes of the road, have long
moldered into dust so far as they were matter, and are preserved in
the printed pages of our novelists so far as they partook of the
spirit, a journey to London by express train can still be a very
pleasant and romantic adventure. Cassandra Otway, at the age of
twenty-two, could imagine few things more pleasant. Satiated with
months of green fields as she was, the first row of artisans' villas
on the outskirts of London seemed to have something serious about it,
which positively increased the importance of every person in the
railway carriage, and even, to her impressionable mind, quickened the
speed of the train and gave a note of stern authority to the shriek of
the engine-whistle. They were bound for London; they must have
precedence of all traffic not similarly destined. A different demeanor
was necessary directly one stepped out upon Liverpool Street platform,
and became one of those preoccupied and hasty citizens for whose needs
innumerable taxi-cabs, motor-omnibuses, and underground railways were
in waiting. She did her best to look dignified and preoccupied too,
but as the cab carried her away, with a determination which alarmed
her a little, she became more and more forgetful of her station as a
citizen of London, and turned her head from one window to another,
picking up eagerly a building on this side or a street scene on that
to feed her intense curiosity. And yet, while the drive lasted no one
was real, nothing was ordinary; the crowds, the Government buildings,
the tide of men and women washing the base of the great glass windows,
were all generalized, and affected her as if she saw them on the
stage.
All these feelings were sustained and partly inspired by the fact that
her journey took her straight to the center of her most romantic
world. A thousand times in the midst of her pastoral landscape her
thoughts took this precise road, were admitted to the house in
Chelsea, and went directly upstairs to Katharine's room, where,
invisible themselves, they had the better chance of feasting upon the
privacy of the room's adorable and mysterious mistress. Cassandra
adored her cousin; the adoration might have been foolish, but was
saved from that excess and lent an engaging charm by the volatile
nature of Cassandra's temperament. She had adored a great many things
and people in the course of twenty-two years; she had been alternately
the pride and the desperation of her teachers. She had worshipped
architecture and music, natural history and humanity, literature and
art, but always at the height of her enthusiasm, which was accompanied
by a brilliant degree of accomplishment, she changed her mind and
bought, surreptitiously, another grammar. The terrible results which
governesses had predicted from such mental dissipation were certainly
apparent now that Cassandra was twenty-two, and had never passed an
examination, and daily showed herself less and less capable of passing
one. The more serious prediction that she could never possibly earn
her living was also verified. But from all these short strands of
different accomplishments Cassandra wove for herself an attitude, a
cast of mind, which, if useless, was found by some people to have the
not despicable virtues of vivacity and freshness. Katharine, for
example, thought her a most charming companion. The cousins seemed to
assemble between them a great range of qualities which are never found
united in one person and seldom in half a dozen people. Where
Katharine was simple, Cassandra was complex; where Katharine was solid
and direct, Cassandra was vague and evasive. In short, they
represented very well the manly and the womanly sides of the feminine
nature, and, for foundation, there was the profound unity of common
blood between them. If Cassandra adored Katharine she was incapable of
adoring any one without refreshing her spirit with frequent draughts
of raillery and criticism, and Katharine enjoyed her laughter at least
as much as her respect.
Respect was certainly uppermost in Cassandra's mind at the present
moment. Katharine's engagement had appealed to her imagination as the
first engagement in a circle of contemporaries is apt to appeal to the
imaginations of the others; it was solemn, beautiful, and mysterious;
it gave both parties the important air of those who have been
initiated into some rite which is still concealed from the rest of the
group. For Katharine's sake Cassandra thought William a most
distinguished and interesting character, and welcomed first his
conversation and then his manuscript as the marks of a friendship
which it flattered and delighted her to inspire.
Katharine was still out when she arrived at Cheyne Walk. After
greeting her uncle and aunt and receiving, as usual, a present of two
sovereigns for "cab fares and dissipation" from Uncle Trevor, whose
favorite niece she was, she changed her dress and wandered into
Katharine's room to await her. What a great looking-glass Katharine
had, she thought, and how mature all the arrangements upon the
dressing-table were compared to what she was used to at home. Glancing
round, she thought that the bills stuck upon a skewer and stood for
ornament upon the mantelpiece were astonishingly like Katharine, There
wasn't a photograph of William anywhere to be seen. The room, with its
combination of luxury and bareness, its silk dressing-gowns and
crimson slippers, its shabby carpet and bare walls, had a powerful air
of Katharine herself; she stood in the middle of the room and enjoyed
the sensation; and then, with a desire to finger what her cousin was
in the habit of fingering, Cassandra began to take down the books
which stood in a row upon the shelf above the bed. In most houses this
shelf is the ledge upon which the last relics of religious belief
lodge themselves as if, late at night, in the heart of privacy,
people, skeptical by day, find solace in sipping one draught of the
old charm for such sorrows or perplexities as may steal from their
hiding-places in the dark. But there was no hymn-book here. By their
battered covers and enigmatical contents, Cassandra judged them to be
old school-books belonging to Uncle Trevor, and piously, though
eccentrically, preserved by his daughter. There was no end, she
thought, to the unexpectedness of Katharine. She had once had a
passion for geometry herself, and, curled upon Katharine's quilt, she
became absorbed in trying to remember how far she had forgotten what
she once knew. Katharine, coming in a little later, found her deep in
this characteristic pursuit.
"My dear," Cassandra exclaimed, shaking the book at her cousin, "my
whole life's changed from this moment! I must write the man's name
down at once, or I shall forget--"
Whose name, what book, which life was changed Katharine proceeded to
ascertain. She began to lay aside her clothes hurriedly, for she was
very late.
"May I sit and watch you?" Cassandra asked, shutting up her book. "I
got ready on purpose."
"Oh, you're ready, are you?" said Katharine, half turning in the midst
of her operations, and looking at Cassandra, who sat, clasping her
knees, on the edge of the bed.
"There are people dining here," she said, taking in the effect of
Cassandra from a new point of view. After an interval, the
distinction, the irregular charm, of the small face with its long
tapering nose and its bright oval eyes were very notable. The hair
rose up off the forehead rather stiffly, and, given a more careful
treatment by hairdressers and dressmakers, the light angular figure
might possess a likeness to a French lady of distinction in the
eighteenth century.
"Who's coming to dinner?" Cassandra asked, anticipating further
possibilities of rapture.
"There's William, and, I believe, Aunt Eleanor and Uncle Aubrey."
"I'm so glad William is coming. Did he tell you that he sent me his
manuscript? I think it's wonderful--I think he's almost good enough
for you, Katharine."
"You shall sit next to him and tell him what you think of him."
"I shan't dare do that," Cassandra asserted.
"Why? You're not afraid of him, are you?"
"A little--because he's connected with you."
Katharine smiled.
"But then, with your well-known fidelity, considering that you're
staying here at least a fortnight, you won't have any illusions left
about me by the time you go. I give you a week, Cassandra. I shall see
my power fading day by day. Now it's at the climax; but to-morrow
it'll have begun to fade. What am I to wear, I wonder? Find me a blue
dress, Cassandra, over there in the long wardrobe."
She spoke disconnectedly, handling brush and comb, and pulling out the
little drawers in her dressing-table and leaving them open. Cassandra,
sitting on the bed behind her, saw the reflection of her cousin's face
in the looking-glass. The face in the looking-glass was serious and
intent, apparently occupied with other things besides the straightness
of the parting which, however, was being driven as straight as a Roman
road through the dark hair. Cassandra was impressed again by
Katharine's maturity; and, as she enveloped herself in the blue dress
which filled almost the whole of the long looking-glass with blue
light and made it the frame of a picture, holding not only the
slightly moving effigy of the beautiful woman, but shapes and colors
of objects reflected from the background, Cassandra thought that no
sight had ever been quite so romantic. It was all in keeping with the
room and the house, and the city round them; for her ears had not yet
ceased to notice the hum of distant wheels.
They went downstairs rather late, in spite of Katharine's extreme
speed in getting ready. To Cassandra's ears the buzz of voices inside
the drawing-room was like the tuning up of the instruments of the
orchestra. It seemed to her that there were numbers of people in the
room, and that they were strangers, and that they were beautiful and
dressed with the greatest distinction, although they proved to be
mostly her relations, and the distinction of their clothing was
confined, in the eyes of an impartial observer, to the white waistcoat
which Rodney wore. But they all rose simultaneously, which was by
itself impressive, and they all exclaimed, and shook hands, and she
was introduced to Mr. Peyton, and the door sprang open, and dinner was
announced, and they filed off, William Rodney offering her his
slightly bent black arm, as she had secretly hoped he would. In short,
had the scene been looked at only through her eyes, it must have been
described as one of magical brilliancy. The pattern of the
soup-plates, the stiff folds of the napkins, which rose by the side of
each plate in the shape of arum lilies, the long sticks of bread tied
with pink ribbon, the silver dishes and the sea-colored champagne
glasses, with the flakes of gold congealed in their stems--all these
details, together with a curiously pervasive smell of kid gloves,
contributed to her exhilaration, which must be repressed, however,
because she was grown up, and the world held no more for her to marvel
at.
The world held no more for her to marvel at, it is true; but it held
other people; and each other person possessed in Cassandra's mind some
fragment of what privately she called "reality." It was a gift that
they would impart if you asked them for it, and thus no dinner-party
could possibly be dull, and little Mr. Peyton on her right and William
Rodney on her left were in equal measure endowed with the quality
which seemed to her so unmistakable and so precious that the way
people neglected to demand it was a constant source of surprise to
her. She scarcely knew, indeed, whether she was talking to Mr. Peyton
or to William Rodney. But to one who, by degrees, assumed the shape of
an elderly man with a mustache, she described how she had arrived in
London that very afternoon, and how she had taken a cab and driven
through the streets. Mr. Peyton, an editor of fifty years, bowed his
bald head repeatedly, with apparent understanding. At least, he
understood that she was very young and pretty, and saw that she was
excited, though he could not gather at once from her words or remember
from his own experience what there was to be excited about. "Were
there any buds on the trees?" he asked. "Which line did she travel
by?"
He was cut short in these amiable inquiries by her desire to know
whether he was one of those who read, or one of those who look out of
the window? Mr. Peyton was by no means sure which he did. He rather
thought he did both. He was told that he had made a most dangerous
confession. She could deduce his entire history from that one fact. He
challenged her to proceed; and she proclaimed him a Liberal Member of
Parliament.
William, nominally engaged in a desultory conversation with Aunt
Eleanor, heard every word, and taking advantage of the fact that
elderly ladies have little continuity of conversation, at least with
those whom they esteem for their youth and their sex, he asserted his
presence by a very nervous laugh.
Cassandra turned to him directly. She was enchanted to find that,
instantly and with such ease, another of these fascinating beings was
offering untold wealth for her extraction.
"There's no doubt what YOU do in a railway carriage, William," she
said, making use in her pleasure of his first name. "You never ONCE
look out of the window; you read ALL the time."
"And what facts do you deduce from that?" Mr. Peyton asked.
"Oh, that he's a poet, of course," said Cassandra. "But I must confess
that I knew that before, so it isn't fair. I've got your manuscript
with me," she went on, disregarding Mr. Peyton in a shameless way.
"I've got all sorts of things I want to ask you about it."
William inclined his head and tried to conceal the pleasure that her
remark gave him. But the pleasure was not unalloyed. However
susceptible to flattery William might be, he would never tolerate it
from people who showed a gross or emotional taste in literature, and
if Cassandra erred even slightly from what he considered essential in
this respect he would express his discomfort by flinging out his hands
and wrinkling his forehead; he would find no pleasure in her flattery
after that.
"First of all," she proceeded, "I want to know why you chose to write
a play?"
"Ah! You mean it's not dramatic?"
"I mean that I don't see what it would gain by being acted. But then
does Shakespeare gain? Henry and I are always arguing about
Shakespeare. I'm certain he's wrong, but I can't prove it because I've
only seen Shakespeare acted once in Lincoln. But I'm quite positive,"
she insisted, "that Shakespeare wrote for the stage."
"You're perfectly right," Rodney exclaimed. "I was hoping you were on
that side. Henry's wrong--entirely wrong. Of course, I've failed, as
all the moderns fail. Dear, dear, I wish I'd consulted you before."
From this point they proceeded to go over, as far as memory served
them, the different aspects of Rodney's drama. She said nothing that
jarred upon him, and untrained daring had the power to stimulate
experience to such an extent that Rodney was frequently seen to hold
his fork suspended before him, while he debated the first principles
of the art. Mrs. Hilbery thought to herself that she had never seen
him to such advantage; yes, he was somehow different; he reminded her
of some one who was dead, some one who was distinguished--she had
forgotten his name.
Cassandra's voice rose high in its excitement.
"You've not read 'The Idiot'!" she exclaimed.
"I've read 'War and Peace'," William replied, a little testily.
"'WAR AND PEACE'!" she echoed, in a tone of derision.
"I confess I don't understand the Russians."
"Shake hands! Shake hands!" boomed Uncle Aubrey from across the table.
"Neither do I. And I hazard the opinion that they don't themselves."
The old gentleman had ruled a large part of the Indian Empire, but he
was in the habit of saying that he had rather have written the works
of Dickens. The table now took possession of a subject much to its
liking. Aunt Eleanor showed premonitory signs of pronouncing an
opinion. Although she had blunted her taste upon some form of
philanthropy for twenty-five years, she had a fine natural instinct
for an upstart or a pretender, and knew to a hairbreadth what
literature should be and what it should not be. She was born to the
knowledge, and scarcely thought it a matter to be proud of.
"Insanity is not a fit subject for fiction," she announced positively.
"There's the well-known case of Hamlet," Mr. Hilbery interposed, in
his leisurely, half-humorous tones.
"Ah, but poetry's different, Trevor," said Aunt Eleanor, as if she had
special authority from Shakespeare to say so. "Different altogether.
And I've never thought, for my part, that Hamlet was as mad as they
make out. What is your opinion, Mr. Peyton?" For, as there was a
minister of literature present in the person of the editor of an
esteemed review, she deferred to him.
Mr. Peyton leant a little back in his chair, and, putting his head
rather on one side, observed that that was a question that he had
never been able to answer entirely to his satisfaction. There was much
to be said on both sides, but as he considered upon which side he
should say it, Mrs. Hilbery broke in upon his judicious meditations.
"Lovely, lovely Ophelia!" she exclaimed. "What a wonderful power it
is--poetry! I wake up in the morning all bedraggled; there's a yellow
fog outside; little Emily turns on the electric light when she brings
me my tea, and says, 'Oh, ma'am, the water's frozen in the cistern,
and cook's cut her finger to the bone.' And then I open a little green
book, and the birds are singing, the stars shining, the flowers
twinkling--" She looked about her as if these presences had suddenly
manifested themselves round her dining-room table.
"Has the cook cut her finger badly?" Aunt Eleanor demanded, addressing
herself naturally to Katharine.
"Oh, the cook's finger is only my way of putting it," said Mrs.
Hilbery. "But if she had cut her arm off, Katharine would have sewn it
on again," she remarked, with an affectionate glance at her daughter,
who looked, she thought, a little sad. "But what horrid, horrid
thoughts," she wound up, laying down her napkin and pushing her chair
back. "Come, let us find something more cheerful to talk about
upstairs."
Upstairs in the drawing-room Cassandra found fresh sources of
pleasure, first in the distinguished and expectant look of the room,
and then in the chance of exercising her divining-rod upon a new
assortment of human beings. But the low tones of the women, their
meditative silences, the beauty which, to her at least, shone even
from black satin and the knobs of amber which encircled elderly necks,
changed her wish to chatter to a more subdued desire merely to watch
and to whisper. She entered with delight into an atmosphere in which
private matters were being interchanged freely, almost in
monosyllables, by the older women who now accepted her as one of
themselves. Her expression became very gentle and sympathetic, as if
she, too, were full of solicitude for the world which was somehow
being cared for, managed and deprecated by Aunt Maggie and Aunt
Eleanor. After a time she perceived that Katharine was outside the
community in some way, and, suddenly, she threw aside her wisdom and
gentleness and concern and began to laugh.
"What are you laughing at?" Katharine asked.
A joke so foolish and unfilial wasn't worth explaining.
"It was nothing--ridiculous--in the worst of taste, but still, if you
half shut your eyes and looked--" Katharine half shut her eyes and
looked, but she looked in the wrong direction, and Cassandra laughed
more than ever, and was still laughing and doing her best to explain
in a whisper that Aunt Eleanor, through half-shut eyes, was like the
parrot in the cage at Stogdon House, when the gentlemen came in and
Rodney walked straight up to them and wanted to know what they were
laughing at.
"I utterly refuse to tell you!" Cassandra replied, standing up
straight, clasping her hands in front of her, and facing him. Her
mockery was delicious to him. He had not even for a second the fear
that she had been laughing at him. She was laughing because life was
so adorable, so enchanting.
"Ah, but you're cruel to make me feel the barbarity of my sex," he
replied, drawing his feet together and pressing his finger-tips upon
an imaginary opera-hat or malacca cane. "We've been discussing all
sorts of dull things, and now I shall never know what I want to know
more than anything in the world."
"You don't deceive us for a minute!" she cried. "Not for a second. We
both know that you've been enjoying yourself immensely. Hasn't he,
Katharine?"
"No," she replied, "I think he's speaking the truth. He doesn't care
much for politics."
Her words, though spoken simply, produced a curious change in the
light, sparkling atmosphere. William at once lost his look of
animation and said seriously:
"I detest politics."
"I don't think any man has the right to say that," said Cassandra,
almost severely.
"I agree. I mean that I detest politicians," he corrected himself
quickly.
"You see, I believe Cassandra is what they call a Feminist," Katharine
went on. "Or rather, she was a Feminist six months ago, but it's no
good supposing that she is now what she was then. That is one of her
greatest charms in my eyes. One never can tell." She smiled at her as
an elder sister might smile.
"Katharine, you make one feel so horribly small!" Cassandra exclaimed.
"No, no, that's not what she means," Rodney interposed. "I quite agree
that women have an immense advantage over us there. One misses a lot
by attempting to know things thoroughly."
"He knows Greek thoroughly," said Katharine. "But then he also knows a
good deal about painting, and a certain amount about music. He's very
cultivated--perhaps the most cultivated person I know."
"And poetry," Cassandra added.
"Yes, I was forgetting his play," Katharine remarked, and turning her
head as though she saw something that needed her attention in a far
corner of the room, she left them.
For a moment they stood silent, after what seemed a deliberate
introduction to each other, and Cassandra watched her crossing the
room.
"Henry," she said next moment, "would say that a stage ought to be no
bigger than this drawing-room. He wants there to be singing and
dancing as well as acting--only all the opposite of Wagner--you
understand?"
They sat down, and Katharine, turning when she reached the window, saw
William with his hand raised in gesticulation and his mouth open, as
if ready to speak the moment Cassandra ceased.
Katharine's duty, whether it was to pull a curtain or move a chair,
was either forgotten or discharged, but she continued to stand by the
window without doing anything. The elderly people were all grouped
together round the fire. They seemed an independent, middle-aged
community busy with its own concerns. They were telling stories very
well and listening to them very graciously. But for her there was no
obvious employment.
"If anybody says anything, I shall say that I'm looking at the river,"
she thought, for in her slavery to her family traditions, she was
ready to pay for her transgression with some plausible falsehood. She
pushed aside the blind and looked at the river. But it was a dark
night and the water was barely visible. Cabs were passing, and couples
were loitering slowly along the road, keeping as close to the railings
as possible, though the trees had as yet no leaves to cast shadow upon
their embraces. Katharine, thus withdrawn, felt her loneliness. The
evening had been one of pain, offering her, minute after minute,
plainer proof that things would fall out as she had foreseen. She had
faced tones, gestures, glances; she knew, with her back to them, that
William, even now, was plunging deeper and deeper into the delight of
unexpected understanding with Cassandra. He had almost told her that
he was finding it infinitely better than he could have believed. She
looked out of the window, sternly determined to forget private
misfortunes, to forget herself, to forget individual lives. With her
eyes upon the dark sky, voices reached her from the room in which she
was standing. She heard them as if they came from people in another
world, a world antecedent to her world, a world that was the prelude,
the antechamber to reality; it was as if, lately dead, she heard the
living talking. The dream nature of our life had never been more
apparent to her, never had life been more certainly an affair of four
walls, whose objects existed only within the range of lights and
fires, beyond which lay nothing, or nothing more than darkness. She
seemed physically to have stepped beyond the region where the light of
illusion still makes it desirable to possess, to love, to struggle.
And yet her melancholy brought her no serenity. She still heard the
voices within the room. She was still tormented by desires. She wished
to be beyond their range. She wished inconsistently enough that she
could find herself driving rapidly through the streets; she was even
anxious to be with some one who, after a moment's groping, took a
definite shape and solidified into the person of Mary Datchet. She
drew the curtains so that the draperies met in deep folds in the
middle of the window.
"Ah, there she is," said Mr. Hilbery, who was standing swaying affably
from side to side, with his back to the fire. "Come here, Katharine. I
couldn't see where you'd got to--our children," he observed
parenthetically, "have their uses--I want you to go to my study,
Katharine; go to the third shelf on the right-hand side of the door;
take down 'Trelawny's Recollections of Shelley'; bring it to me. Then,
Peyton, you will have to admit to the assembled company that you have
been mistaken."
"'Trelawny's Recollections of Shelley.' The third shelf on the right
of the door," Katharine repeated. After all, one does not check
children in their play, or rouse sleepers from their dreams. She
passed William and Cassandra on her way to the door.
"Stop, Katharine," said William, speaking almost as if he were
conscious of her against his will. "Let me go." He rose, after a
second's hesitation, and she understood that it cost him an effort.
She knelt one knee upon the sofa where Cassandra sat, looking down at
her cousin's face, which still moved with the speed of what she had
been saying.
"Are you--happy?" she asked.
"Oh, my dear!" Cassandra exclaimed, as if no further words were
needed. "Of course, we disagree about every subject under the sun,"
she exclaimed, "but I think he's the cleverest man I've ever met--and
you're the most beautiful woman," she added, looking at Katharine, and
as she looked her face lost its animation and became almost melancholy
in sympathy with Katharine's melancholy, which seemed to Cassandra the
last refinement of her distinction.
"Ah, but it's only ten o'clock," said Katharine darkly.
"As late as that! Well--?" She did not understand.
"At twelve my horses turn into rats and off I go. The illusion fades.
But I accept my fate. I make hay while the sun shines." Cassandra
looked at her with a puzzled expression.
"Here's Katharine talking about rats, and hay, and all sorts of odd
things," she said, as William returned to them. He had been quick.
"Can you make her out?"
Katharine perceived from his little frown and hesitation that he did
not find that particular problem to his taste at present. She stood
upright at once and said in a different tone:
"I really am off, though. I wish you'd explain if they say anything,
William. I shan't be late, but I've got to see some one."
"At this time of night?" Cassandra exclaimed.
"Whom have you got to see?" William demanded.
"A friend," she remarked, half turning her head towards him. She knew
that he wished her to stay, not, indeed, with them, but in their
neighborhood, in case of need.
"Katharine has a great many friends," said William rather lamely,
sitting down once more, as Katharine left the room.
She was soon driving quickly, as she had wished to drive, through the
lamp-lit streets. She liked both light and speed, and the sense of
being out of doors alone, and the knowledge that she would reach Mary
in her high, lonely room at the end of the drive. She climbed the
stone steps quickly, remarking the queer look of her blue silk skirt
and blue shoes upon the stone, dusty with the boots of the day, under
the light of an occasional jet of flickering gas.
The door was opened in a second by Mary herself, whose face showed not
only surprise at the sight of her visitor, but some degree of
embarrassment. She greeted her cordially, and, as there was no time
for explanations, Katharine walked straight into the sitting-room, and
found herself in the presence of a young man who was lying back in a
chair and holding a sheet of paper in his hand, at which he was
looking as if he expected to go on immediately with what he was in the
middle of saying to Mary Datchet. The apparition of an unknown lady in
full evening dress seemed to disturb him. He took his pipe from his
mouth, rose stiffly, and sat down again with a jerk.
"Have you been dining out?" Mary asked.
"Are you working?" Katharine inquired simultaneously.
The young man shook his head, as if he disowned his share in the
question with some irritation.
"Well, not exactly," Mary replied. "Mr. Basnett had brought some
papers to show me. We were going through them, but we'd almost
done. . . . Tell us about your party."
Mary had a ruffled appearance, as if she had been running her fingers
through her hair in the course of her conversation; she was dressed
more or less like a Russian peasant girl. She sat down again in a
chair which looked as if it had been her seat for some hours; the
saucer which stood upon the arm contained the ashes of many
cigarettes. Mr. Basnett, a very young man with a fresh complexion and
a high forehead from which the hair was combed straight back, was one
of that group of "very able young men" suspected by Mr. Clacton,
justly as it turned out, of an influence upon Mary Datchet. He had
come down from one of the Universities not long ago, and was now
charged with the reformation of society. In connection with the rest
of the group of very able young men he had drawn up a scheme for the
education of labor, for the amalgamation of the middle class and the
working class, and for a joint assault of the two bodies, combined in
the Society for the Education of Democracy, upon Capital. The scheme
had already reached the stage in which it was permissible to hire an
office and engage a secretary, and he had been deputed to expound the
scheme to Mary, and make her an offer of the Secretaryship, to which,
as a matter of principle, a small salary was attached. Since seven
o'clock that evening he had been reading out loud the document in
which the faith of the new reformers was expounded, but the reading
was so frequently interrupted by discussion, and it was so often
necessary to inform Mary "in strictest confidence" of the private
characters and evil designs of certain individuals and societies that
they were still only half-way through the manuscript. Neither of them
realized that the talk had already lasted three hours. In their
absorption they had forgotten even to feed the fire, and yet both Mr.
Basnett in his exposition, and Mary in her interrogation, carefully
preserved a kind of formality calculated to check the desire of the
human mind for irrelevant discussion. Her questions frequently began,
"Am I to understand--" and his replies invariably represented the
views of some one called "we."
By this time Mary was almost persuaded that she, too, was included in
the "we," and agreed with Mr. Basnett in believing that "our" views,
"our" society, "our" policy, stood for something quite definitely
segregated from the main body of society in a circle of superior
illumination.
The appearance of Katharine in this atmosphere was extremely
incongruous, and had the effect of making Mary remember all sorts of
things that she had been glad to forget.
"You've been dining out?" she asked again, looking, with a little
smile, at the blue silk and the pearl-sewn shoes.
"No, at home. Are you starting something new?" Katharine hazarded,
rather hesitatingly, looking at the papers.
"We are," Mr. Basnett replied. He said no more.
"I'm thinking of leaving our friends in Russell Square," Mary
explained.
"I see. And then you will do something else."
"Well, I'm afraid I like working," said Mary.
"Afraid," said Mr. Basnett, conveying the impression that, in his
opinion, no sensible person could be afraid of liking to work.
"Yes," said Katharine, as if he had stated this opinion aloud. "I
should like to start something--something off one's own bat--that's
what I should like."
"Yes, that's the fun," said Mr. Basnett, looking at her for the first
time rather keenly, and refilling his pipe.
"But you can't limit work--that's what I mean," said Mary. "I mean
there are other sorts of work. No one works harder than a woman with
little children."
"Quite so," said Mr. Basnett. "It's precisely the women with babies we
want to get hold of." He glanced at his document, rolled it into a
cylinder between his fingers, and gazed into the fire. Katharine felt
that in this company anything that one said would be judged upon its
merits; one had only to say what one thought, rather barely and
tersely, with a curious assumption that the number of things that
could properly be thought about was strictly limited. And Mr. Basnett
was only stiff upon the surface; there was an intelligence in his face
which attracted her intelligence.
"When will the public know?" she asked.
"What d'you mean--about us?" Mr. Basnett asked, with a little smile.
"That depends upon many things," said Mary. The conspirators looked
pleased, as if Katharine's question, with the belief in their
existence which it implied, had a warming effect upon them.
"In starting a society such as we wish to start (we can't say any more
at present)," Mr. Basnett began, with a little jerk of his head,
"there are two things to remember--the Press and the public. Other
societies, which shall be nameless, have gone under because they've
appealed only to cranks. If you don't want a mutual admiration
society, which dies as soon as you've all discovered each other's
faults, you must nobble the Press. You must appeal to the public."
"That's the difficulty," said Mary thoughtfully.
"That's where she comes in," said Mr. Basnett, jerking his head in
Mary's direction. "She's the only one of us who's a capitalist. She
can make a whole-time job of it. I'm tied to an office; I can only
give my spare time. Are you, by any chance, on the look-out for a
job?" he asked Katharine, with a queer mixture of distrust and
deference.
"Marriage is her job at present," Mary replied for her.
"Oh, I see," said Mr. Basnett. He made allowances for that; he and his
friends had faced the question of sex, along with all others, and
assigned it an honorable place in their scheme of life. Katharine felt
this beneath the roughness of his manner; and a world entrusted to the
guardianship of Mary Datchet and Mr. Basnett seemed to her a good
world, although not a romantic or beautiful place or, to put it
figuratively, a place where any line of blue mist softly linked tree
to tree upon the horizon. For a moment she thought she saw in his
face, bent now over the fire, the features of that original man whom
we still recall every now and then, although we know only the clerk,
barrister, Governmental official, or workingman variety of him. Not
that Mr. Basnett, giving his days to commerce and his spare time to
social reform, would long carry about him any trace of his
possibilities of completeness; but, for the moment, in his youth and
ardor, still speculative, still uncramped, one might imagine him the
citizen of a nobler state than ours. Katharine turned over her small
stock of information, and wondered what their society might be going
to attempt. Then she remembered that she was hindering their business,
and rose, still thinking of this society, and thus thinking, she said
to Mr. Basnett:
"Well, you'll ask me to join when the time comes, I hope."
He nodded, and took his pipe from his mouth, but, being unable to
think of anything to say, he put it back again, although he would have
been glad if she had stayed.
Against her wish, Mary insisted upon taking her downstairs, and then,
as there was no cab to be seen, they stood in the street together,
looking about them.
"Go back," Katharine urged her, thinking of Mr. Basnett with his
papers in his hand.
"You can't wander about the streets alone in those clothes," said
Mary, but the desire to find a cab was not her true reason for
standing beside Katharine for a minute or two. Unfortunately for her
composure, Mr. Basnett and his papers seemed to her an incidental
diversion of life's serious purpose compared with some tremendous fact
which manifested itself as she stood alone with Katharine. It may have
been their common womanhood.
"Have you seen Ralph?" she asked suddenly, without preface.
"Yes," said Katharine directly, but she did not remember when or where
she had seen him. It took her a moment or two to remember why Mary
should ask her if she had seen Ralph.
"I believe I'm jealous," said Mary.
"Nonsense, Mary," said Katharine, rather distractedly, taking her arm
and beginning to walk up the street in the direction of the main road.
"Let me see; we went to Kew, and we agreed to be friends. Yes, that's
what happened." Mary was silent, in the hope that Katharine would tell
her more. But Katharine said nothing.
"It's not a question of friendship," Mary exclaimed, her anger rising,
to her own surprise. "You know it's not. How can it be? I've no right
to interfere--" She stopped. "Only I'd rather Ralph wasn't hurt," she
concluded.
"I think he seems able to take care of himself," Katharine observed.
Without either of them wishing it, a feeling of hostility had risen
between them.
"Do you really think it's worth it?" said Mary, after a pause.
"How can one tell?" Katharine asked.
"Have you ever cared for any one?" Mary demanded rashly and foolishly.
"I can't wander about London discussing my feelings--Here's a cab--no,
there's some one in it."
"We don't want to quarrel," said Mary.
"Ought I to have told him that I wouldn't be his friend?" Katharine
asked. "Shall I tell him that? If so, what reason shall I give him?"
"Of course you can't tell him that," said Mary, controlling herself.
"I believe I shall, though," said Katharine suddenly.
"I lost my temper, Katharine; I shouldn't have said what I did."
"The whole thing's foolish," said Katharine, peremptorily. "That's
what I say. It's not worth it." She spoke with unnecessary vehemence,
but it was not directed against Mary Datchet. Their animosity had
completely disappeared, and upon both of them a cloud of difficulty
and darkness rested, obscuring the future, in which they had both to
find a way.
"No, no, it's not worth it," Katharine repeated. "Suppose, as you say,
it's out of the question--this friendship; he falls in love with me. I
don't want that. Still," she added, "I believe you exaggerate; love's
not everything; marriage itself is only one of the things--" They had
reached the main thoroughfare, and stood looking at the omnibuses and
passers-by, who seemed, for the moment, to illustrate what Katharine
had said of the diversity of human interests. For both of them it had
become one of those moments of extreme detachment, when it seems
unnecessary ever again to shoulder the burden of happiness and
self-assertive existence. Their neighbors were welcome to their
possessions.
"I don't lay down any rules,"' said Mary, recovering herself first, as
they turned after a long pause of this description. "All I say is that
you should know what you're about--for certain; but," she added, "I
expect you do."
At the same time she was profoundly perplexed, not only by what she
knew of the arrangements for Katharine's marriage, but by the
impression which she had of her, there on her arm, dark and
inscrutable.
They walked back again and reached the steps which led up to Mary's
flat. Here they stopped and paused for a moment, saying nothing.
"You must go in," said Katharine, rousing herself. "He's waiting all
this time to go on with his reading." She glanced up at the lighted
window near the top of the house, and they both looked at it and
waited for a moment. A flight of semicircular steps ran up to the
hall, and Mary slowly mounted the first two or three, and paused,
looking down upon Katharine.
"I think you underrate the value of that emotion," she said slowly,
and a little awkwardly. She climbed another step and looked down once
more upon the figure that was only partly lit up, standing in the
street with a colorless face turned upwards. As Mary hesitated, a cab
came by and Katharine turned and stopped it, saying as she opened the
door:
"Remember, I want to belong to your society--remember," she added,
having to raise her voice a little, and shutting the door upon the
rest of her words.
Mary mounted the stairs step by step, as if she had to lift her body
up an extremely steep ascent. She had had to wrench herself forcibly
away from Katharine, and every step vanquished her desire. She held on
grimly, encouraging herself as though she were actually making some
great physical effort in climbing a height. She was conscious that Mr.
Basnett, sitting at the top of the stairs with his documents, offered
her solid footing if she were capable of reaching it. The knowledge
gave her a faint sense of exaltation.
Mr. Basnett raised his eyes as she opened the door.
"I'll go on where I left off," he said. "Stop me if you want anything
explained."
He had been re-reading the document, and making pencil notes in the
margin while he waited, and he went on again as if there had been no
interruption. Mary sat down among the flat cushions, lit another
cigarette, and listened with a frown upon her face.
Katharine leant back in the corner of the cab that carried her to
Chelsea, conscious of fatigue, and conscious, too, of the sober and
satisfactory nature of such industry as she had just witnessed. The
thought of it composed and calmed her. When she reached home she let
herself in as quietly as she could, in the hope that the household was
already gone to bed. But her excursion had occupied less time than she
thought, and she heard sounds of unmistakable liveliness upstairs. A
door opened, and she drew herself into a ground-floor room in case the
sound meant that Mr. Peyton were taking his leave. From where she
stood she could see the stairs, though she was herself invisible. Some
one was coming down the stairs, and now she saw that it was William
Rodney. He looked a little strange, as if he were walking in his
sleep; his lips moved as if he were acting some part to himself. He
came down very slowly, step by step, with one hand upon the banisters
to guide himself. She thought he looked as if he were in some mood of
high exaltation, which it made her uncomfortable to witness any longer
unseen. She stepped into the hall. He gave a great start upon seeing
her and stopped.
"Katharine!" he exclaimed. "You've been out?" he asked.
"Yes. . . . Are they still up?"
He did not answer, and walked into the ground-floor room through the
door which stood open.
"It's been more wonderful than I can tell you," he said, "I'm
incredibly happy--"
He was scarcely addressing her, and she said nothing. For a moment
they stood at opposite sides of a table saying nothing. Then he asked
her quickly, "But tell me, how did it seem to you? What did you think,
Katharine? Is there a chance that she likes me? Tell me, Katharine!"
Before she could answer a door opened on the landing above and
disturbed them. It disturbed William excessively. He started back,
walked rapidly into the hall, and said in a loud and ostentatiously
ordinary tone:
"Good night, Katharine. Go to bed now. I shall see you soon. I hope I
shall be able to come to-morrow."
Next moment he was gone. She went upstairs and found Cassandra on the
landing. She held two or three books in her hand, and she was stooping
to look at others in a little bookcase. She said that she could never
tell which book she wanted to read in bed, poetry, biography, or
metaphysics.
"What do you read in bed, Katharine?" she asked, as they walked
upstairs side by side.
"Sometimes one thing--sometimes another," said Katharine vaguely.
Cassandra looked at her.
"D'you know, you're extraordinarily queer," she said. "Every one seems
to me a little queer. Perhaps it's the effect of London."
"Is William queer, too?" Katharine asked.
"Well, I think he is a little," Cassandra replied. "Queer, but very
fascinating. I shall read Milton to-night. It's been one of the
happiest nights of my life, Katharine," she added, looking with shy
devotion at her cousin's beautiful face. _
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