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			 _ VII. Mabel grieved for her child with a sorrow sincere
Mabel grieved for her child with a sorrow sincere,
  But she bowed to the will of her Maker.  No tear
  Came to soften the hard, stony look in the eye
  Of her husband; she heard no complaint and no sigh
  From his lips, but he turned with impatience whenever
  She spoke of religion, or made one endeavor
  To lead his thoughts up from the newly turned sod
  Where the little form slept, to its spirit with God.
  Long hours by that grave, Roger passed, and alone.
  The woes of her neighbors his wife made her own,
  But her husband she pointed to Christ; and in grief
  Prayed for light to be cast on his dark unbelief.
  She flung herself into good works more and more,
  And saw not that the look which her husband's face wore
  Was the look of a man starved for love.  In the mold
  Of a nun she was fashioned, chaste, passionless, cold.
  (Such women sin more when they take marriage ties
  Than the love-maddened creature who lawlessly lies
  In the arms of the man whom she worships.  The child
  Not conceived in true love leaves the mother defiled.
  Though an army of clergymen sanction her vows,
  God sees "illegitimate" stamped on the brows
  Of her offspring.  Love only can legalize birth
  In His eyes--all the rest is but spawn of the earth.)
  Mabel Lee, as the maid, had been flattered and pleased
  By the passion of Roger; his wild wooing teased
  That inquisitive sense, half a fault, half a merit,
  Which the daughters of Eve, to a woman, inherit.
  His love fanned her love for herself to a glow;
  She was stirred by the thought she could stir a man so.
  That was all.  She had nothing to give in return.
  One can't light a fire with no fuel to burn;
  And the love Roger dreamed he could rouse in her soul
  Was not there to be wakened.  He stood at his goal
  As the Arctic explorer may finally stand,
  To see all about him an ice prisoned land,
  White, beautiful, useless.
                Some women are chaste,
  Like the snows which envelop the bleak arid waste
  Of the desert; once melted, alas! what remains
  But the poor, unproductive, dry soil of the plains?
  The flora of Cupid will never be found,
  However he toil there, to thrive in such ground.
  Mabel Montrose was held in the highest esteem
  By her neighbors; I think neighbors everywhere deem
  Such women to be all that's noble.  They sighed
  When they spoke of her husband; they told how she tried
  To convert him, and how they had thought for a season
  His mind was bent Christ-ward; and then, with no reason,
  He seemed to drift back to the world, and grew jealous
  Of Mabel, and thought her too faithful and zealous
  In duty to others.
                The death of his child
  Only hardened his heart against God.  He grew wild,
  Took to drink; spent a week at a time in the city,
  Neglecting his saint of a wife--such a pity.
  It was true.  Our friends keep a sharp eye on our deeds
  But the fine interlining of causes--who heeds?
  The long list of heartaches which lead to rash acts
  Would bring pity, not blame, if the world knew the facts.
  There are women so terribly free from all evil,
  They discourage a man, and he goes to the devil.
  There are people whose virtues result in appalling,
  And they prove a great aid to his majesty's calling.
  Roger's wife rendered goodness so dreary and cold,
  His tendril-like will lost its poor little hold
  On the new better life he was longing to reach,
  And slipped back to the dust.  Oh! to love, not to preach.
  Is a woman's true method of helping mankind.
  The sinner is won through his heart, not his mind.
  As the sun loves the seed up to life through the sod,
  So the patience of love brings a soul to its God.
  But when love is lacking, the devil is sure
  To stand in the pathway with some sort of lure.
  Roger turned to the world for distraction.  The world
  Smiled a welcome, and then like an octopus curled
  All its tentacles 'round him, and dragged him away
  Into deep, troubled waters.
                One late summer day
  He awoke with a headache, which will not surprise,
  When you know that his bedtime had been at sunrise,
  And that gay Narraganset, the world renowned "Pier,"
  Was the scene.  Through the lace curtained window the clear
  Yellow rays of the hot August sun touched his bed
  And proclaimed it was mid-day.  He rose, and his head
  Seemed as large and as light as an air filled balloon
  While his limbs were like lead.
                In the glare of the noon,
  The follies of night show their makeup, and seem
  Like hideous monsters evoked by some dream.
  The sea called to Roger: "Come, lie on my breast
  And forget the dull world.  My unrest shall give rest
  To your turbulent feelings; the dregs of the wine
  On your lips shall be lost in the salt touch of mine.
  Come away, come away.  Ah! the jubilant mirth
  Of the sea is not known by the stupid old earth."
  The beach swarmed with bathers--to be more exact,
  Swarmed with people in costumes of bathers.  In fact,
  Many beautiful women bathed but in the light
  Of men's eyes; and their costumes were made for the sight,
  Not the sea.  From the sea's lusty outreaching arms
  They escaped with shrill shrieks, while the men viewed their charms
  And made mental notes of them.  Yet, at this hour,
  The waves, too, were swelling sea meadows, a-flower
  With faces of swimmers.  All dressed for his bath,
  Roger paused in confusion, because in his path
  Surged a crowd of the curious; all eyes were bent
  On the form of a woman who leisurely went
  From her bathing house down to the beach.  "There she goes,"
  Roger heard a dame cry, as she stepped on his toes
  With her whole ample weight.  "What, the one with red hair?
  Why, she isn't as pretty as Maude, I declare."
  A man passing by with his comrade, cried: "Ned,
  Look! there is La Travers, the one with the red
  Braid of hair to her knees.  She's a mystery here,
  And at present the topic of talk at the Pier."
  Roger followed their glances in time to behold
  For a second a head crowned with braids of bright gold,
  And a form like a Venus, all costumed in white.
  Then she plunged through a billow and vanished from sight.
  It was half an hour afterward, possibly more,
  As Roger swam farther and farther from shore,
  With new life in his limbs and new force in his brain,
  That he heard, just behind him, a sharp cry of pain.
  Ten strokes in the rear on the crest of a wave
  Shone a woman's white face.  "Keep your courage; be brave;
  I am coming," he shouted.  "Turn over and float."
  His strong shoulder plunged like the prow of a boat
  Through the billows.  Six overhand strokes brought him close
  To the woman, who lay like a wilted white rose
  On the waves.  "Now, be careful," he cried; "lay your hand
  Well up on my shoulder; my arms, understand,
  Must be free; do not touch them---please follow my wishes,
  Unless you are anxious to fatten the fishes."
  The woman obeyed him.  "You need not fear me,"
  She replied, "I am wholly at home in the sea.
  I knew all the arts of the swimmer, I thought,
  But confess I was frightened when suddenly caught
  With a cramp in my knee at this distance from shore."
  With slow even breast strokes the strong swimmer bore
  His fair burden landward.  She lay on the billows
  As lightly as if she were resting on pillows
  Of down.  She relinquished herself to the sea
  And the man, and was saved; though God knows both can be
  False and fickle enough; yet resistance or strife,
  On occasions like this, means the forfeit of life.
  The throng of the bathers had scattered before
  Roger carried his burden safe into the shore
  And saw her emerge from the water, a place
  Where most women lose every vestige of grace
  Or of charm.  But this mermaid seemed fairer than when
  She had challenged the glances of women and men
  As she went to her bath.  Now her clinging silk suit
  Revealed every line, from the throat to the foot,
  Of her beautiful form.  Her arms, in their splendor,
  Gleamed white like wet marble.  The round waist was slender,
  And yet not too small.  From the twin perfect crests
  And the virginlike grace of her beautiful breasts
  To the exquisite limbs and the curve of her thigh,
  And the arch of her proud little instep, the eye
  Drank in beauty.  Her face was not beautiful; yet
  The gaze lingered on it, for Eros had set
  His seal on her features.  The mouth full and weak,
  The blue shadow drooping from eyelid to cheek
  Like a stain of crushed grapes, and the pale, ardent skin,
  All spoke of volcanic emotions within.
  By her tip tilted nose and low brow, it was plain
  To read how her impulses ruled o'er her brain.
  She had given the chief role of life to her heart,
  And her intellect played but a small minor part.
  Her eyes were the color the sunlight reveals
  When it pierces the soft, furry coat of young seals.
  The thickly fringed lids seemed unwilling to rise,
  But drooped, half concealing them; wonderful eyes,
  Full of secrets and bodings of sorrow.  As coarse
  And as thick as the mane of a finely groomed horse
  Was her bright mass of hair.  The sea, with rough hands,
  Had made free with the braids, and unloosened the strands
  Till they hung in great clusters of curls to her knees.
  Her voice, when she spoke, held the breadth and the breeze
  Of the West in its tones; and the use of the _R_
  Made the listener certain her home had been far
  From New England.  Long after she vanished from view
  The eye and the ear seemed to sense her anew.
  There was that in her voice and her presence which hung
  In the air like a strain of a song which is sung
  By a singer, and then sings itself the whole day,
  And will hot be silenced.
                As birds flock away
  From meadow to tree branch, now there and now here,
  So, from beach to Casino, each day at the Pier
  Flock the gay pleasure seekers.  The balconies glow
  With beauty and color.  The belle and the beau
  Promenade in the sunlight, or sit tete-a-tete,
  While the chaperons gossip together.  Bands play,
  Glasses clink; and 'neath sheltering lace parasols
  There are plans made for meeting at drives or at balls.
  Roger gat at a table alone, with his glass
  Of mint julep before him, and watched the crowd pass.
  There were all sorts of people from all sorts of places.
  He thought he liked best the fair Baltimore faces.
  The South was the land of fair women, he mused,
  Because they were indolent.  Women who used
  Mind or body too freely.  Changed curves into angles,
  For beauty forever with intellect wrangles.
  The trend of the fair sex to-day must alarm
  Every lover of feminine beauty and charm.
  As he mused Roger watched with a keen interest
  For a sight of his Undine.  "All coiffured and drest,
  With her wonderful body concealed, and her hair
  Knotted up, well, I doubt if she seem even fair,"
  He soliloquized.  "Ah!" the word burst from his lips,
  For he saw her approaching.  She walked from the hips
  With an undulous motion.  As graceful and free
  From all effort as waves swinging in from the sea
  Were her movements.  Her full molded figure seemed slight
  In its close fitting gown of black cloth; and the white
  Of her cheek seemed still whiter by contrast.  Her clothes
  Were tasteful and quiet; yet Roger Montrose
  Knew in some subtle manner he could not express
  ('Tis an instinct men have in the matters of dress)
  That they never were made in New York.  By her hat
  One can oft read a woman's whole character.  That
  Which our fair Undine wore was a thing of rich lace,
  Flowers and ribbons like others one saw in the place.
  Yet the width of the brim, or the twist of its bows,
  Or the way it was worn made it different from those.
  As it drooped o'er the eyes full of mystery there,
  It seemed, all at once, both a menace and dare;
  A menace to women, a dare to the men.
  She bowed as she passed Roger's table; and then
  Took a chair opposite, spread her shade of red silk,
  Called a waiter and ordered a cup of hot milk,
  Which she leisurely sipped.  She seemed unaware
  Of the curious eyes she attracted.  Her air
  Was of one quite at home, and entirely at ease
  With herself, the sole person she studied to please.
  She had been for three weeks at the Pier, and alone,
  Without maid or escort, and nothing was known
  Of her there, save the name which the register bore,
  "Mrs. Travers, New York."  Men were mad to learn more
  But the women were distant.  One can't, at such places,
  Accept as credentials good figures or faces.
  There was an unnameable _something_ about
  Mrs. Travers which filled other women with doubt
  And all men with interest.  Roger, blase,
  Disillusioned with life as he was, felt the sway
  Of her strong personality, there as she sat
  Looking out 'neath the rim of her coquettish hat
  With dark eyes on the sea.  Few people had power
  To draw his gray thoughts from himself for an hour
  As this woman had done; she was food for his mind,
  And he sought by his inner perceptions to find
  in what class she belonged.  "An adventuress?  No,
  Though I fancy three-fourths of the women think so
  And one-half of the men; but that role leaves a trace,
  An expression, I fail to detect in her face.
  Her past is not shadowed; my judgment would say
  That her sins lie before her, and not far away.
  She's a puzzle, I think, to herself; and grim Fate
  Will aid her in solving the riddle too late.
  Her soul dreams of happiness; but in her eyes
  The sensuous foe to all happiness lies.
  As the rain is drawn up by some moods of the sun,
  Some natures draw trouble from life; her's is one."
  She rose and passed by him again, and her gown
  Brushed his knee.  A light tremor went shivering down
  His whole body.  She left on the air as she went
  A subtle suggestion of perfume; the scent
  Which steals out of some fans, or old laces, and seems
  Full of soft fragrant fancies and languorous dreams.
  She haunted the mind, though she passed from the sight.
  When Roger Montrose sought his pillow that night,
  'Twas to dream of La Travers.  He thought she became
  A burning red rose, with each leaf like a flame.
  He stooped down and plucked it, and woke with a start,
  As it turned to an adder and struck at his heart.
  The dream left its impress, as certain dreams should,
  For, as warnings of evil, precursors of good,
  They are sent to our souls o'er a mystical line,
  Night messages, couched in a cipher divine.
  Roger knew much of life, much of women, and knew
  Even more of himself and his weaknesses.  Few
  Of us mortals look inward; our gaze is turned out
  To watch what the rest of the world is about,
  While the rest of the world watches us.
                Roger's reason
  And logic were clear.  But his will played him treason.
  If you looked at his hand, you would see it.  Hands speak
  More than faces.  His thumb (the first phalanx) was weak,
  Undeveloped; the second, firm jointed and long,
  Which showed that the reasoning powers were strong,
  But the will, from disuse, had grown feeble.
                That morning
  He looked on his dream in the light of a warning
  And made sudden plans for departure.  "To go
  Is to fly from some folly," he said, "for I know
  What salt air and dry wine, and the soft siren eyes
  Of a woman, can do under midsummer skies
  With a man who is wretched as I am.  Unrest
  Is a tramp, who goes picking the locks on one's breast
  That a whole gang of vices may enter.  A thirst
  For strong drink and chance games, those twin comrades accursed,
  Are already admitted.  Oh Mabel, my wife,
  Reach, reach out your arms, draw me into the life
  That alone is worth living.  I need you to-day,
  Have pity, and love me, oh love me, I pray.
  I will turn once again from the bad world to you.
  Though false to myself, to my vows I am true."
  When a soul strives to pull itself up out of sin
  The devil tries harder to push it back in.
  And the man who attempts to retrace the wrong track
  Needs his God and his will to stand close at his back.
  Through what are called accidents, Roger was late
  At the train.  Are not accidents servants of Fate?
  The first coach was filled; he passed on to the second.
  That, too, seemed complete, but a gentleman beckoned
  And said, "There's a seat, sir; the third from the last
  On your left."  Roger thanked him and leisurely passed
  Down the aisle, with his coat on his arm, to the place
  Indicated.  The seat held a lady, whose face
  Was turned to the window.  "Pray pardon me, miss"
  (For he judged by her back she was youthful), "is this
  Seat engaged?"  As he spoke, the face turned in surprise,
  And Roger looked into the long, languid eyes
  Of La Travers.  She smiled, moved her wraps from the seat,
  And he sat down beside her.  The same subtle, sweet
  Breath of perfume exhaled from her presence, and made
  The place seem a boudoir.  The deep winey shade
  'Neath her eyes had grown larger, as if she had wept
  Or a late, lonely vigil with memory kept.
  A man who has rescued a woman from danger
  Or death, does not seem to her wholly a stranger
  When next she encounters him; yet both essayed
  To be formal and proper; and each of them made
  The effort a failure.  The jar of a train
  At times holds a mesmeric spell for the brain
  And a tense excitation for nerves; and the shriek
  Of the engine compels one to lean near to speak
  Or to list to his neighbor.  Formality flies
  With the smoke of the train and floats off to the skies.
  Roger led his companion to talk; and the theme
  Which he chose, was herself, her life story.  The dream
  Of the previous night was forgotten.  The charm
  Of the woman outweighed superstitious alarm.
  When the sunlight began to play peek-a-boo
  Through the tunnels, which told them the journey was through,
  Roger looked at his time-piece; the train for Bay Bend
  Left in just twenty minutes; but what a rude end
  To the day's pleasant comradeship--rushing away
  With a hurried good-bye!  He decided to stay
  Over night in the city.  He was not expected
  At home.  Mrs. Travers was quite unprotected,
  And almost a stranger in Gotham.  He ought
  To see her safe into her doorway, he thought.
  At the doorway she gave him her hand, with a smile;
  "I have known you," she said, "such a brief little while,
  Yet you seem like a friend of long standing; I say
  Good-bye with reluctance."
                "Perhaps, then, I may
  Call and see you to-morrow?" the words seemed to fall
  Of themselves from his lips; words he longed to recall
  When once uttered, for deep in his conscience he knew
  That the one word for him to speak now, was adieu.
  The lady's soft, cushion-like hand rested still
  In his own, and the contact was pleasant.  A thrill
  From the finger tips quickened his pulses.
                "You may
  Call to-morrow at four." The soft hand slipped away
  And left his palm lonely.
                "The call must be brief,"
  He said to himself, with a sense of relief,
  As he ran down the steps, "for at five my train goes."
  Yet the five o'clock train bore no Roger Montrose
  From New York.  Mrs. Travers had asked him to dine.
  A tete-a-tete dinner with beauty and wine,
  To stir the man's senses and deaden his brain.
  (The devil keeps always good chefs in his train.)
  It was ten when he rose for departure.  The room
  Seemed a garden of midsummer fragrance and bloom.
  The lights with their soft rosy coverings made
  A glow like late sunsets, in some tropic glade.
  The world seemed afar, with its dullness and duty,
  And life was a rapture of love and of beauty.
  God knows how it happened; they never knew how.
  He turned with a formal conventional bow,
  And some well chosen words of politeness, to go.
  Her mouth was a rose Love had dropped in the snow
  Of her face.  It smiled up to him, luscious and sweet.
  In the tip of each finger he felt his heart beat,
  Like five hearts all in one, as her hand touched his own.
  She murmured "good-night," in a tremulous tone.
  White, intense, through the soft golden mist which the wine
  Had cast over his vision, he saw her face shine.
  Her low lidded eyes held a lion-like glow.
  You have seen sudden storms lash the ocean?  You know
  How the cyclone, unheralded, rises in wrath,
  And leaves devastation and death in its path?
  So swift, sudden passion may rise in its power,
  And ruin and blight a whole life in an hour.
  Two unanchored souls in its maelstrom were whirled,
  Drawn down by love's undertow, lost to the world.
  The dark, solemn billows of night shut them in.
  Like corpses afloat on the ocean of sin
  They must seem to their true, better selves, when again
  The tide drifts them back to the notice of men.
 
  _Forget me, dear; forget and cease to love me,
    I am not worth one memory, kind or true,
  Let silent, pale Oblivion spread above me
    Her winding sheet, for I am dead to you.
                Forget, forget._
  _Sin has resumed its interrupted story;
    I am enslaved, who dreamed of being free.
  Say for my soul, in life's dark purgatory,
    One little prayer, then cease to think of me.
                Forget, forget._
  _I ask you not to pity or to pardon;
    I ask you to forget me.  Tear my name
  From out your heart; the wound will heal and harden.
    Death does not dig so deep a grave as shame.
                Forget, forget._ _ 
                 
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