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Debts of Honor, a novel by Maurus Jokai |
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Chapter 16. That Ring |
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_ CHAPTER XVI. THAT RING The tenth year came: it was already on the wane. And Lorand began to be indifferent to the prescribed fatal hour. He was in love. This one thought drove all others from his mind. Weariness of life, atheism, misanthropy,--all disappeared from his path like will-o'-the-wisps before the rays of the sun. And Melanie liked the young fellow in return. She had no strong passions, and was a prudent girl, yet she confessed to herself that this young man pleased her. His features were noble, his manner gentle, his position secure enough to enable him to keep a wife. Many a time did she walk with Lorand under the shade of the beautiful sycamores, while Czipra sat alone beside her "czimbalom" and thrashed out the old souvenirs of the plain,--alone. Lorand found it no difficult task to remark that Melanie gladly frequented the spots he chose, and listened cheerfully to the little confessions of a sympathetic heart. Yet he was himself always reserved.--And that ring was always there on her finger. If only that magic band might drop down from there! Two years had already passed since her father's death had thrown her into mourning; she had long since taken off black dresses; nor could she complain against "the bread of orphanhood." For Topandy supplied her with all that a woman holds dear, just as if she had been his own child. One afternoon Lorand found courage enough to take hold of Melanie's hand. They were standing on a bridge that spanned the brook which was winding through the park, and, leaning upon its railing, were gazing at the flowers floating on the water--or perhaps at each other's reflection in the watery mirror. Lorand grasped Melanie's hand and asked: "Why are you always so sad? Whither do those everlasting sighs fly?" Melanie looked into the youth's face with her large, bright eyes, and knew from his every feature that heart had dictated that question to heart. "You see, I have enough reason for being sad in that no one has ever asked me that question; and that had someone asked me I could never have answered it." "Perhaps the question is forbidden?" "I have allowed him, whom I allowed to remark that I have a grief, also to ask me the reason of it. You see, I have a mother, and yet I have none." The girl here turned half aside. Lorand understood her well:--but that was just the subject about which he desired to know more; why, his own fate was bound up with it. "What do you mean, Melanie?" "If I tell you that, you will discover that I can have no secret any more in this world from you." Lorand said not a word, but put his two hands together with a look of entreaty. "About ten years have passed since mother left home one evening, never to return again. Public talk connected her departure with the disappearance of a young man, who lived with us, and who, on account of some political crime, was obliged to fly the same evening." "His name?" inquired Lorand. "Lorand Aronffy, a distant relation of ours. He was considered very handsome." "And since then you have heard no news of your mother?" "Never a word. I believe she is somewhere in Germany under a false name, as an actress, and is seeking the world, in order to hide herself from the world." "And what became of the young man? She is no longer with him?" "As far as I know he went away to the East Indies, and from thence wrote to his brother Desiderius, leaving him his whole fortune--since that time he has never written any news of himself. Probably he is dead." Lorand breathed freely again. Nothing was known of him. People thought he had gone to India. "In a few weeks will come again the anniversary of that unfortunate day on which I lost my mother, my mother who is still living: and that day always approaches me veiled: feelings of sorrow, shame, and loneliness involuntarily oppress my spirit. You now know my most awful secret, and you will not condemn me for it?" Lorand gently drew her delicate little hand towards his lips, and kissed its rosy finger-tips, while all the time he fixed his eyes entreatingly on that ring which was on one of her fingers. Melanie understood the inquiry which had been so warmly expressed in that eloquent look. "You ask me, do you not, whether I have not some even more awful secret?" Lorand tacitly answered in the affirmative. Melanie drew the ring off her finger and held it up in her hand. "It is true--but it is for me no longer a living secret. I am already dead to the person to whom this secret once bound me. When he asked my hand, I was still rich, my father was a man of powerful influence. Now I am poor, an orphan and alone. Such rings are usually forgotten." At that moment the ring fell out of her hand and missing the bridge dropped into the water, disappearing among the leaves of the water-lilies. "Shall I get it out?" inquired Lorand. Melanie gazed at him, as if in reverie, and said: "Leave it there...." Lorand, beside himself with happiness, pressed to his lips the beautiful hand left in his possession, and showered hot kisses, first on the hand, then on its owner. From the blossoming trees flowers fluttered down upon their heads, and they returned with wreathed brows like bride and bridegroom. Lorand spoke that day with Topandy, asking him whether a long time would be required to build the steward's house, which had so long been planned. "Oho!" said Topandy, smiling, "I understand. It may so happen that the steward will marry, and then he must have a separate lodging where he may take his wife. It will be ready in three weeks." Lorand was quite happy. He saw his love reciprocated, and his life freed from its dark horror. Melanie had not merely convinced him that in him she recognized Lorand Aronffy no more, but also calmed him by the assurance that everyone believed the Lorand Aronffy of yore to be long dead and done for: no one cared about him any longer; his brother had taken his property, with the one reservation that he always sent him secretly a due portion of the income. Besides that one person, no one knew anything. And he would be silent for ever, when he knew that upon his further silence depended his brother's life. Love had stolen the steely strength of Lorand's mind away. He had become quite reconciled to the idea that to keep an engagement, which bound anyone to violate the laws of God, of man, and of nature, was mere folly. Who could accuse him to his face if he did not keep it? Who could recognize him again? In this position, with this face, under this name,--was he not born again? Was that not a quite different man whose life he was now leading? Had he not already ended that life which he had played away _then_? He would be a fool who carried his feeling of honor to such extremes in relations with dishonorable men; and, finally, if there were the man who would say "it is a crime," was there no God to say "it was virtue?" He found a strong fortress for this self-defence in the walls of their family vault, in the interior of which his grandmother had uttered such an awful curse against the last inhabitant. Why, that implied an obligation upon him too. And this obligation was also strong. Two opposing obligations neutralize each other. It was his duty rather to fulfil that which he owed to a parent, than that which he owed to his murderer. These are all fine sophisms. Lorand sought in them the means of escape. And then in those beautiful eyes. Could he, on whom those two stars smiled, die? Could he wish for annihilation, at the very gate of Heaven? And he found no small joy in the thought that he was to take that Heaven away from the opponent, who would love to bury him down in the cold earth. Lorand began to yield himself to his fate. He desired to live. He began to suspect that there was some happiness in the world. Calm, secret happiness, only known to those two beings who have given it to each other by mutual exchange. We often see this phenomenon in life. A handsome cavalier, who was the lion of society, disappears from the perfumed drawing-room world, and years after can scarcely be recognized in the country farmer, with his rough appearance and shabby coat. A happy family life has wrought this change in him. It is not possible that this same happy feeling which could produce that out of the brilliant, buttoned dress-coat, could let down the young man's pride of character, and give him in its stead an easy-going, wide and water-proof work-a-day blouse, could give him towards the world indifference and want of interest? Let his opponent cry from end to end of the country with mocking guffaws that Lorand Aronffy is no cavalier, no gentleman; the smile of his wife will be compensation for his lost pride. Now the only thing he required was the eternal silence of the one man, who was permitted to know of his whereabouts, his brother. Should he make everything known to him?--give entirely into his hands the duel he had accepted, his marriage and the power that held sway over his life, that he might keep off the threatening terror which had hitherto kept him far from brother and parents? It was a matter that must be well considered and reflected upon. Lorand became very meditative some days later. Once after dinner Czipra grasped his hand and said playfully: "You are thinking very deeply about something. You are pale. Come, I will tell you your fortune." "My fortune?" "Of course: I shall read the cards for you: you know
Czipra was delighted to be able to see Lorand once more alone in her strange room. She made him sit down on the velvet camp-stool, took her place on the tiger-skin and drew her cards from her pocket. For two years she had always had them by her. They were her sole counsellors, friends, science, faith, worship--the sooth-saying cards. A person, especially a woman, must believe something! At first she shuffled the cards, then, placing them on her hand offered them to Lorand. "Here they are, cut them: the one, whose future is being told, must cut. Not with the left hand, that is not good. With the right hand, towards you." Lorand did so, to please her. Czipra piled the cards in packs before her. Then, resting her elbows on her knees and laying her beautiful sun-goldened face upon her hand she very carefully examined the well-known picture-cards. The knave of hearts came just in the middle. "Some journey is before you," the gypsy girl began to explain, with a serious face. "You will meet the mourning woman. Great delight. The queen of hearts is in the same row:--well met. But the queen of jealousy[68] and the murderer[68] stand between them and separate them. The dog[68] means faithfulness, the cat[68] slyness. The queen of melancholy stands beside the dog.--Take care of yourself, for some woman, who is angered, wishes to kill you."
She too replied tacitly. She pressed three fingers to her bosom, and silently intimated that she was not "that" girl. The yellow-robed woman, the queen of jealousy in the cards, was some one else. She placed her pointing fingers to the green-robed--that queen of melancholy. And Lorand remarked that Czipra had long been wearing a green robe, like the green-robed lady in the fortune-telling cards. Czipra suddenly mixed the cards together: "Let us try once more. Cut three times in succession. That is right." She placed the cards out again in packs. Lorand noticed that as the cards came side by side, Czipra's face suddenly flushed; her eyes began to blaze with unwonted fire. "See, the queen of melancholy is just beside you, on the far side the murderer. The queen of jealousy and the queen of hearts are in the opposite corner. On the other side the old lady. Above your head a burning house. Beware of some great misfortune. Some one wishes to cause you great sorrow, but some one will defend you." Lorand did not wish to embitter the poor girl by laughing in her face at her simplicity. "Get up now, Czipra, enough of this play." Czipra gathered the cards up sadly. But she did not accept Lorand's proffered hand, she rose alone. "Well, what shall I do, when I don't understand anything else?" "Come, play my favorite air for me on the czimbalom. It is such a long time since I heard it." Czipra was accustomed to acquiesce: she immediately took her seat beside her instrument, and began to beat out upon it that lowland reverie, of which so many had wonderingly said that a poet's and an artist's soul had blended therein. At the sound of music Topandy and Melanie came in from the adjoining rooms. Melanie stood behind Czipra; Topandy drew a chair beside her, and smoked furiously. Czipra struck the responsive strings and meantime remarked that Lorand all the while fixed his eyes in happy rapture upon the place where she sat; though not upon her face, but beyond, above, upon the face of that girl standing behind her. Suddenly the czimbalom-sticks fell from her hand. She covered her face with her two hands and said panting: "Ah--this pipe-smoke is killing me." For answer Topandy blew a long mouthful playfully into the girl's face.--She must accustom herself to it: and then he hinted to Lorand that they should leave that room and go where unlimited freedom ruled. But Czipra began to put the strings of the czimbalom out of tune with her tuning-key. "Why did you do that?" inquired Melanie. "Because I shall never play on this instrument again." "Why not?" "You will see it will be so: the cards always foretell a coffin for me; if you do not believe me, come and see for yourself." Therewith she spread the cards again out on the table, and in sad triumph pointed to the picture portrayed by the cards. "See, now the coffin is here under the girl in green." "Why, that is not you," said Melanie, half jestingly, half encouragingly, "but you are here." And she pointed with her hand to the queen of hearts. But Czipra--saw something other than what had been shown her. She suddenly seized Melanie's tender wrist with her iron-strong right hand, and pointed with her ill-foreboding first finger to that still whiter blank circle remaining on the white finger of her white hand. "Where has _that_ ring gone to?" Melanie's face flushed deeply at these words, while Czipra's turned deathly pale. The black depths of hell were to be seen in the gypsy girl's wide-opened eyes. _ |
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