Home
Fictions/Novels
Short Stories
Poems
Essays
Plays
Nonfictions
 
Authors
All Titles
 






In Association with Amazon.com

Home > Authors Index > Robert Louis Stevenson > Pocket R.L.S., Being Favourite Passages from the Works of Stevenson > This page

The Pocket R.L.S., Being Favourite Passages from the Works of Stevenson, a fiction by Robert Louis Stevenson

SELECTED PASSAGES (Cont. 4)

< Previous
Table of content
________________________________________________
_ A certain sort of talent is almost indispensable for people who would spend years together and not bore themselves to death. But the talent, like the agreement, must be for and about life. To dwell happily together,. they should be versed in the niceties of the heart, and born with a faculty for willing compromise. The woman must be talented as a woman, and it will not much matter although she is talented in nothing else. She must know HER METIER DE FEMME, and have a fine touch for the affections. And it is more important that a person should be a good gossip, and talk pleasantly and smartly of common friends and the thousand and one nothings of the day and hour, than that she should speak with the tongues of men and angels; for a while together by the fire happens more frequently in marriage than the presence of a distinguished foreigner to dinner.... You could read Kant by yourself, if you wanted; but you must share a joke with some one else. You can forgive people who do not follow you through a philosophical disquisition; but to find your wife laughing when you had tears in your eyes, or staring when you were in a fit of laughter, would go some way towards a dissolution of the marriage.

*

Now this is where there should be community between man and wife. They should be agreed on their catchword in FACTS OF RELIGION, OR FACTS OF SCIENCE, OR SOCIETY, MY DEAR; for without such an agreement all intercourse is a painful strain upon the mind.... For there are differences which no habit nor affection can reconcile, and the Bohemian must not intermarry with the Pharisee. Imagine Consuelo as Mrs. Samuel Budgett, the wife of the successful merchant! The best of men and the best of women may sometimes live together all their lives, and, for want of some consent on fundamental questions, hold each other lost spirits to the end.

*

Marriage is of so much use to women, opens out to her so much more of life, and puts her in the way of so much more freedom and usefulness, that, whether she marry ill or well, she can hardly miss some benefit. It is true, however, that some of the merriest and most genuine of women are old maids; and that those old maids, and wives who are unhappily married, have often most of the true motherly touch.

*

The fact is, we are much more afraid of life than our ancestors, and cannot find it in our hearts either to marry or not to marry. Marriage is terrifying, but so is a cold and forlorn old age. People who share a cell in the Bastile, or are thrown together on an uninhabited isle, if they do not immediately fall to fisticuffs, will find some possible ground of compromise. They will learn each other's ways and humours, so as to know where they must go warily, and where they may lean their whole weight. The discretion of the first years becomes the settled habit of the last; and so, with wisdom and patience, two lives may grow indissolubly into one.

*

'Well, an ye like maids so little, y'are true natural man; for God made them twain by intention, and brought true love into the world, to be man's hope and woman's comfort.'

*

There are no persons so far away as those who are both married and estranged, so that they seem out of earshot, or to have no common tongue.

*

My idea of man's chief end was to enrich the world with things of beauty, and have a fairly good time myself while doing so.

*

But the gymnast is not my favourite; he has little or no tincture of the artist in his composition; his soul is small and pedestrian, for the most part, since his profession makes no call upon it, and does not accustom him to high ideas. But if a man is only so much of an actor that he can stumble through a farce, he is made free of a new order of thoughts. He has something else to think about beside the money-box. He has a pride of his own, and, what is of far more importance, he has an aim before him that he can never quite attain. He has gone upon a pilgrimage that will last him his life long, because there is no end to it short of perfection. He will better himself a little day by day; or, even if he has given up the attempt, he will always remember that once upon a time he had conceived this high ideal, that once upon a time he fell in love with a star. 'Tis better to have loved and lost.' Although the moon should have nothing to say to Endymion, although he should settle down with Audrey and feed pigs, do you not think he would move with a better grace and cherish higher thoughts to the end? The louts he meets at church never had a fancy above Audrey's snood; but there is a reminiscence in Endymion's heart that, like a spice, keeps it fresh and haughty.

People do things, and suffer martyrdom, because they have an inclination that way. The best artist is not the man who fixes his eye on posterity, but the one who loves the practice of his art. And instead of having a taste for being successful merchants and retiring at thirty, some people have a taste for high and what we call heroic forms of excitement.

*

These are predestined; if a man love the labour of any trade, apart from any question of success or fame, the gods have called him.

*

The incommunicable thrill of things, that is the tuning- fork by which we test the flatness of our art. Here it is that Nature teaches and condemns, and still spurs us up to further effort and new failure.

*

To please is to serve; and so far from its being difficult to instruct while you amuse, it is difficult to do the one thoroughly without the other.

*

We shall never learn the affinities of beauty, for they lie too deep in nature and too far back in the mysterious history of man.

*

Mirth, lyric mirth, and a vivacious contentment are of the very essence of the better kind of art.

*

This is the particular crown and triumph of the artist--not to be true merely, but to be lovable; not simply to convince, but to enchant.

*

Life is hard enough for poor mortals, without having it indefinitely embittered for them by bad art.

*

So that the first duty of any man who is to write is intellectual. Designedly or not, he has so far set himself up for a leader in the minds of men; and he must see that his own mind is kept supple, charitable, and bright. Everything but prejudice should find a voice through him; he should see the good in all things; where he has even a fear that he does not wholly understand, there he should be wholly silent; and he should recognise from the first that he has only one tool in his workshop, and that tool is sympathy.

*

Through no art beside the art of words can the kindness of a man's affections be expressed. In the cuts you shall find faithfully paraded the quaintness and the power, the triviality and the surprising freshness of the author's fancy; there you shall find him outstripped in ready symbolism and the art of bringing things essentially invisible before the eyes: but to feel the contact of essential goodness, to be made in love with piety, the book must be read and not the prints examined.

*

And then I had an idea for John Silver from which I promised myself funds of entertainment: to take an admired friend of mine (whom the reader very likely knows and admires as much as I do), to deprive him of all his finer qualities and higher graces of temperament, to leave him with nothing but his strength, his courage, his quickness, and his magnificent geniality, and to try to express these in terms of the culture of a raw tarpaulin, such physical surgery is, I think, a common way of 'making character'; perhaps it is, indeed, the only way. We can put in the quaint figure that spoke a hundred words with us yesterday by the wayside; but do we know him? Our friend with his infinite variety and flexibility, we know-but can we put him in? Upon the first, we must engraft secondary and imaginary qualities, possibly all wrong; from the second, knife in hand, we must cut away and deduct the needless arborescence of his nature, but the trunk and the few branches that remain we may at least be fairly sure of.

*

In anything fit to be called by the name of reading, the process itself should be absorbing and voluptuous; we should gloat over a book, be rapt clean out of ourselves, and rise from the perusal, our mind filled with the busiest, kaleidoscopic dance of images, incapable of sleep or of continuous thought. The words, if the book be eloquent, should run thenceforward in our ears like the noise of breakers, and the story, if it be a story, repeat itself in a thousand coloured pictures to the eye.

*

The obvious is not of necessity the normal; fashion rules and deforms; the majority fall tamely into the contemporary shape, and thus attain, in the eyes of the true observer, only a higher power of insignificance; and the danger is lest, in seeking to draw the normal, a man should draw the null, and write the novel of society instead of the romance of man.

*

There is a kind of gaping admiration that would fain roll Shakespeare and Bacon into one, to have a bigger thing to gape at; and a class of men who cannot edit one author without disparaging all others.

*

Style is the invariable mark of any master; and for the student who does not aspire so high as to be numbered with the giants, it is still the one quality in which he may improve himself at will. Passion, wisdom, creative force, the power of mystery or colour, are allotted in the hour of birth, and can be neither learned nor stimulated. But the just and dexterous use of what qualities we have, the proportion of one part to another and to the whole, the elision of the useless, the accentuation of the important, and the preservation of a uniform character end to end-- these, which taken together constitute technical perfection, are to some degree within the reach of industry and intellectual courage.

*

The love of words and not a desire to publish new discoveries, the love, of form and not a novel reading of historical events, mark the vocation of the writer and the painter.

*

The life of the apprentice to any art is both unstrained and pleasing; it is strewn with small successes in the midst of a career of failure, patiently supported; the heaviest scholar is conscious of a certain progress; and if he come not appreciably nearer to the art of Shakespeare, grows letter-perfect in the domain of A-B, ab.

*

The fortune of a tale lies not alone in the skill of him that writes, but as much, perhaps, in the inherited experience of him who reads; and when I hear with a particular thrill of things that I have never done or seen, it is one of that innumerable army of my ancestors rejoicing in past deeds. Thus novels begin to touch not the fine DILETTANTI but the gross mass of mankind, when they leave off to speak of parlours and shades of manner and still-born niceties of motive, and begin to deal with fighting, sailoring, adventure, death or childbirth; and thus ancient outdoor crafts and occupations, whether Mr. Hardy wields the shepherd's crook or Count Tolstoi swings the scythe, lift romance into a near neighbourhood with epic. These aged things have on them the dew of man's morning; they lie near, not so much to us, the semi- artificial flowerets, as to the trunk and aboriginal taproot of the race. A thousand interests spring up in the process of the ages, and a thousand perish; that is now an eccentricity or a lost art which was once the fashion of an empire; and those only are perennial matters that rouse us to-day, and that roused men in all epochs of the past.

*

L'ART DE BIEN DIRE is but a drawing-room accomplishment unless it be pressed into the service of the truth. The difficulty of literature is not to write, but to write what you mean; not to affect your reader, but to affect him precisely as you wish. This is commonly understood in the case of books or set orations; even in making your will, or writing an explicit letter, some difficulty is admitted by the world. But one thing you can never make Philistine natures understand; one thing, which yet lies on the surface, remains as unseizable to their wits as a high flight of metaphysics-namely, that the business of life is mainly carried on by means of this difficult art of literature, and according to a man's proficiency in that art shall be the freedom and fulness of his intercourse with other men. Anybody, it is supposed, can say what he means; and, in spite of their notorious experience to the contrary, people so continue to suppose.

*

Even women, who understand men so well for practical purposes, do not know them well enough for the purposes of art. Take even the very best of their male creations, take Tito Melema, for instance, and you will find he has an equivocal air, and every now and again remembers he has a comb in the back of his head. Of course, no woman will believe this, and many men will be so polite as to humour their incredulity.

*

A dogma learned is only a new error--the old one was perhaps as good; but a spirit communicated is a perpetual possession. These best teachers climb beyond teaching to the plane of art; it is themselves, and what is best in themselves, that they communicate.

*

In this world of imperfections we gladly welcome even partial intimacies. And if we find but one to whom we can speak out our heart freely, with whom we can walk in love and simplicity without dissimulation, we have no ground of quarrel with the world or God.

*

But we are all travellers in what John Bunyan calls the wilderness of this world-all, too, travellers with a donkey; and the best that we find in our travels is an honest friend. He is a fortunate voyager who finds many. We travel, indeed, to find them. They are the end and the reward of life. They keep us worthy of. ourselves; and when we are alone, we are only nearer to the absent.

*

We are all INCOMPRIS, only more or less concerned for the mischance; all trying wrongly to do right; all fawning at each other's feet like dumb, neglected lap-dogs. Sometimes we catch an eye-this is our opportunity in the ages-and we wag our tail with a poor smile. 'IS THAT ALL?' All? If you only knew! But how can they know? They do not love us; the more fools we to squander life on the indifferent. But the morality of the thing, you will be glad to hear, is excellent; for it is only by trying to understand others that we can get our own hearts understood; and in matters of human feeling the clement judge is the most successful pleader.

*

There is no friendship so noble, but it is the product of the time; and a world of little finical observances, and little frail proprieties and fashions of the hour, go to make or to mar, to stint or to perfect, the union of spirits the most loving and the most intolerant of such interference. The trick of the country and the age steps in even between the mother and her child, counts out their caresses upon niggardly fingers, and says, in the voice of authority, that this one thing shall be a matter of confidence between them, and this other thing shall not.

*

There is not anything more bitter than to lose a fancied friend.

*

The habitual liar may be a very honest fellow, and live truly with his wife and friends; while another man who never told a formal falsehood in his life may yet be himself one lie-heart and face, from top to bottom. This is the kind of lie which poisons intimacy. And, vice versa, veracity to sentiment, truth in a relation, truth to your own heart and your friends, never to feign or falsify emotion -that is the truth which makes love possible and mankind happy.

*

But surely it is no very extravagant opinion that it is better to give than to receive, to serve than to use our companions; and, above all, where there is no question of service upon either side, that it is good to enjoy their company like a natural man.

*

A man who has a few friends, or one who has a dozen (if there be any one so wealthy on this earth), cannot forget on how precarious a base his happiness reposes; and how by a stroke or two of fate--a death, a few light words, a piece of stamped paper, or a woman's bright eyes--he may be left in a month destitute of all.

*

In these near intimacies, we are ninety-nine times disappointed in our beggarly selves for once that we are disappointed in our friend; that it is we who seem most frequently undeserving of the love that unites us; and that it is by our friend's conduct that we are continually rebuked and yet strengthened for a fresh endeavour.

*

'There are some pains,' said he, 'too acute for consolation, or I would bring them to my kind consoler.'

*

But there are duties which come before gratitude and offences which justly divide friends, far more acquaintances.

*

Life, though largely, is not entirely carried on by literature. We are subject to physical passions and contortions; the voice breaks and changes, and speaks by unconscious and winning inflections; we have legible countenances, like an open book; things that cannot be said look eloquently through the eyes; and the soul, not locked into the body as a dungeon, dwells ever on the threshold with appealing signals. Groans and tears, looks and gestures, a flush or a paleness, are often the most clear reporters of the heart, and speak more directly to the hearts of others.

*

We are different with different friends; yet if we look closely we shall find that every such relation reposes on some particular apotheosis of oneself; with each friend, although we could not distinguish it in words from any other, we have at least one special reputation to preserve: and it is thus that we run, when mortified, to our friend or the woman that we love, not to hear ourselves called better, but to be better men in point of fact. We seek this society to flatter ourselves with our own good conduct. And hence any falsehood in the relation, any incomplete or perverted understanding, will spoil even the pleasure of these visits.

But it follows that since they are neither of them so good as the other hopes, and each is, in a very honest manner, playing a part above his powers, such an intercourse must often be disappointing to both.

*

It is the mark of a modest man to accept his friendly circle ready-made from the hands of opportunity; and that was the lawyer's way. His friends were those of his own blood, or those whom he had known the longest; his affections, like ivy, were the growth of time, they implied no aptness in the object.

*

Of those who are to act influentially on their fellows, we should expect always something large and public in their way of life, something more or less urbane and comprehensive in their sentiment for others. We should not expect to see them spend their sympathy in idyls, however beautiful. We should not seek them among those who, if they have but a wife to their bosom, ask no more of womankind, just as they ask no more of their own sex, if they can find a friend or two for their immediate need. They will be quick to feel all the pleasures of our association-not the great ones alone, but all. They will know not love only, but all those other ways in which man and woman mutually make each other happy-by sympathy, by admiration, by the atmosphere they bear about them-down to the mere impersonal pleasure of passing happy faces in the street. For, through all this gradation, the difference of sex makes itself pleasurably felt. Down to the most lukewarm courtesies of life, there is a special chivalry due and a special pleasure received, when the two sexes are brought ever so lightly into contact. We love our mothers otherwise than we love our fathers; a sister is not as a brother to us; and friendship between man and woman, be it never so unalloyed and innocent, is not the same as friendship between man and man. Such friendship is not even possible for all. To conjoin tenderness for a woman that is not far short of passionate with such disinterestedness and beautiful gratuity of affection as there is between friends of the same sex, requires no ordinary disposition in the man. For either it would presuppose quite womanly delicacy of perception, and, as it were, a curiosity in shades of differing sentiment; or it would mean that he had accepted the large, simple divisions of society: a strong and positive spirit robustly virtuous, who has chosen a better part coarsely, and holds to it steadfastly, with all its consequences of pain to himself and others; as one who should go straight before him on a journey, neither tempted by wayside flowers nor very scrupulous of small lives under foot.

*

I could have thought he had been eaves-dropping at the doors of my heart, so entire was the coincidence between his writing and my thought.

*

A knowledge that another has felt as we have felt, and seen things, even as they are little things, not much otherwise than we have seen them, will continue to the end to be one of life's choicest pleasures.

*

The morning drum-call on my eager ear
Thrills unforgotten yet; the morning dew
Lies yet undried along my field of noon.
But now I pause at whiles in what I do,
And count the bell, and tremble lest I hear
(My work untrimmed) the sunset gun too soon.

*

The ground of all youth's suffering, solitude, hysteria, and haunting of the grave, is nothing else than naked, ignorant selfishness. It is himself that he sees dead; those are his virtues that are forgotten; his is the vague epitaph. Pity him but the more, if pity be your cue; for where a man is all pride, vanity, and personal aspiration, he goes through fire unshielded. In every part and corner of our life, to lose oneself is to be gainer; to forget oneself is to be happy; and this poor, laughable, and tragic fool has not yet learned the rudiments; himself, giant Prometheus, is still ironed on the peaks of Caucasus. But by and by his truant interests will leave that tortured body, slip abroad and gather flowers. Then shall death appear before him in an altered guise; no longer as a doom peculiar to himself, whether fate's crowning injustice or his own last vengeance upon those who fail to value him; but now as a power that wounds him far more tenderly, not without solemn compensations, taking and giving, bereaving and yet storing up.

*

The interests of youth are rarely frank; his passions, like Noah's dove, come home to roost. The fire, sensibility, and volume of his own nature, that is all that he has learned to recognise. The tumultuary and gray tide of life, the empire of routine, the unrejoicing faces of his elders, fill him with contemptuous surprise; there also he seems to walk among the tombs of spirits; and it is only in the course of years, and after much rubbing with his fellow-men, that he begins by glimpses to see himself from without and his fellows from within: to know his own for one among the thousand undenoted countenances of the city street, and to divine in others the throb of human agony and hope. In the meantime he will avoid the hospital doors, the pale faces, the cripple, the sweet whiff of chloroform-for there, on the most thoughtless, the pains of others are burned home; but he will continue to walk, in a divine self-pity, the aisles of the forgotten graveyard. The length of man's life, which is endless to the brave and busy, is scorned by his ambitious thought. He cannot bear to have come for so little, and to go again so wholly. He cannot bear, above all, in that brief scene, to be still idle, and by way of cure, neglects the little that he has to do. The parable of the talent is the brief, epitome of youth. To believe in immortality is one thing, but it is first needful to believe in life. Denunciatory preachers seem not to suspect that they may be taken gravely and in evil part; that young men may come to think of time as of a moment, and with the pride of Satan wave back the inadequate gift. Yet here is a true peril; this it is that sets them to pace the graveyard alleys and to read, with strange extremes of pity and derision, the memorials of the dead.

Books were the proper remedy: books of vivid human import, forcing upon their minds the issues, pleasures, busyness, importance, and immediacy of that life in which they stand; books of smiling or heroic temper, to excite or to console; books of a large design, shadowing the complexity of that game of consequences to which we all sit down, the hanger- back not least. But the average sermon flees the point, disporting itself in that eternity of which we know, and need to know, so little; avoiding the bright, crowded, and momentous fields of life where destiny awaits us.

*

And so in the majority of cases, a man who fancies himself dying will get cold comfort from the very youthful view expressed in this essay. He, as a living man, has some to help, some to love, some to correct; it may be some to punish. These duties cling, not upon humanity, but upon the man himself. It is he, not another, who is one woman's son and a second woman's husband, and a third woman's father. That life which began so small has now grown, with a myriad filaments, into the lives of others. It is not indispensable; another will take the place and shoulder the discharged responsibilities; but the better the man and the nobler his purposes, the more will he be tempted to regret the extinction of his powers and the deletion of his personality. To have lived a generation is not only to have grown at home in that perplexing medium, but to have assumed innumerable duties. To die at such an age has, for all but the entirely base, something of the air of a betrayal.

*

Even if death catch people, like an open pitfall, and in mid-career, laying out vast projects, and planning monstrous foundations, flushed with hope, and their mouths full of boastful language, they should be at once tripped up and silenced: is there not something brave and spirited in such a termination? and does not life go down with a better grace, foaming in full body over a precipice, than miserably straggling to an end in sandy deltas? When the Greeks made their fine saying that those whom the gods love die young, I cannot help believing they had this sort of death also in their eye. For, surely, at whatever age it overtake the man, this is to die young.

*

And so they were at last in 'their resting graves.' So long as men do their duty, even if it be greatly in a misapprehension, they will be leading pattern lives; and whether or not they come to lie beside a martyrs' monument, we may be sure they will find a safe haven somewhere in the providence of God. It is not well to think of death, unless we temper the thought with that of heroes who despised it. Upon what ground, is of small account; if it be only the bishop who was burned for his faith in the antipodes, his memory lightens the heart and makes us walk undisturbed among graves. And so the martyrs' monument is a wholesome spot in the field of the dead; and as we look upon it, a brave influence comes to us from the land of those who have won their discharge, and in another phrase of Patrick Walker's, got 'cleanly off the stage.'

*

It is not only our enemies, those desperate characters-it is we ourselves who know not what we do;-thence springs the glimmering hope that perhaps we do better than we think: that to scramble through this random business with hands reasonably clean, to have played the part of a man or woman with some reasonable fulness, to have often resisted the diabolic, and at the end to be still resisting it, is for the poor human soldier to have done right well.

*

We are not content to pass away entirely from the scenes of our delight; we would leave, if but in gratitude, a pillar and a legend.

*

There are many spiritual eyes that seem to spy upon our actions-eyes of the dead and the absent, whom we imagine to behold us in our most private hours, and whom we fear and scruple to offend: our witnesses and judges.

*

How unsubstantial is this projection of a man s existence, which can lie in abeyance for centuries and then be brushed up again and set forth for the consideration of posterity by a few dips in an antiquary's ink-pot! This precarious tenure of fame goes a long way to justify those (and they are not few) who prefer cakes and cream in the immediate present.

*

But I beard the voice of a woman singing some sad, old endless ballad not far off. It seemed to be about love and a BEL AMOUREUX, her handsome sweetheart; and I wished I could have taken up the strain and answered her, as I went on upon my invisible woodland way, weaving, like Pippa in the poem, my own thoughts with hers. What could I have told her? Little enough; and yet all the heart requires. How the world gives and takes away, and brings sweethearts near only to separate them again into distant and strange lands; but to love is the great amulet which makes the world a garden; and 'hope, which comes to all,' outwears the accidents of life, and reaches with tremulous hand beyond the grave and death. Easy to say: yea, but also, by God's mercy, both easy and grateful to believe!

*

As a matter of fact, although few things are spoken of with more fearful whisperings than this prospect of death, few have less influence on conduct under healthy circumstances.... If we clung as devotedly as some philosophers pretend we do to the abstract idea of life, or were half as frightened as they make out we are, for the subversive accident that ends it all, the trumpets might sound by the hour and no one would follow them into battle-- the blue-peter might fly at the truck, but who would climb into a sea-going ship? Think (if these philosophers were right) with what a preparation of spirit we should affront the daily peril of the dinner-table: a deadlier spot than any battle-field in history, where the far greater proportion of our ancestors have miserably left their bones! What woman would ever be lured into marriage, so much more dangerous than the wildest sea? And what would it be to grow old?

*

If a man knows he will sooner or later be robbed upon a journey, he will have a bottle of the best in every inn, and look upon all his extravagances as so much gained upon the thieves. And, above all, where, instead of simply spending, he makes a profitable investment for some of his money when it will be out of risk of loss. So every bit of brisk living, and, above all, when it is healthful, is just so much gained upon the wholesale filcher, death. We shall have the less in our pockets, the more in our stomachs, when he cries, 'Stand and deliver.'

*

It is better to lose health like a spendthrift than to waste it like a miser. It is better to live and be done with it, than to die daily in the sickroom. By all means begin your folio; even if the doctor does not give you a year, even if he hesitates about a month, make one brave push and see what can be accomplished in a week. It is not only in finished undertakings that we ought to honour useful labour. A spirit goes out of the man who means execution, which outlives the most untimely ending. All who have meant good work with their whole hearts, have done good work, although they may die before they have the time to sign it. Every heart that has beat strong and cheerfully has left a hopeful impulse behind it in the world, and bettered the tradition of mankind.

*

Now the man who has his heart on his sleeve, and a good whirling weathercock of a brain, who reckons his life as a thing to be dashingly used and cheerfully hazarded, makes a very different acquaintance of the world, keeps all his pulses going true and fast, and gathers impetus as he runs, until, if he be running towards anything better than wildfire, he may shoot up and become a constellation in the end.

*

When the time comes that he should go, there need be few illusions left about himself. Here lies one who meant well, tried a little, failed much:-surely that may be his epitaph, of which he need not be ashamed, nor will he complain at the summons which calls a defeated soldier from the field; defeated, ay, if he were Paul or Marcus Aurelius!--but if there is still one inch of fight in his old spirit, undishonoured. The faith which sustained him in his lifelong blindness and lifelong disappointment will scarce even be required in this last formality of laying down his arms. Give him a march with his old bones; there, out of the glorious sun-coloured earth, out of the day and the dust and the ecstasy-there goes another Faithful Failure.

*

We are apt to make so much of the tragedy of the tragedyof death, and think so little of the enduring tragedy of some men's lives, that we see more to lament for in a life cut off in the midst of usefulness and love, than in one that miserably survives all love and usefulness, and goes about the world the phantom of itself, without hope, or joy, or any consolation.

*

'You are a strange physician,' said Will, looking
steadfastly upon his guest.
'I am a natural law,' he replied, 'and people call
me Death.'
'Why did you not tell me so at first?' cried Will.
'I have been waiting for you these many years.
Give me your hand, and welcome.'

*

Under the wide and starry sky
Dig the grave and let me lie.
Glad did I live, and gladly die,
And I laid me down with a will.

This be the verse you grave for me:
Here he lies where he longed to be;
Home is the sailor, home from the sea,
And the hunter home from the hill.

*

But the girls picked up their skirts, as if they were sure they had good ankles, and followed until their breath was out. The last to weary were the three graces and a couple of companions; and just as they, too, had had enough, the foremost of the three leaped upon a tree-stump and kissed her hand to the canoeists. Not Diana herself, although this was more of a Venus, after all, could have done a graceful thing more gracefully. 'Come back again!' she cried; and all the others echoed her; and the hills about Origny repeated the words, 'Come back.' But the river had us round an angle in a twinkling, and we were alone with the green trees and running water.

Come back? There is no coming back, young ladies, on the impetuous stream of life.

'The merchant bows unto the seaman's star,
The plowman from the sun his season takes.'

And we must all set our pocket watches by the clock of fate. There is a headlong, forthright tide, that bears away man with his fancies like straw, and runs fast in time and space. It is full of curves like this, your winding river of the Oise; and lingers and returns in pleasant pastorals; and yet, rightly thought upon, never returns at all. For though it should revisit the same acre of meadow in the same hour, it will have made an ample sweep between- whiles; many little streams will have fallen in; many exhalations risen toward the sun; and even although it were the same acre, it will not be the same river Oise. And thus, oh graces of Origny, although the wandering fortune of my life should carry me back again to where you await death's whistle by the river, that will not be the old I who walks the streets; and those wives and mothers, say, will those be you?

*

THE CELESTIAL SURGEON

If I have faltered more or less
In my great task of happiness;
If I have moved among my race
And shown no glorious morning face;
If beams from happy human eyes
Have moved me not; if morning skies,
Books, and my food, and summer rain
Knocked on my sullen heart in vain
Lord, Thy most pointed pleasure take
And stab my spirit broad awake;
Or, Lord, if too obdurate I,
Choose Thou, before that spirit die,
A piercing pain, a killing sin,
And to my dead heart run them in!

*

Purge out of every heart the lurking grudge. Give us grace and strength to forbear and to persevere. Offenders, give us the grace to accept and to forgive offenders. Forgetful ourselves, help us to bear cheerfully the forgetfulness of others. Give us courage and gaiety and the quiet mind. Spare us to our friends, soften us to our enemies. Bless us, if it may be, in all our innocent endeavours. If it may not, give us the strength to encounter that which is to come, that we be brave in peril, constant in tribulation, temperate in wrath, and in all changes of fortune, and down to the gates of death, loyal and loving one to another.

* PRAYER AT MORNING

The day returns and brings us the petty round of irritating concerns and duties. Help us to play the man, help us to perform then with laughter and kind faces, let cheerfulness abound with industry. Give us to go blithely on our business all this day, bring us to our resting beds weary and content and undishonoured, and grant us in the end the gift of sleep.

*

PRAYER AT EVENING

Our guard is relieved, the service of the day is over, and the hour come to rest. We resign into Thy hands our sleeping bodies, our cold hearths and open doors. Give us to awake with smiles, give us to labour smiling. As the sun returns in the east, so let our patience be renewed with dawn; as the sun lightens the world, so let our loving-kindness make bright this house of our habitations.

*

Blind us to the offences of our beloved, cleanse them from our memories, take them out of our mouths for ever. Let all here before Thee carry and measure with the false balances of love, and be in their own eyes and in all conjunctures the most guilty. Help us at the same time with the grace of courage, that we be none of us cast down when we sit lamenting amid the ruins of our happiness or our integrity; touch us with fire from the altar, that we may be up and doing to rebuild our city.

*

We beseech Thee, Lord, to behold us with favour, folk of many families and nations gathered together in the peace of this roof, weak men and women subsisting under the covert of Thy patience. Be patient still; suffer us yet a while longer;-with our broken purposes of good, with our idle endeavours against evil, suffer us a while longer to endure, and (if it may be) help us to do better. Bless to us our extraordinary mercies; if the day come when these must be taken, brace us to play the man under affliction. Be with our friends, be with ourselves. Go with each of us to rest; if any awake, temper to them the dark hours of watching; and when the day returns, return to us, our sun and comforter, and call us up with morning faces and with morning hearts-eager to labour--eager to he happy, if happiness shall be our portion--and if the day be marked for sorrow, strong to endure it.


[THE END]
Robert Louis Stevenson's book: Pocket R.L.S., Being Favourite Passages from the Works of Stevenson _


Read previous: SELECTED PASSAGES (Cont. 3)

Table of content of Pocket R.L.S., Being Favourite Passages from the Works of Stevenson


GO TO TOP OF SCREEN

Post your review
Your review will be placed after the table of content of this book