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A short story by Cy Warman

In The Black Canon

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Title:     In The Black Canon
Author: Cy Warman [More Titles by Warman]

One Christmas, at least, will live long in the memory of the men and women who hung up their stockings at La Veta Hotel in Gunnison in 18--. Ah, those were the best days of Colorado. Then folks were brave and true to the traditions of Red Hoss Mountain, when "money flowed like liquor," and coal strikes didn't matter, for the people all had something to burn.

The Yankee proprietor of the dining-stations on this mountain line had made them as famous almost as the Harvey houses on the Santa Fe were; which praise is pardonable, since the Limited train with its cafe car has closed them all.

But the best of the bunch was La Veta, and the presiding genius was Nora O'Neal, the lady manager. Many an R. & W. excursionist reading this story will recall her smile, her great gray eyes, her heaps of dark brown hair, and the mountain trout that her tables held.

It will be remembered that at that time the main lines of the Rio Grande lay by the banks of the Gunnison, through the Black Canon, over Cerro Summit, and down the Uncompaghre and the Grande to Grand Junction, the gate of the Utah Desert.

John Cassidy was an express messenger whose run was over this route and whose heart and its secret were in the keeping of Nora O'Neal.

From day to day, from week to week, he had waited her answer, which was to come to him "by Christmas."

And now, as only two days remained, he dreaded it, as he had hoped and prayed for it since the aspen leaves began to gather their gold. He knew by the troubled look she wore when off her guard that Nora was thinking.

* * * * *

Most of the men who were gunning in Gunnison in the early 80's were fearless men, who, when a difference of opinion arose, faced each other and fought it out; but there had come to live at La Veta a thin, quiet, handsome fellow, who moved mysteriously in and out of the camp, slept a lot by day, and showed a fondness for faro by night. When a name was needed he signed "Buckingham." His icy hand was soft and white, and his clothes fitted him faultlessly. He was handsome, and when he paid his bill at the end of the fourth week he proposed to Nora O'Neal. He was so fairer, physically, than Cassidy and so darker, morally, that Nora could not make up her mind at all, at all.

In the shadow time, between sunset and gas-light, on the afternoon of the last day but one before Christmas, Buck, as he came to be called, leaned over the office counter and put a folded bit of white paper in Nora's hand, saying, as he closed her fingers over it: "Put this powder in Cassidy's cup." He knew Cassidy merely as the messenger whose freight he coveted, and not as a contestant for Nora's heart and hand,--a hand he prized, however, as he would a bob-tailed flush, but no more.

As for Cassidy, he would be glad, waking, to find himself alive; and if this plan miscarried, Buck should be able to side-step the gallows. Anyway, dope was preferable to death.

Nora opened her hand, and in utter amazement looked at the paper. Some one interrupted them. Buck turned away, and Nora shoved the powder down deep into her jacket pocket, feeling vaguely guilty.

No. 7, the Salt Lake Limited, was an hour late that night. The regular dinner (we called it supper then) was over when Shanley whistled in.

* * * * *

As the headlight of the Rockaway engine gleamed along the hotel windows, Nora went back to see that everything was ready.

In the narrow passage between the kitchen and the dining-room she met Buckingham. "What are you doing here?" she demanded.

"Now, my beauty," said Buck, laying a cold hand on her arm, "don't be excited."

She turned her honest eyes to him and he almost visibly shrank from them, as she had shuddered at the strange, cold touch of his hand.

"Put that powder in Cassidy's cup," he said, and in the half-light of the little hallway she saw his cruel smile.

"And kill Cassidy, the best friend I have on earth?"

"It will not kill him, but it may save his life. I shall be in his car to-night. Sabe? Do as I tell you. He will only fall asleep for a little while, otherwise--well, he may oversleep himself." She would have passed on, but he stayed her. "Where is it?" he demanded, with a meaning glance.

She touched her jacket pocket, and he released his hold on her arm.

The shuffle and scuffle of the feet of hungry travellers who were piling into the dining-room had disturbed them. Nora passed on to the rear, Buck out to sit down and dine with the passengers, who always had a shade the best of the bill.

From his favorite seat, facing the audience, he watched the trainmen tumbling into the alcove off the west wing, in one corner of which a couple of Pullman porters in blue and gold sat at a small table, feeding with their forks and behaving better than some of their white comrades behaved.

* * * * *

Cassidy came in a moment later, sat down, and looked over to see if his rival was in his accustomed place. The big messenger looked steadily at the other man, who had never guessed the messenger's secret, and the other man looked down.

Already his supper, steaming hot, stood before him, while the table-girl danced attendance for the tip she was always sure of at the finish. She studied his tastes and knew his wants, from rare roast down to the small, black coffee with which he invariably concluded his meal.

When Buck looked up again he saw Nora approach the table, smile at Cassidy, and put a cup of coffee down by his plate.

The trainmen were soon through with their supper, being notoriously rapid feeders,--which disastrous habit they acquire while on freight, when they are expected to eat dinner and do an hour's switching in twenty minutes.

Unusually early for him, Buck passed out. Nora purposely avoided him, but watched him from the unlighted little private office. She saw him light a cigar and stroll down the long platform. At the rear of the last Pullman he threw his cigar away and crossed quickly to the shadow side of the train. She saw him pass along, for there were no vestibules then, and made no doubt he was climbing into Cassidy's car. As the messenger reached for his change, the cashier-manager caught his hand, drew it across the counter, leaned toward him, saying excitedly: "Be careful to-night, John; don't fall asleep or nod for a moment. Oh, be careful!" she repeated, with ever-increasing intensity, her hot hand trembling on his great wrist; "be careful, come back safe, and you shall have your answer."

When Cassidy came back to earth he was surrounded by half a dozen good-natured passengers, men and women, who had come out of the dining-room during the ten or fifteen seconds he had spent in Paradise.

A swift glance at the faces about told him that they had seen, another at Nora that she was embarrassed; but in two ticks of the office clock he protected her, as he would his safe; for his work and time had trained him to be ready instantly for any emergency.

"Good-night, sister," he called cheerily, as he hurried toward the door.

"Good-night, John," said Nora, glancing up from the till, radiant with the excitement of her "sweet distress."

"Oh, by Jove!" said a man.

"Huh!" said a woman, and they looked like people who had just missed a boat.

With her face against the window, Nora watched the red lights on the rear of No. 7 swing out to the main line.

* * * * *

Closing the desk, she climbed to her room on the third floor and knelt by the window. Away out on the shrouded vale she saw the dark train creeping, a solid stream of fire flowing from the short stack of the "shotgun"; for Peasley was pounding her for all she was worth in an honest effort to make up the hour that Shanley had lost in the snowdrifts of Marshall Pass. Presently she heard the muffled roar of the train on a trestle, and a moment later saw the Salt Lake Limited swallowed by the Black Canon, in whose sunless gorges many a driver died before the scenery settled after having been disturbed by the builders of the road.

Over ahead in his quiet car Cassidy sat musing, smoking, and wondering why Nora should seem so anxious about him. Turning, he glanced about. Everything looked right, but the girl's anxiety bothered him.

Picking up a bundle of way-bills, he began checking up. The engine screamed for Sapinero, and a moment later he felt the list as they rounded Dead Man's Curve.

Unless they were flagged, the next stop would be at Cimarron, at the other end of the canon.

His work done, the messenger lighted his pipe, settled himself in his high-backed canvas camp-chair, and put his feet up on his box for a good smoke. He tried to think of a number of things that had nothing whatever to do with Nora, but somehow she invariably elbowed into his thoughts.

He leaned over and opened his box--not the strong-box, but the wooden, trunk-like box that holds the messenger's street-coat when he's on duty and his jumper when he's off. On the under side of the lifted lid he had fixed a large panel picture of Nora O'Neal.

* * * * *

Buckingham, peering over a piano-box, behind which he had hidden at Gunnison, saw and recognized the photograph; for the messenger's white light stood on the little safe near the picture. For half an hour he had been watching Cassidy, wondering why he did not fall asleep. He had seen Nora put the cup down with her own hand, to guard, as he thought, against the possibility of a mistake. What will a woman not dare and do for the man she loves? He sighed softly. He recalled now that he had always exercised a powerful influence over women,--that is, the few he had known,--but he was surprised that this consistent Catholic girl should be so "dead easy."

"And now look at this one hundred and ninety-eight pounds of egotism sitting here smiling on the likeness of the lady who has just dropped bug-dust in his coffee. It's positively funny."

Such were the half-whispered musings of the would-be robber.

He actually grew drowsy waiting for Cassidy to go to sleep. The car lurched on a sharp curve, dislodging some boxes. Buck felt a strange, tingling sensation in his fingers and toes. Presently he nodded.

Cassidy sat gazing on the pictured face that had hovered over him in all his dreams for months, and as he gazed, seemed to feel her living presence. He rose as if to greet her, but kept his eyes upon the picture.

Suddenly realizing that something was wrong in his end of the car, Buck stood up, gripping the top of the piano-box. The scream of the engine startled him. The car crashed over the switch-frog at Curecanti, and Curecanti's Needle stabbed the starry vault above. The car swayed strangely and the lights grew dim.

Suddenly the awful truth flashed through his bewildered brain.

"O-o-o-oh, the wench!" he hissed, pulling his guns.

* * * * *

Cassidy, absorbed in the photo, heard a door slam; and it came to him instantly that Nora had boarded the train at Gunnison, and that some one was showing her over to the head end. As he turned to meet her, he saw Buck staggering toward him, holding a murderous gun in each hand. Instantly he reached for his revolver, but a double flash from the guns of the enemy blinded him and put out the bracket-lamps. As the messenger sprang forward to find his foe, the desperado lunged against him. Cassidy grabbed him, lifted him bodily, and smashed him to the floor of the car; but with the amazing tenacity and wonderful agility of the trained gun-fighter, Buck managed to fire as he fell. The big bullet grazed the top of Cassidy's head, and he fell unconscious across the half-dead desperado.

Buck felt about for his gun, which had fallen from his hand; but already the "bug-dust" was getting in its work. Sighing heavily, he joined the messenger in a quiet sleep.

At Cimarron they broke the car open, revived the sleepers, restored the outlaw to the Ohio State Prison, from which he had escaped, and the messenger to Nora O'Neal.


[The end]
Cy Warman's short story: In The Black Canon

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