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An essay by Francis B. Pearson

Longevity

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Title:     Longevity
Author: Francis B. Pearson [More Titles by Pearson]

I'm quite in the notion of playing a practical joke on Atropos, and, perhaps, on Methuselah, while I'm about it. I'm not partial to Atropos at the best. She's such a reckless, uppish, heedless sort of tyrant. She rushes into huts, palaces, and even into the grand stand, and lays about her with her scissors, snipping off threads with the utmost abandon. She wields her shears without any sort of apology or by your leave. Not even a check-book can stay her ravages. Her devastation knows neither ruth nor gentleness. I don't like her, and have no compunction about playing a joke at her expense. I don't imagine it will daunt her, in the least, but I can have my fun, at any rate.

It is now just seven o'clock in the evening, and I shall not retire before ten o'clock at the earliest. So here are three good hours for me to dispose of; and I am the sole arbiter in the matter of disposing of them. My neighbor John has a cow, and he is applying the efficiency test to her. He charges her with every pound of corn, bran, fodder, and hay that she eats, and doctor's bills, too, I suppose, if there are any. Then he credits her with all the milk she furnishes. There is quite a book-account in her name, and John has a good time figuring out whether, judged by net results, she is a consumer or a producer. If I can resurrect sufficient mathematical lore, I think I shall try to apply this efficiency test to my three hours just to see if I can prove that hours are as important as cows. I ought to be able, somehow, to determine whether these hours are consumers or producers.

I read a book the other evening whose title is "Stories of Thrift for Young Americans," and it made me feel that I ought to apply the efficiency test to myself, and repeat the process every waking hour of the day. But, in order to do this, I must apply the test to these three hours. In my dreamy moods, I like to personify an Hour and spell it with a capital. I like to think of an hour as the singular of Houri which the Mohammedans call nymphs of paradise, because they were, or are, beautiful-eyed. My Hour then becomes a goddess walking through my life, and, as the poet says, et vera incessu patuit dea. If I show her that I appreciate her she comes again just after the clock strikes, in form even more winsome than before, and smiles upon me as only a goddess can. Once, in a sullen mood, I looked upon her as if she were a hag. When she returned she was a hag; and not till after I had done full penance did she become my beautiful goddess again.

A young man who had been spending the evening in the home of a neighbor complained that they did not play any games, and did nothing but talk. I could not ask what games he meant, fearing that I might smile in his face if he should say crokinole, tiddledy-winks, or button-button. Later on I learned that much of the talking was done that evening by a very cultivated man who has travelled widely and intelligently, and has a most engaging manner in his fluent discussions of art, literature, archaeology, architecture, places, and peoples. I was sorry to miss such an evening, and think I could forego tiddledywinks with a fair degree of amiability if, instead, I could hear such a man talk. I have seen people yawn in an art gallery. I fear to play tiddledywinks lest my hour may resume the guise of a hag. But that makes me think of Atropos again, and the joke I am planning to play on her. Still, I see that I shall not soon get around to that joke if I persist in these dim generalities, as a schoolmaster is so apt to do.

Well, as I was saying, these three hours are at my disposal, and I must decide what to do with them here and now. In deciding concerning hours I must sit in the judgment-seat whether I like it or not. Tomorrow evening I shall have other three hours to dispose of the same as these, and the next evening three others, and my decision to-night may be far-reaching. In six days I shall have eighteen such hours, and in fifty weeks nine hundred. I suppose that a generous estimate of a college year would be ten hours a day for one hundred and eighty days, or eighteen hundred hours in all. I am quite aware that some college boys will feel inclined to apply a liberal discount to this estimate, but I am not considering those fellows who try to do a month's work in the week of examination, and spend their fathers' money for coaching. Now, if eighteen hundred hours constitute a college year then my nine hundred hours are one-half a college year, and it makes a deal of difference what I do with these three hours.

If I had only started this joke on Atropos earlier and had applied these nine hundred hours on my college work, I could have graduated in three years instead of four, and that surely would have been in the line of efficiency. But in those days I was devoting more time and attention to Clotho than to Atropos. I would fain have ignored Lachesis altogether, but she made me painfully conscious of her presence, especially during the finals when, it seemed to me, she was unnecessarily diligent in her vocation. I could have dispensed with much of her torsion with great equanimity. I suppose that now I am trying to square accounts with her by playing this joke on her sister.

So I have decided that I shall read a play of Shakespeare to-night, another one to-morrow evening, and continue this until I have read all that he wrote. In the fifty weeks of the year I can easily do this and then reread some of them many times. I ought to be able to commit to memory several of the plays, too, and that would be good fun. If those chaps back yonder could recite the Koran word for word I shall certainly be able to learn equally well some of these plays. It would be worth while to recite "King Lear," "Macbeth," "Othello," "Hamlet," "The Tempest," and "As You Like It," the last week of the year just before I take my vacation of two weeks. If I can recite even these six plays in those six evenings I shall feel that I did well in deciding for Shakespeare instead of tiddledywinks.

Next year I shall read history, and that will be rare fun, too. In the nine hundred hours I shall certainly be able to read all of Fiske, Mommsen, Rhodes, Bancroft, McMaster, Channing, Bryce, Hart, Motley, Gibbon, and von Holst not to mention American statesmen. About the Ides of December I shall hold a levee and sit in state as the characters of history file by. I shall be able to call them all by name, to tell of the things they did and why they did them, and to connect their deeds with the world as it now is. I can't conceive of any picture-show equal to that, and all through my year with Shakespeare I shall be looking forward eagerly to my year with the historians. I plainly see that the neighbors will not need to bring in any playthings to amuse and entertain me, though, of course, I shall be grateful to them for their kindly interest. Then, the next year I shall devote to music, and if, by practising for nine hundred hours, I cannot acquire a good degree of facility in manipulating a piano or a violin, I must be too dull to ever aspire to the favor of Terpsichore. If I but measure up to my hopes during this year I shall be saved the expense of buying my music ready-made. The next year I shall devote to art, and by spending one entire evening with a single artist I shall thus become acquainted with three hundred of them. If I become intimate with this number I shall not be lonesome, even if I do not know the others. I think I shall give an art party at the holiday time of that year, and have three hundred people impersonate these artists. This will afford me a good review of my studies in art. It may diminish the gate receipts of the picture-show for a few evenings, but I suspect the world will be able to wag along.

Then the next year I shall study poetry, the next astronomy, and the next botany. Thus I shall come to know the plants of earth, the stars of heaven, and the emotions of men. That ought to ward off ennui and afford entertainment without the aid of the saloon. In the succeeding twelve years I shall want to acquire as many languages, for I am eager to excel Elihu Burritt in linguistic attainments even if I must yield to him as a disciple of Vulcan. If I can learn a language and read the literature of that language each year, possibly some college may be willing to grant me a degree for work in absentia. If not, I shall poke along the best I can and try to drown my grief in more copious drafts of work.

And I shall have quite enough to do, for mathematics, the sciences, and the arts and crafts all lie ahead of me in my programme. I plainly see that I have played my last game of tiddledywinks and solitaire. But I'll have fun anyhow. If I gain a half-year in each twelve-month as I have my programme mapped out, in seventy years I shall have a net gain of thirty-five years. Then, when Atropos comes along with her scissors to snip the thread, thinking I have reached my threescore and ten, I shall laugh in her face and let her know, between laughs, that I am really one hundred and five, and have played a thirty-five-year joke on her. Then I shall quote Bacon at her to clinch the joke: "A man may be young in years but old in hours if he have lost no time."


[The end]
Francis B. Pearson's essay: Longevity

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